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Style: Pop Art
Medium: Screen
Louisiana Museum of Modern Art (LOVE) Poster /// Robert Indiana Pop Art Blue Red
Located in Saint Augustine, FL
Artist: (after) Robert Indiana (American, 1928-2018)
Title: "Louisiana Museum of Modern Art (LOVE)"
Year: 1972 (First edition)
Medium: Original Screenprint, Exhibition Poster on heav...
Category
1970s Pop Art Screen Abstract Prints
Materials
Screen
Roy Lichtenstein-Guggenheim Museum-1969 ORIGINAL Serigraph
Located in Brooklyn, NY
Sku: EF380
Artist: Roy Lichtenstein
Title: Guggenheim Museum
Year: 1969
Signed: No
Medium: Serigraph
Paper Size: 28.75 x 28.75 inches ( 73.025 x 73.025 cm )
Image Size: 23.25 x 23.25...
Category
1960s Pop Art Screen Abstract Prints
Materials
Screen
Love
Located in Washington, DC
Artist: Robert Indiana
Title: Love
Medium: Screenprint in colors on glossy wove paper
Year: 1997
Edition: AP 5/10 (artist's proof, aside from the edition of 150)
Frame Size: 30" x 28...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
1988 Man, Signed and inscribed, Estate of Dorothy Berenson Blau, Littmann PP. 92
By Keith Haring
Located in New York, NY
Keith Haring
1988 Man, from the Estate of Dorothy Berenson Blau (with unique inscription), 1988
Silkscreen. Signed and inscribed to pioneering Miami dealer...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen, Pencil
James Rosenquist F-111 TRIPTYCH (GIRL) Limited Skate Modern Design Pop American
Located in Madrid, Madrid
James Rosenquist F-111 TRIPTYCH A (GIRL)
Date of creation: 2021
Medium: Digital print on Canadian maple wood
Edition: 100
Size: 80 x 20 cm (each skate)
Condition: In mint conditions ...
Category
2010s Pop Art Screen Abstract Prints
Materials
Wood, Maple, Screen
FALCO Dance Co., Aspen Rare rainbow color silkscreen (hand signed & Inscribed)
Located in New York, NY
Robert Indiana
FALCO Dance Company (Hand Signed/Dedicated), 1968
Silkscreen on metallic and wove paper
Hand signed by Robert Indiana with personal inscription on the front
Unframed
T...
Category
1960s Pop Art Screen Abstract Prints
Materials
Foil
Harland Miller, Hate’s Outta Date - Signed Screen Print, Contemporary Pop Art
Located in Hamburg, DE
Harland Miller (British, b. 1964)
Hate’s Outta Date (Yellow), 2022
Medium: Screenprint on paper
Dimensions: 100 × 70 cm (39 2/5 × 27 3/5 in)
Edition of 125: Hand-signed and numbered
...
Category
21st Century and Contemporary Pop Art Screen Abstract Prints
Materials
Screen
Pop Art Aspen Road Sign D'arcangelo Silkscreen Chiron Press Vintage Art Poster
Located in Surfside, FL
Allan D'Arcangelo (American/New York, 1930-1998),
"Aspen Center of Contemporary Art",
1967
silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Pre...
Category
1960s Pop Art Screen Abstract Prints
Materials
Lithograph, Screen
With all My Flowering Heart Skateboard Triptych, 3 Limited Edition Skate Decks
By Yayoi Kusama
Located in New York, NY
Yayoi Kusama
With All My Flowering Heart (Triptych), 2014
Set of Three (3) Separate Limited Edition numbered skate decks on 7-ply Canadian maple wood
31 × 8 × 2/5 inches (each)
Hand ...
Category
2010s Pop Art Screen Abstract Prints
Materials
Screen, Wood, Mixed Media, Permanent Marker
New York State Theater, Lincoln Center, New York, Limited Edition 1960s poster
Located in New York, NY
Robert Indiana
New York State Theater, Lincoln Center, 1964
Silkscreen poster
45 1/2 inches (vertical) × 30 inches (horizontal)
(Ship rolled in a tube measuring 36 inches x 5 inches...
Category
1960s Pop Art Screen Abstract Prints
Materials
Screen
Vibrant Joe Tilson British Pop Art Screenprint, Woodblock, Colorful Print
By Joe Tilson
Located in Surfside, FL
Silkscreen screenprint with woodblock and silver leaf Hand signed and numbered. In vibrant color of blue and silver on heavy paper with an almost painting type texture to it.
Josep...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
1970's Large Silkscreen Abstract Geometric Day Glo Serigraph Pop Art Print Neon
Located in Surfside, FL
Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver).
Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece.
Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis.
Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor.
In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city.
Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years.
1961, Chryssa's first solo exhibition was mounted at The Guggenheim.
1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others.
1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972.
1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa.
That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979.
1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris.
Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds.
Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens.
In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
Joe Tilson British Pop Art Screenprint, Woodblock, Gold Leaf Print
By Joe Tilson
Located in Surfside, FL
Silkscreen screenprint with woodblock and gold leaf Hand signed and numbered.
Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and pr...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
1970's Large Silkscreen Abstract Geometric Day Glo Serigraph Pop Art Print Neon
Located in Surfside, FL
Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver).
Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece.
Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis.
Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor.
In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city.
Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years.
1961, Chryssa's first solo exhibition was mounted at The Guggenheim.
1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others.
1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972.
1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa.
That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979.
1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris.
Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds.
Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens.
In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
1970's Large Silkscreen Abstract Geometric Day Glo Serigraph Pop Art Print Neon
Located in Surfside, FL
Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in yellow, red, silver
Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece.
Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis.
Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor.
In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city.
Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years.
1961, Chryssa's first solo exhibition was mounted at The Guggenheim.
1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others.
1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972.
1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa.
That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979.
1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris.
Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds.
Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens.
In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
1970's Large Silkscreen Abstract Geometric Day Glo Serigraph Pop Art Print Neon
Located in Surfside, FL
Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in blue gray (silver).
Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece.
Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis.
Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor.
In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city.
Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years.
1961, Chryssa's first solo exhibition was mounted at The Guggenheim.
1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others.
1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972.
1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa.
That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979.
1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris.
Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds.
Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens.
In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
The Hartley Elegies: The Berlin Series - KvF III, Large Print by Robert Indiana
Located in Long Island City, NY
Artist: Robert Indiana
Title: The Hartley Elegies: The Berlin Series - KvF III
Year: 1990
Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil
Edition: 50 ...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
HOPE (R/W/B) LARGE 4 PANEL PAINTING
Located in Aventura, FL
Oil and Silkscreen ink on triple primed canvas. Hand signed, dated, titled and inscribed "P/P" on verso by Robert Indiana. Printer's Proof edition.
Total of 4 panels. Each panel ...
Category
Early 2000s Pop Art Screen Abstract Prints
Materials
Canvas, Oil, Screen
Shalom Pax Paix (The Peace Print) silkscreen on Rives BFK paper signed/N 35/50
Located in New York, NY
Robert Indiana
Pax, Paix, Shalom (The Peace Print), 2004
Silkscreen in 4 colors on rives BFK paper
Hand signed, dated, titled and numbered 35/50 in pencil by Robert Indiana on the f...
Category
Early 2000s Pop Art Screen Abstract Prints
Materials
Pencil, Screen
Surrealist Abstract Hebrew Shabbat Pop Art Silkscreen Judaica Jewish Serigraph
Located in Surfside, FL
Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...
Category
1980s Pop Art Screen Abstract Prints
Materials
Archival Paper, Screen
Ed Ruscha, L.C. (from Leo Castelli 90th Birthday), 1997, Pop Art, Signed Print
By Ed Ruscha
Located in Hamburg, DE
Ed Ruscha (American, born 1937)
L.C., from Leo Castelli 90th Birthday, 1997
Medium: Screenprint in colors, on Somerset Velvet paper
Dimensions: 94.2 x 68.8 cm (37 1/8 x 27 1/8 in)
Ed...
Category
Late 20th Century Pop Art Screen Abstract Prints
Materials
Screen
Surrealist Abstract Hebrew Aleph Pop Art Silkscreen Judaica Jewish Serigraph
Located in Surfside, FL
Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...
Category
1980s Pop Art Screen Abstract Prints
Materials
Archival Paper, Screen
Hungarian Surrealism Pop Art Hebrew Silkscreen Judaica Print Jewish Serigraph
Located in Surfside, FL
Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...
Category
1980s Pop Art Screen Abstract Prints
Materials
Archival Paper, Screen
Dave Buonaguidi, Party Like It's 1999: Signed Screen Print, Contemporary Pop Art
Located in Hamburg, DE
Dave Buonaguidi
Party Like It's 1999, 2021
Medium: Screenprint on paper
Dimensions: 42 x 29.7 cm
Edition of 60: Hand-signed and numbered in pencil
Category
21st Century and Contemporary Pop Art Screen Abstract Prints
Materials
Screen
"God is Lily of the Valley", from the American Dream Portfolio by Robert Indiana
Located in Long Island City, NY
Artist: Robert Indiana, American (1928 - 2018)
Title: God is a Lily of the Valley from the American Dream Portfolio
Year: 1961-62 (1997)
Medium: Serigraph
Edition: 395
Image Size: 16...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
"Wrapped Statues, Aegina Temple" Large screen print with collage.
Located in San Francisco, CA
This artwork titled "Wrapped Statues, Aegina Temple, Project for the Munich Glyptotek" from the "Official Arts Portfolio of the XXIV Olympic" 1988, is an original screen print with c...
Category
Late 20th Century Pop Art Screen Abstract Prints
Materials
Screen
Large Pop Art Abstract Figure Digital Barcode Silkscreen Screenprint 80s Memphis
By David Prentice
Located in Surfside, FL
I was told this might be by another David Prentice. as I am uncertain I will add his bio. I cannot ascertain which one it is.
Vintage 1981 DAVID PRENTI...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
Paris Review (Lt. Ed. S/N) 1960s print by renowned Pop Artist abstract landscape
Located in New York, NY
Allan D'Arcangelo
Paris Review, 1964-5
Silkscreen
32 × 26 inches
Signed and numbered from the limited Edition of 150
pencil signed, numbered and dated on the front
Unframed
Published by the Paris Review, Printed by Steven Poleskie at Chiron Press, New York
Allan D'Arcangelo created this work in 1964 as a benefit print for the eponymous Paris Review magazine which invited some of the most famous artists of the era to contribute. Over the next decade, D'Arcangelo would continue to receive significant recognition in the art world - exhibiting at Fischbach and then Marlborough Galleries in Manhattan. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. In her essay "Ghost on the Highway: Allan D'arcangelo's Haunting Americana", Alice Bucknell writes, "A born-and-bred New Yorker, D’Arcangelo spent his due time trawling through the Bible Belt of the Deep South and the dizzying expanse of the Southwest desert as well as the more expected outposts of New York and L.A. Taking a particular favor to the way acrylic interacts with light — how it avoids the glistening sheen of oil, and how the flatness of the medium masks the presence of the artist’s hand — D’Arcangelo teases out complex ideas of the highway’s reality and representation, its rampant commercialization and maddening isolation, as well as escapism and entrapment as two split personalities of American infrastructure space through his signature flattening one-point perspective. “My most profound experiences of landscape were looking through the windshield,” D’Arcangelo explained to Marco Livingstone in the spring of 1988 while the two drove from New York City to the artist’s studio in upstate New York: an idiosyncratic interview included in the exhibition catalogue. “The sky, the tree line and the pavement all have the same quality, and it has to do with our separation from the natural world.” Far from the sugar...
Category
1960s Pop Art Screen Abstract Prints
Materials
Pencil, Screen
Global Warning - Global Warming (Andy Warhol museum Edition) - environmental art
Located in New York, NY
SHEPARD FAIREY
Global Warning - Global Warming (Andy Warhol Edition), 2009
Silkscreen on wove paper
24 × 18 inches
Pencil signed and numbered 264/450 on the front
Unframed
Global Warning - Global Warming - is the rare pink Andy Warhol edition, separate from the regular red edition. Limited Edition hand signed, dated and numbered silkscreen print created exclusively for the opening of Shepard Fairey's "Supply and Demand" Exhibition at the Andy Warhol Museum in Pittsburgh. This incredibly popular screenprint sold out very soon after the sale was announced by the museum. Fairey's "Global Warming", featuring a sunbathing woman covering herself with the aptly titled "Sun" newspaper, directly attacks the right-wing who deny the science of climate change, and even features his own Windmill Power poster...
Category
Early 2000s Pop Art Screen Abstract Prints
Materials
Screen, Pencil
HOPE, signed and numbered silkscreen from Artists for Obama portfolio 138/200
Located in New York, NY
Robert Indiana
HOPE for the Democratic National Committee, 2008
Oil silkscreen in colors on watermarked Coventry archival paper
25 × 19 inches
Edition 138/200
Signed, dated and numbered 138/200 in graphite pencil on the front; paper is watermarked by AIA with text
(There were also 25 Artist's Proofs)
Published by American Image Art (AIA) for the Obama Victory Fund and the Democratic National Committee, master printer Gary Lichtenstein
Unframed
This work was published in 2008 as part of the "Artists for Obama" portfolio, in which some of the top artists contributed prints to raise money for Obama's presidential campaign. Robert Indiana donated all of the proceeds of the sale of this work to electing Barack Obama. During the 2020 election, it became an even greater part of American popular culture when it was featured on the influential NBC show Saturday Night Live's cold open skit featuring the Vice Presidential debate between Kamala Harris and Mike Pence. Mid-debate, "Joe Biden" (played by actor Jim Carrey...
Category
Early 2000s Pop Art Screen Abstract Prints
Materials
Screen, Pencil
POGANY rare 17 color 1960s British Pop silkscreen signed numbered edition of 70
Located in New York, NY
R.B. Kitaj
POGANY, 1966
17 colour Screenprint and Photo-screenprint
24 × 36 inches
Pencil signed and numbered from the Limited Edition of 70
Hand-signed by artist, Signed & numbered ...
Category
1960s Pop Art Screen Abstract Prints
Materials
Screen, Pencil
Untitled (Plate 4 from the Blueprint Drawings)
By Keith Haring
Located in Hollywood, FL
Artist: Keith Haring
Title: Untitled (Plate 4 from the Blueprint Drawings)
Size: 42 1/2 × 57 1/2 in 108 × 146.1 cm
Medium: Screen Print on wove paper
Edition: 4 of 33
Year: 1990
...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
Stable Gallery 16 October 1962 hand signed & inscribed by Robert Indiana - RARE
Located in New York, NY
Robert Indiana
Stable Gallery 16 October 1962 (Hand Signed & Inscribed)
Silkscreen on art paper
Signed and Dedicated in pencil on the recto. The dedication and signature reads "For...
Category
1960s Pop Art Screen Abstract Prints
Materials
Pencil, Screen
Cow
By Andy Warhol
Located in New York, NY
A very good impression of this color screenprint on wallpaper. Printed by Bill Miller's Wallpaper Studio, Inc., New York. Published by Factory Additions, New York, with the copyright...
Category
1970s Pop Art Screen Abstract Prints
Materials
Screen, Color
"Paris Review" signed / numbered serigraph
Located in Henderson, NV
Medium: original serigraph. Signed and numbered in pencil 82/150. Executed in 1965 for the Paris Review (catalogue reference: Burchfield 2). The image size is 29 x 25 inches and the ...
Category
1960s Pop Art Screen Abstract Prints
Materials
Screen
Vintage Original Poster Sister Corita Kent Lithograph Pop Art "Life Without War"
Located in Surfside, FL
Corita Kent (American, 1918 - 1986)"We Can Create Life without War"
Corita Billboard Peace Project Poster
1985 Corita Billboard Event - Part of Peace Week, January 17-24, 1985
San Lu...
Category
1980s Pop Art Screen Abstract Prints
Materials
Lithograph, Screen, Offset
Gilbert & Sullivan Signed and numbered screenprint for the New York City Center
By Jim Dine
Located in New York, NY
Jim Dine
Gilbert & Sullivan, 1968
Color Silkscreen on wove paper
35 × 25 inches
Edition 6/144
Hand-signed by artist, signed, dated and numbered lower left
New York City Center of Mus...
Category
1960s Pop Art Screen Abstract Prints
Materials
Permanent Marker, Screen
Untitled Littmann 50
By Keith Haring
Located in Miami, FL
EA Artists Proof aside from edtion of 150. Screenprint in colors on Wove Paper.
Hand signed, numbered from the Artists Proof edition of 20 and dated '85 in pencil right side margin. Published by Martin Lawrence Limited Editions, Inc., New York...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
December, OP Art Print by Herbert Bayer 1969
Located in Long Island City, NY
Artist: Herbert Bayer, Austrian (1900–1985)
Title: December
Year: 1969
Medium: Silkscreen, signed and numbered in pencil
Edition: 6/100
Size: 14 x 12 in. (35.56 x 30.48 cm)
Frame: 20...
Category
1960s Pop Art Screen Abstract Prints
Materials
Screen
Dots Infinity (1986). Screenprint. Limited Edition 57/100 by Yayoi Kusama ABE 94
By Yayoi Kusama
Located in Hong Kong, HK
Yayoi Kusama
Dots Infinity (1986). Edition 57/100
Screenprint
[2 screens, 2 colors]
Signed, titled, dated and numbered 53/100 in pencil by the artist
28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
Why can't you tell
Located in San Francisco, CA
This artwork titled "Why Can't You Tell" from the suite "Nine Prints" is an original screen print with offset lithograph and fabric collage on B.F.K. Rives paper by American artist ...
Category
Late 20th Century Pop Art Screen Abstract Prints
Materials
Screen
Turn to Me I See Eternity - popular limited edition Valentine's day print
Located in New York, NY
Stephen Powers
Turn to Me I See Eternity, 2016
Three color screenprint on 235g Coventry Rag
Pencil with artist's trademark hat logo and numbered from the edition of 100
12 × 12 inche...
Category
2010s Pop Art Screen Abstract Prints
Materials
Screen, Pencil
China (gorgeous silkscreen on lanaquarelle from renowned artist's map series)
By Paula Scher
Located in New York, NY
Paula Scher
China, 2013
Hand pulled silkscreen on deluxe Lanaquarelle paper
24 3/5 × 28 1/5 inches
Edition of 95
Pencil signed and numbered on the front
Unframed
Paula Scher Biography
Renowned graphic designer and artist Paula Scher's silkscreen China, from her map series, represents a subjective take on the country’s superpower status. Through the visual vibrancy of information overload in the print, Scher captures the swift transformations taking place in a country steeped with a rich cultural and historical fabric. The multi-directional, scrawled names of sites and statistics speaks to China’s complicated history, from its imperial age of dynasties and warlord conquests, to the violent tumult of its communist conversion.
Paula Scher is one of the most influential graphic designers in the world. Described as the “master conjurer of the instantly familiar,” Scher straddles the line between pop culture and fine art in her work. Iconic, smart, and accessible, her images have entered into the American vernacular.
Scher has been a partner in the New York office of Pentagram since 1991. She began her career as an art director in the 1970s and early 80s, when her eclectic approach to typography became highly influential. In the mid-1990s her landmark identity for The Public Theater...
Category
2010s Pop Art Screen Abstract Prints
Materials
Screen, Graphite
Twin Mirrors (C.102), 1970
Located in Greenwich, CT
Twin Mirrors (C.102) is a screenprint on paper created for the Guggenheim Museum in 1970, 35 x 21 inches image size, signed and dated 'rf Lichtenstein '70' lower right and numbered 94/250 lower left (from the edition of 250 plus an unknown number of artist proofs). Framed in a contemporary white frame.
Catalog -
Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.118, #102.
About Lichtenstein’s Mirror...
Category
20th Century Pop Art Screen Abstract Prints
Materials
Paper, Screen
Mirror #9 (C.114, Mirror Series), 1972
Located in Greenwich, CT
Mirror #9 (C.114) from the Mirror Series is a screenprint and lithograph on paper, 30 x 21.18 inches, signed and dated 'rf Lichtenstein '72' lower center margin and framed in a contemporary white frame.
Catalog -
Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114.
About Lichtenstein’s Mirror Series (taken from Corlett):
Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66).
This Gemini group (catalog nos. 1-6 - 114) utilizes lithography, screenprint, line-cut, and embossing... In an interview with Lawrence Alloway, Lichtenstein noted: “You know, I am always impressed by how artificial things look – like descriptions of office furniture in newspapers. It is the most dry kind of drawing, as in the Mirrors. They really only look like mirrors if someone tells you they do. Only once you know that, they may be moved as far as possible from realism, but you want it to be taken for realism. It becomes as stylized as you can get away with, in an ordinary sense, not stylish.” As Jack Cowart has commented: “One would not actually stand in front of a Lichtenstein Mirror...
Category
20th Century Pop Art Screen Abstract Prints
Materials
Lithograph, Screen
Mirror #7 (C.112), 1972
Located in Greenwich, CT
Mirror #7 (C.112) is a screenprint and lithograph on paper, 29.75 x 17.37 inches, signed and dated 'rf Lichtenstein '72' lower right and numbered 62/80 lower left. From the edition of 96 (there were also 10 AP, and 6 other various proofs). Framed in a contemporary white frame.
Catalog -
Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.125, #112.
About Lichtenstein’s Mirror...
Category
20th Century Pop Art Screen Abstract Prints
Materials
Lithograph, Screen
Joseph Beuys, FIU Joseph Beuys, 7000 Eichen - Signed Screenprint from 1982
By Joseph Beuys
Located in Hamburg, DE
Joseph Beuys (German, 1921-1986)
FIU Joseph Beuys, 7000 Eichen, 1982
Medium: Screenprint on black card stock
Dimensions: 61.5 x 45.8 cm
Edition of 100: Hand-signed in silver
Conditio...
Category
20th Century Pop Art Screen Abstract Prints
Materials
Screen
June, Pop Art Print by D'arcangelo 1969
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998)
Title: June
Year: 1969
Medium: Silkscreen, signed and numbered in pencil
Edition: 6/100
Size: 14 x 12 in. (35.56 x 30.48 cm)
Frame: ...
Category
1960s Pop Art Screen Abstract Prints
Materials
Screen
May, OP Art Print by Winfred Gaul 1969
Located in Long Island City, NY
Artist: Winfred Gaul, German (1928–2003)
Title: May
Year: 1969
Medium: Silkscreen, signed and numbered in pencil
Edition: 6/100
Size: 14 x 12 in. (35.56 x 30.48 cm)
Frame: 20 x 18 in...
Category
1960s Pop Art Screen Abstract Prints
Materials
Screen
Over The Rainbow Signed Limited Edition Screen Print 1978
Located in Rochester Hills, MI
Nicholas Krushenick
Over The Rainbow - 1978
Print Type: Screen Print on Somerset paper
Size-Width Size-Height: 27.3'' x 37.5'' inches
Signed Edition Size: Signed in pencil and marked 23/200
Unframed
One of America’s premier Pop art...
Category
1970s Pop Art Screen Abstract Prints
Materials
Screen
V is for Valentine
By Peter Blake
Located in New York, NY
Peter Blake
V is for Valentine (from the Alphabet Series), 1991
Silkscreen in colors on wove paper
40 2/5 × 30 3/5 inches
Hand signed, titled and numbered 49/95 on the front
Published by Waddington Graphics and Corianda Studios
from the Alphabet Series
Unframed
An exquisite print with romantic imagery in a sweet, romantic pastel pink. 'V for Valentine' is from Blake's 1991 series of alphabet letters. This tender and sentimental piece comprises a collection of antique valentine...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
Ray Gun by Claes Oldenburg: screen print with raw black grey industrial texture
Located in New York, NY
Ray gun is one of Oldenburg’s most iconic motifs, and the artist’s tongue-in-cheek alter ego. Oldenburg took the name from a weapon used in the show “Buck Rogers in the 25th Century ...
Category
Late 20th Century Pop Art Screen Abstract Prints
Materials
Screen
1980's Large Silkscreen Chinese Characters Serigraph Pop Art Print China
Located in Surfside, FL
Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece.
Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis.
Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor.
In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city.
Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years.
1961, Chryssa's first solo exhibition was mounted at The Guggenheim.
1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others.
1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972.
1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa.
That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979.
1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris.
Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds.
Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens.
In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises.
Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
Resonance, Allan D'Arcangelo
Located in Fairfield, CT
Artist: Allan D’Arcangelo (1930-1998)
Title: Resonance
Year: 1978
Edition: 98/150, plus proofs
Medium: Silkscreen on Arches paper
Size: 30 x 26 inches
Condition: Excellent
Inscriptio...
Category
1970s Pop Art Screen Abstract Prints
Materials
Screen
Left Turn, Allan D'Arcangelo
Located in Fairfield, CT
Artist: Allan D’Arcangelo (1930-1998)
Title: Left Turn
Year: 1979
Edition: 148/175, plus proofs
Medium: Silkscreen on Arches paper
Size: 34 x 26 inches
Condition: Excellent
Inscripti...
Category
1970s Pop Art Screen Abstract Prints
Materials
Screen
"Eternal Hexagon" original serigraph
Located in Henderson, NV
Medium: original serigraph / silkscreen. In 1964 Samuel Wagstaff, Jr. (at that time Curator of Paintings at the Wadsworth Atheneum in Hartfordford, Connecticut) selected ten importan...
Category
1960s Pop Art Screen Abstract Prints
Materials
Screen
Autoportraits Vinalhaven Suite, 1980, Complete Set of 10
Located in Austin, TX
Artist: Robert Indiana (1928-2018)
Title: Autoportraits Vinalhaven Suite, 1980,
The complete set of ten screenprints in colors, all framed
Year: 1980
Medium: Screen print on Fabrian...
Category
1980s Pop Art Screen Abstract Prints
Materials
Screen
Philadelphia Love, Pop Art Screenprint by Robert Indiana
Located in Long Island City, NY
A silkscreen print by Robert Indiana of his iconic Love in red, blue, and green.
Artist: Robert Indiana, American (1928 - )
Title: Philadelphia Love
Year: circa 1996
Medium: Silkscr...
Category
1990s Pop Art Screen Abstract Prints
Materials
Screen
Screen abstract prints for sale on 1stDibs.
Find a wide variety of authentic Screen abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, purple, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Roy Ahlgren, Victor Debach, Risaburo Kimura, and Mario Padovan. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Screen abstract prints, so small editions measuring 0.02 inches across are also available