Salvador Dalí­

The Angel Drove Out The Fiery Flame Biblia Sacra Salvador Dali 1964

1964

Fire, Fire, Fire an original signed limited edition lithograph from the series “The World Of Currier And Ives as interpreted by Salvador Dali” pub...

American Yachting Scene is a vibrant explosion of ocean blue , whitecaps and strong yellow slashes to describe the ships sailing to their destination. There is an insert of a Currier and Ives print of sailing ships that Dali used as his inspiration. This original lithograph is from the series “The World Of Currier...

Dali Inaguracion Teatro Museo Figueras Espana Septiember 1974 is a rare plate signed vintage poster celebrating the opening of the Salvad...

Sun Goddess Flower original signed limited edition lithograph by the great surrealist Salvador Dali. A dynamic and colorful image in greens reds...

A street scene in the Parisian district of Montmartre created for the portfolio Le Village inspire, Chronique de la Boheme de Montmartre (1920-1950)..... after Maurice Utrillo edited by Vertex in 1950 and limited to 550 copies. Signed within the plate lithograph with hand coloured pochoir. The Le Village Inspire suite, which consisted of 12 pochoirs after the Utrillo gouaches...

Bird on a Tree is an original signed limited edition ( 24/60 ) woodblock print by the Italian artist Alessandro Nastasio. It is in very good condition. Paper size 16.25 x 13.75 image 7 x 6.75 Nastasio was born in Milan in 1934. In 1952 he followed the “free school of the nude” led by Aldo Salvatori. In 1960 he attended the Atelier of Giorgio Upilio where Giacometti, Lam, Fontana, De Chirico worked and where he had the opportunity to study the themes of the inspiring myths. He worked at the MAF foundry with the master Tullio Figini who shared the secrets of the lost wax Renaissance fusion and where he met the masters Crocetti, Manfrini, Manzu , Minguzzi, Fabbri,. He then moved on to Quinto de Stampi at the De Andreis foundry where Marino Marini, Pomodoro, Rudy Wach, Strebelle, Negri and Rosental operated. A regular reader of the great sapienzal texts of antiquity, he trained in particular on the Bible which he illustrated with woodcuts, aquatints, etchings and linocuts, especially the Song of Songs, the book of Ecclesiastes and several pages of the Gospels He also drew his inspiration from the philosophical-religious tradition of the Eastern world through the reading of Rig-Veda, Upanisad and the Matnavi of Rumi. In 1966-67 he obtained the chair at the Academy of Fine Arts of Brera and for thirty years he devoted himself to the teaching of Art Education in various schools. Nastasio created works both pictorial and plastic in collaboration with famous architects such as: Figini and Pollini, De Carli, Gardella, Faranda, Selleri, Ponti. His great talent soon came to the attention of various art dealers: first Max G...

Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...

Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...

Untitled I Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Untitled X Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 13.5 in. x 19.5 in. (34.29 cm x 49.53 cm)

Untitled 26 Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Untitled - Paper Tree Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)