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Julian Stanczak
Julian Stanczak Yellow Filtration

1981

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  • Plate 4, from Derriere Le Miroir #173
    By Alexander Calder
    Located in Washington, DC
    Alexander Calder Derriere le Miroir #173 (Plate 4) Artist: Alexander Calder Medium: Original lithograph Title: Derriere le Miroir #173 (Plate 4) Portfolio: Derriere le Miroir #173 Ye...
    Category

    1960s Abstract Abstract Prints

    Materials

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  • Plate 1, from Derriere Le Miroir #173
    By Alexander Calder
    Located in Washington, DC
    Alexander Calder Derriere le Miroir #173 (Plate 1) Artist: Alexander Calder Medium: Original lithograph Title: Derriere le Miroir #173 (Plate 1) Portfolio: Derriere le Miroir #173 Ye...
    Category

    1960s Abstract Abstract Prints

    Materials

    Lithograph

  • Silver Liner
    By Nicholas Krushenick
    Located in Washington, DC
    Artist: Nicholas Krushenick Medium: Screenprint Title: Silver Liner Year: 1977 Edition: 103/200 Framed Size: 33 3/4" x 27 3/4" Sheet Size: 34" x 26" Signed: Hand signed in pencil
    Category

    1970s Abstract Prints

    Materials

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  • Flammes Interieures
    By Marcel Gromaire
    Located in Washington, DC
    Artist: Marcel Gromaire Medium: Lithograph Title: Flammes Intérieures Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Signed in the plate Framed Size: 22" x 18 1/...
    Category

    1950s Realist Abstract Prints

    Materials

    Lithograph

  • Plate 3, from Derriere Le Miroir #173
    By Alexander Calder
    Located in Washington, DC
    Artist: Alexander Calder Medium: Original lithograph Title: Plate 3, from Derriere le Miroir #173 Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unnumbered Framed Size: 21 x ...
    Category

    1960s Abstract Prints

    Materials

    Lithograph

  • American Nude from ¢ Life
    By Tom Wesselmann
    Located in Washington, DC
    Artist: Tom Wesselmann Medium: Lithograph in colors Title: American Nude Portfolio: 1¢ Life Year: 1964 Edition: 2000 Framed Size: 20 3/4" x 28 1/2" Signed: No
    Category

    1960s American Modern Figurative Prints

    Materials

    Lithograph

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  • Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
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    Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
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