Louise Nevelson

Dawn's Clouds

1977

Neon Intaglio Etching, c. 1970 Signed, titled and numbered in pencil Edition: 99 (76/99) Image size: 7 1/2 x 7 1/2 inches Sheet size: 22 x 17 inches Condition: Excellent Carlos Dávil...

Signed, dated, titled and number Edition: 25 (1/25), never fully realized Provenance: Estate of the artist Etching, engraving and color aquatint Sheet: 10 5/8 x 13 1/2"; Image...

Signed and dated in pencil lower right; Annotated: Artist's Proof in pencil lower left; printer's chop mark lower right Edition: 18 impressions and 2 ar...

Untitled (Undertow Variant) Etching and aquatint printed in colors Signed and numbered in pencil (see photos) Edition: 30 (9/30) see photo Condition: Excellent Image: 7 7/8 x 7" She...

Signed, dated, titled and numbered in pencil Edition: 100 Provenance: Estate of the artist By descent Sheet: 20 1/8 x 20 1/8"; Image size: 17 x 17"

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

Earth tones, an abstract lithograph by an unknown artist (American, 20th Century). Presented in a metal frame. Signed indistinctly and dated "92" lower right. Titled lower middle and...

Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and signed lower right. Unframed. Presented on mat. Image size: 22"H x 30"W. Margo Hoff was born in Tulsa, Oklahoma, in 1912—the second oldest of eight children. Stricken with typhoid fever in 1923, she was bedridden for a summer and amused herself by drawing and making paper cutouts. Her formal studies began in high school and continued during two years at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago where she took classes at Hull House, the National Academy of Art and, later, the School of the Art Institute of Chicago. She remained in Chicago until 1960 and the city’s vibrant mid-century art scene profoundly shaped the first half of her artistic career. Hoff’s Chicago paintings were almost entirely figurative and evidence a classic mid-century modern urbanism informed by Matisse, the Mexican muralists, and other artists of the local milieu. Hoff traveled extensively throughout her life, in the United States, Central and South America, the Middle East, Asia, Africa and Europe. When asked about the influences on her work Hoff stated “Almost anything except the work of other artists.” She cited the sources of her inspiration in “rocks, weeds, views from airplanes, rivers, subways, forests, machines, kinds of lights, red...

"Legato 2", a geometric abstract screen print with chartreuse color field by Michael Hale (British, b. 1934). Presented in a black wooden framed. Signed "Hale" lower right. Titled "Legato 2" lower left. Image size, 26"H x 20"W. Mike Hale could perhaps be considered something of a 'lost' figure within this movement. He was, a pioneering screen-printer and worked as a master printing technician at Kelpra Studios for a time, before going on to teach at the Leicester Collete of Art where his meticulous approach influenced a new generation of artists working in the medium which, by the 60s had exploded in popularity. "Kelpra Studios: In 1957, commercial screen printer Chris Prater and his wife Rose set up their own business in a tiny space in Kentish Town: Kelpra Studios. Within the period of a decade they had introduced a mind-boggling array of Britain’s greatest artists to the medium of screen-printing. Like the Wizard of Oz orchestrating proceedings from behind his curtain, Prater collaborated with them all to the highest degree, succeeding - virtually single handedly as it is now recognized - in elevating the medium to an accepted art form within the eyes of even our most traditional institutions. Early converts...

Bold geometric screen print with purple and teal composition by an unknown artist (American, 20th Century). Texture has been added with impressions in the upper right corner. Present...

color serigraphy on paper, edited in 1970 limited edition signed in pencil by artist and numbered as: 154/190 in lower right paper size: 60 x 60 cm very good conditions, with strong ...

2018 Screenprint in colors, on Arches Aquarelle paper Sheet size: 34 x 26 in. (86.4 x 66 cm) Edition of 40 Signed, dated and numbered in pencil, lower margin Unframed, mint