Sarah Morris

Geigy, C-Print, Abstract Art, Contemporary Art, Geometric Abstraction

2011

Thomas Ruff (German, b. 1958) Substrat, 2019 Medium: Chromogenic print Dimensions: 32 × 45.8 cm (12 3/5 × 18 in) Edition of 300: Hand-signed and numbered in pencil Condition: Excellent

Thomas Ruff (German, b. 1958) PHG.S.01, 2020 Medium: Chromogenic print Dimensions: 11 4/5 × 9 2/5 in (30 × 24 cm) Edition of 100: Hand signed and numbered, verso Condition: Mint

Thomas Struth (German, born 1954) Wall Detail, James Simon Galerie, Berlin, 2019 Medium: Inkjet print back-mounted on Alu-Dibond, set in archival cardboard (as issued) Print dimensio...

Wolfgang Tillmans (German, born 1968) Texte zur Kunst Edition 2018, 2018 Medium: Inkjet print on paper Dimensions: 29.5 × 21 cm (11 3/5 × 8 3/10 in) Edition of 100: Hand-signed and n...

Wolfgang Tillmans (German, born 1968) Freedom From the Known, 2006 Medium: Xerox print on heavy paper Dimensions: 42 x 29.8 cm Edition of 20 + 10 A.P.: Hand-signed and numbered Condi...

Damien Hirst (British, born 1965) Forever, 2020 Medium: Laminated Giclee print on aluminium composite panel Dimensions: 39 x 39 cm Edition of 2573: Printed signature and edition numb...

Klint / reDux / jdrbnk is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 8 Image size ⋅ 94cm H x 120cm W ⋅ 3 panels . Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life. The first piece I drew, ACDH (acid house...

Breather / turquoise aegis is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 8 Image size ⋅ 84cm H x 200cm W . Back in the shoegazing years, when I was studying at the old Hornsey School of Art, there was a beautiful surge of guitar fuelled wall of noise bands on the scene, one of whom, Chapterhouse, released a track entitled Breather. It’s a piece that’s stuck with me ever since. Breather was drawn a little while after Eight...

Lino / venetian is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be suppl...

Stellify / TWO / cerise glaze is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Wor...

Evol / deep base is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmo...

Flow / silvered is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 12 Image size ⋅ 88cm H x 124cm W . Drawing Flow was a breakthrough moment for me. It was the first piece that spoke directly to the idea of drawing glass, using translucent glazes, and layers of transparencies, that in some way capture the excitement of seeing a great piece of studio glass, or contemporary stained glass...