Salvador Dalí­

LA VIDA ES SUEÑO: title plate engraving painting

1975

Work of the Spanish artist SALVADOR DALI. Engraving of the series LA DIVIDA COMEDIA 4/100 SIGNED IN PENCIL DALÍ, Salvador (Figueras, Gerona, 1904-1989). During its early years, Dal...

Sensations engraving surrealist limited edition painting Paper handmade of 600 grs. Edition of 100 copies Numbered in pencil and signed Born in Vic, Cataluña, in 1947, he resides in Mexico since 1998. Heir of the Spanish school by tradition and through his personal relation with the three Spanish giants of the 20th Century: Picasso, Dalí and Miró. He has over 50 individual exhibitions presented in Mexico, El Salvador, Puerto Rico, Spain, Sweden, France, and the U.S.A., such as “The color of the music of Rodolfo Halffter”, Pecanins Gallery (Mexico City, 2005); “Opus in color”, Museum of Anthropology (Jalapa, Ver., Mexico, 2004); Museum of Art of Queretaro (Queretaro, Mexico, 2001); Spanish Institute of Culture in El Salvador (San Salvador, El Salvador, 2000); “From flesh to passion”, Siqueiros Cultural Polyforum (Mexico City, 1999). He arrived in Mexico in 1997 with an invitation to present the exhibition “Germ of Illusions”, Pemex (Mexico City). Before his experience in Mexico, he realized the Olympic Suite “Homage to the Olympic Subvenues Barcelona 92...

Work of the Spanish artist SALVADOR DALI. Engraving of the series LA DIVIDA COMEDIA 4/100 SIGNED IN PENCIL DALÍ, Salvador (Figueras, Gerona, 1904-1989). During its early years, Dal...

Work of the Spanish artist SALVADOR DALI. Engraving of the series LA DIVIDA COMEDIA 4/100 SIGNED IN PENCIL DALÍ, Salvador (Figueras, Gerona, 1904-1989). During its early years, Dal...

Work of the Spanish artist SALVADOR DALI. Engraving of the series LA VIDA ES SUEÑO. Printed signature and date, as issued Catalog. OFFICIAL CATALOG GRAPHYC WORKS BY ALBERT FIELD Page...

Work of the Spanish artist SALVADOR DALI. Engraving of the series LA DIVIDA COMEDIA 4/100 SIGNED IN PENCIL DALÍ, Salvador (Figueras, Gerona, 1904-1989). During its early years, Dal...

Salvador Dali Surrealist Skeleton, 1975 Original etching Signed in pencil Limited to 100 copies (Here numbered 52) On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in) REFERENCES : ...

Joan Ponç - SIN TÍTULO 1 Date of creation: 1975 Medium: Etching on paper Edition number: 70/75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Observations: Etchin...

Gerome Kamroski, Untitled 'Surrealist Abstraction', drypoint, 1946, edition 28 (editioned in 1996). Signed, dated '1946, ed 1996", and numbered '7/28' in pencil. A fine impression, ...

Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition. Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Syracuse University Art Museum. ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...

Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 9, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impress...

Hans Bellmer, Untitled (Two Nudes), engraving and drypoint, 1971, edition 99. Signed and numbered '94/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet wit...