Kitchen Sink II
View Similar Items
1 of 4
Roxanne Faber SavageKitchen Sink II2015
2015
About the Item
- Creator:Roxanne Faber Savage (American)
- Creation Year:2015
- Dimensions:Height: 42 in (106.68 cm)Width: 29.75 in (75.57 cm)
- Movement & Style:
- Condition:
- Gallery Location:Pound Ridge, NY
- Reference Number:1stDibs: LU424515322
You May Also Like
- Labyrint. V. / Linocut / Edition 2/10 signedLocated in Slovak Republic, SKLinocut, signed by the author, from the series " Where we are Heading?"Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsLinocut
- Untitled (SF-314) Michel Waldberg: Sky PoemsBy Sam FrancisLocated in London, GBSAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SF-314) Michel Waldberg: Sky Poems Michel Waldberg: Poèmes dans le Ciel...Category
1980s Abstract Abstract Prints
MaterialsLithograph
- Large Abstract by Mike Cloud (colorful abstract forms on a grid pattern)By Mike CloudLocated in New York, NYScreenprint in colors on wove paper, 2007, signed in pencil and numbered from the edition of 108, image: 980 by 672 mm 38 3/4 by 26 1/2 inches, sheet: 1160 by 828 mm 45 5/8 by 32 5/8...Category
Early 2000s Abstract Abstract Prints
MaterialsScreen
$1,440 Sale Price20% Off - 191j24011 (Abstract print)By Pierre MuckensturmLocated in London, GB191j24011 (Abstract print) Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and ...Category
2010s Abstract Abstract Prints
MaterialsPaper, Ink, Engraving
- 191J24019 (Abstract print)By Pierre MuckensturmLocated in London, GBEngraving / carborundum on zinc printed on BKF paper 250 g - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him ...Category
2010s Abstract Abstract Prints
MaterialsPaper, Engraving
- 17.1By Pierre MuckensturmLocated in London, GBCarborundum and drypoint on copper. Printing on BFK Rives paper 250 g. Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Edition 7/15 Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. In 2004, Muckensturm began working with oil on large scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...Category
2010s Abstract Abstract Prints
MaterialsPaper, Drypoint