Sam Francis

Sam Francis "Turn"

1972

During the 60’s Dzubas became associated with the Color field painting and Lyrical Abstraction movements. During this period his works were more hard-edged blocks of color. However, he would return his more expressive and improvised manner later in his career. Dzubas’ technique involved applying thick layers of color over washes, scrubbing the Magna paint he used into the unprimed canvas. He would then use various methods, often including staining and brushing, to apply more color to the canvass. Many of Friedel Dzubas hang in the permanent collections of some of the most prestigious art institutions in the world; including, the Whitney Museum, NY, the Guggenheim, the Smithsonian American Art Museum, and the Albright-Knox. “Night Star...

Louise Nevelson is one of the most revered and unique sculptors of the 20th century. Her work has had an undeniable influence on a host of significant artists ranging from Tony Crag...

"Rabat" is an important work in Frank Stella's oeuvre as it is his first print, created in 1964. Unlike his future prints, this work was an adaptation of a gouache based on one of the paintings from the Moroccan Paintings series created that same year. Stella was invited by the legendary Sam Wagstaff...

One interesting characteristic of many of Frank Stella's early prints is their trompe d'oeil effect. This is one of Stella's earliest prints and was done on English vellum graph pa...

Caviar20 is proud to be offering this distinctive Frank Stella work, one of the most sought-after pieces from the "Merce Cunningham" portfolio. Cunningham was a highly-decorated Am...

This is another fine example from Frank Stella's highly desirable "Eccentric Polygons" series. These works are noted for their dynamic forms where flat shapes were being pushed or c...

Screenprint in colors on wove paper, 2007, signed in pencil and numbered from the edition of 108, image: 980 by 672 mm 38 3/4 by 26 1/2 inches, sheet: 1160 by 828 mm 45 5/8 by 32 5/8...

Screenprint on wove paper Edition of 50 Published by Gemini G.E.L., Los Angeles Signed and numbered in pencil with studio blindstamp

From the "Edition Domberger 1980" Signed and numbered with publisher embossing

Cactus Terracota: Gesie van Staden, 2019. Silkscreen on Canvas, 900 x 900mm Born in Namibia, Lynette Diergaardt received her Bachelors of Art from the University of Namibia and her ...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...

The beauty of repeated geometric form is a motif that has played a central role in Havens’ work. Dynamic and colorful compositions play with line and shape to suggest larger spaces,...