Imperfect 2, from: Imperfect Series
View Similar Items
Roy LichtensteinImperfect 2, from: Imperfect Series1988
1988
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1988
- Dimensions:Height: 68.82 in (174.8 cm)Width: 91.89 in (233.4 cm)Depth: 2.37 in (6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: 1021631stDibs: LU4708620422
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- Miles from AmericaBy James RosenquistLocated in London, GBLithograph in colours, 1975, on wove paper, signed and dated in pencil, numbered from the edition of 200 (there were also 25 artist's proofs), published by APC Editions, New York, 76...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- Ifafa IBy Frank StellaLocated in London, GBLithograph with varnish, 1968, with LC Varnish on Lowell paper, signed, dated and numbered from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 41.3 x 56.8 cm. (...Category
1960s Abstract Prints
MaterialsScreen
$12,973 - Referendum '70By Frank StellaLocated in London, GBScreenprint, 1970, signed, dated and numbered an AP aside the edition of 200 (there were 15 AP in total), published by Gemini G. E. L., Los Angeles., sheet: 99.5 x 98 cm (39¼ x 38½ i...Category
1970s Abstract Geometric Abstract Prints
MaterialsScreen
- RiallaroBy Frank StellaLocated in London, GBEtching, aquatint, collagraph, lithograph and screenprint in colours, 1995, from Frank Stella's series Imaginary Places. Titled after an imaginary archipelago in John Macmillan Brown...Category
Late 20th Century Abstract Prints
MaterialsScreen
$34,341 - York Factory IIBy Frank StellaLocated in London, GBScreenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...Category
1970s Abstract Prints
MaterialsScreen
- Ahab, from The Waves SeriesBy Frank StellaLocated in London, GBScreenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...Category
1980s Abstract Abstract Prints
MaterialsLithograph, Screen
- Alex Katz, Night (from Northern Landscapes): Woodcut, Pop Art, Signed PrintBy Alex KatzLocated in Hamburg, DEAlex Katz (American, born 1927) Night (from Northern Landscapes), 1994 Medium: Woodcut in colors, on Japan paper Dimensions: 51 × 40.5 cm (20 1/10 × 15 9/10 in) Edition of 100: Hand-...Category
20th Century Pop Art Abstract Prints
MaterialsWoodcut
- Dave Buonaguidi, Party Like It's 1999: Signed Screen Print, Contemporary Pop ArtLocated in Hamburg, DEDave Buonaguidi Party Like It's 1999, 2021 Medium: Screenprint on paper Dimensions: 42 x 29.7 cm Edition of 60: Hand-signed and numbered in pencilCategory
21st Century and Contemporary Pop Art Abstract Prints
MaterialsScreen
- Column Study from Capital Ideas 3 by Clayton PondBy Clayton PondLocated in Long Island City, NYArtist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...Category
1970s Pop Art Interior Prints
MaterialsScreen
$600 Sale Price20% Off - Column Study from Capital Ideas 7 by Clayton PondBy Clayton PondLocated in Long Island City, NYArtist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...Category
1970s Pop Art Interior Prints
MaterialsScreen
- Column Study from Capital Ideas 5 by Clayton PondBy Clayton PondLocated in Long Island City, NYArtist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...Category
1970s Pop Art Interior Prints
MaterialsScreen
- Ed Ruscha, L.C. (from Leo Castelli 90th Birthday), 1997, Pop Art, Signed PrintBy Ed RuschaLocated in Hamburg, DEEd Ruscha (American, born 1937) L.C., from Leo Castelli 90th Birthday, 1997 Medium: Screenprint in colors, on Somerset Velvet paper Dimensions: 94.2 x 68.8 cm (37 1/8 x 27 1/8 in) Ed...Category
Late 20th Century Pop Art Abstract Prints
MaterialsScreen