Imperfect Print for B.A.M
View Similar Items
Roy LichtensteinImperfect Print for B.A.M1987
1987
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1987
- Dimensions:Height: 59.45 in (151 cm)Width: 31.5 in (80 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: 976921stDibs: LU4708620312
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- Miles from AmericaBy James RosenquistLocated in London, GBLithograph in colours, 1975, on wove paper, signed and dated in pencil, numbered from the edition of 200 (there were also 25 artist's proofs), published by APC Editions, New York, 76...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- Video DiscsBy Peter SedgleyLocated in London, GBComplete set of six kinetic screenprints, 1969, on aluminium, signed, titled, dated 1970 and numbered from the edition of 100 incised verso, published by Editions Alecto, London, eac...Category
1970s Kinetic Abstract Prints
MaterialsScreen
- Forms in a FlurryBy Barbara HepworthLocated in London, GBScreenprint in colours, 1969-70, signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 ...Category
1960s Abstract Abstract Prints
MaterialsScreen
- Aylesbury EstateBy Keith CoventryLocated in London, GBScreenprint in colours, 2014, signed, edition of 50, 54 x 42 cm. (21¼ x 16½ in.) Keith Coventry was born in Burnley in 1958 and lives and works in London. He attended Brighton Polytechnic 1978– 81 and Chelsea School of Art London 1981– 82. He was featured in the seminal exhibition Sensation at the Royal Academy of Arts, London, in 1997 and in 2006, he received a mid-career retrospective at Glasgow's Tramway (Art Centre). He was also a co-founder and curator of City Racing, an influential not-for-profit gallery in Kennington, South London from 1988-98. His work has been exhibited widely in the UK and Europe and is included in collections worldwide, including the British Council; Tate Modern; Arts Council of England; Walker Art Center, Minneapolis;, and The Museum of Modern Art, New York. In 2010 Coventry was awarded the John Moores Painting...Category
21st Century and Contemporary Abstract Geometric Prints and Multiples
MaterialsScreen
- Ahab, from The Waves SeriesBy Frank StellaLocated in London, GBScreenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...Category
1980s Abstract Abstract Prints
MaterialsLithograph, Screen
- Barbara Hepworth, Rangatira II, 1969-70By Barbara HepworthLocated in London, GBA lesser known side of Barbara Hepworth’s artistic oeuvre are her works on paper. Showcasing her incredible draftmanship, the artist said of her ‘Opposing Form’s’ series, that the dr...Category
1960s Abstract Abstract Prints
MaterialsScreen
- Two Paintings: Beach Ball, from Paintings SeriesBy Roy LichtensteinLocated in Palo Alto, CARoy Lichtenstein Two Paintings: Beach Ball, from Paintings Series, 1984 uses his signature patterns and lines to create various visual implications. Straight lines are used to emphas...Category
1980s Pop Art Abstract Prints
MaterialsLithograph, Screen, Woodcut
Price Upon Request - Blue FaceBy Roy LichtensteinLocated in New York, NYA stunning example of abstracted imagery easily identifiable as the work of Roy Lichtenstein, Blue Face was created by the artist in 1989 as a truly mixed me...Category
20th Century Pop Art Abstract Prints
MaterialsLithograph, Screen, Woodcut
Price Upon Request - TotemBy Keith HaringLocated in New York, NY1989 Woodcut in colors, on three sheets of paper 79 1/4 x 35 in. (201.3 x 88.9 cm) Edition of 60 Signed, dated, and numbered in pencil, lower rightCategory
1980s Pop Art Abstract Prints
MaterialsPaper, Woodcut
Price Upon Request - American Indian Theme VI, from: American Indian Theme - Indigenous Pop ArtBy Roy LichtensteinLocated in London, GBThis original woodcut in colours is hand signed in pencil "R. Lichtenstein" at the lower right margin. It is dated ‘80’ [1980] next to the signature. It is also numbered in pencil from the edition of 50, at the lower right margin. There were also 18 artist’s proofs aside from the standard edition. The subject was printed and published by Tyler Graphics Ltd., Bedford, New York in 1980. The paper bears the blindstamp of the printer and publisher. This is the sixth composition of six comprising the ‘American Indian Theme...Category
1980s Pop Art Abstract Prints
MaterialsWoodcut
- Sol LeWitt – Form Derived from a Cubic Rectangle (Steps) – hand-signed woodcutBy Sol LeWittLocated in Varese, ITwoodcut in colors on Fukui-Kozo paper, edited in 1992 Limited edition of 75 copies in Arabic numerals, 24 in Roman numerals, and 26 lettered impressions Signed in pencil by artist in...Category
1990s Pop Art Abstract Prints
MaterialsPaper, Woodcut
- Face of a Woman, Figurative Abstract Pop Art Woodcut Portrait on Handmade PaperBy Paula WalzerLocated in Soquel, CAFace of a Woman, Figurative Abstract Pop Art Woodcut Portrait on Handmade Paper Bold pop art woodcut print on handmade paper of a woman's face in black and red, repeated in 4 vertical registers like a film strip, by Monterey Bay artist Paula Walzer...Category
Late 20th Century Pop Art Figurative Prints
MaterialsPaper, Handmade Paper, Woodcut