Joan Miró

JOAN MIRO - LITHOGRAPHY - "MARAVILLAS ACROSTICAS EN EL JARDIN DE MIRO"

1975

ANTONI TAPIES was the leader of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world....

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction" and primarily considered as a post-war painter. Nevertheless, in the late 30s, the German born artist has already participated in numerous exhibitions throughout Europe. His career really began in 1922: aged just eighteen, even he doesn’t know the theories of Kandinsky, he produces a series of abstract watercolors striking by their sheer expressiveness. This is the beginning of a career that lasted nearly seventy years and was punctuated by constant technical innovations. Paradoxical artist, Hartung will often be at the opposite of the image the critics build of him, resulting in a "distorted reception" (Annie Claustres). Presented as a champion of a gestural, lyrical and emotional painting...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations aroun...

Vintage reproductive lithograph depicting a 1968 Miro work titled PINTURA DAMUNT FUSTA III published by Foundation Joan Miro, Barcelona Edition of 500 MIRO Ferra, Joan (Barcelona, ...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. "ELS MESTRES DE CATAL...

Tapies Litografia original 1974 TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the w...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIX Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations: ...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró V Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: Lith...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró X Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In ve...

Eduardo Arranz-Bravo - Casa negra (Black House) Date of creation: 1988 Medium: Lithograph on paper Edition: 75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Obse...

Print Edition 9, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...

Print Edition 6, Lithograph on Archival paper Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...