Abstract Geometric Abstract Prints

David Morris Red Baron Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached ver...

"Echolocation Five" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Five" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

"Echolocation Six" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Six" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

Lauren Steinert Trace #4 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1034 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C...

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

James Siena Untitled geometric abstraction, 2006 3-Color etching on paper with deckled edges Edition 8/54 Signed, dated and numbered in graphite pencil on the front Frame included: Elegantly floated and framed in a hand made white wood frame This lovely 2006 Siena etching - known aptly as the Christmas print...

Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

A silkscreen print by Ilya Bolotowsky circa 1970. A retro modern piece with an abstract geometric design. Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: Series 6 Yea...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Larry Zox Title: Green Composition I Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 15/100 Image: 12 x 27.5 inches Paper Size: 21 x 36 in. (53.34 x 91....

Artist: Anne Youkeles, Austrian (1920 - ) Title: Kaleidoscope Year: 1969 Medium: 3-D Silkscreen on plastic, signed, numbered, dated, and titled in pencil Size: 23 x 22 in. (58.42 x ...

Screenprint in colours, 2014, signed, edition of 50, 54 x 42 cm. (21¼ x 16½ in.) Keith Coventry was born in Burnley in 1958 and lives and works in London. He attended Brighton Polytechnic 1978– 81 and Chelsea School of Art London 1981– 82. He was featured in the seminal exhibition Sensation at the Royal Academy of Arts, London, in 1997 and in 2006, he received a mid-career retrospective at Glasgow's Tramway (Art Centre). He was also a co-founder and curator of City Racing, an influential not-for-profit gallery in Kennington, South London from 1988-98. His work has been exhibited widely in the UK and Europe and is included in collections worldwide, including the British Council; Tate Modern; Arts Council of England; Walker Art Center, Minneapolis;, and The Museum of Modern Art, New York. In 2010 Coventry was awarded the John Moores Painting...

Artist: Cris Cristofaro, American Title: Untitled - Blue and Red Rectangles Year: 1978 Medium: Silkscreen on Arches Paper, signed and numbered in pencil ...

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Condition: Good Condition Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1...

This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...

John Norment (American, 1911-1988), "Trio" Edition 221/250, Abstract Serigraph Screen Print signed and numbered in pencil, 19.50 x 24, Late 20th Century Colors: Black, Brown, Red, W...

Interesting colored etching, 1971, representing an abstract composition. Edition of 50 prints. Print run, Title and signature hand-written with pencil on lower margin. In excellent...

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Framed Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1976 Alexander Cald...

Image dimensions: 5 x 6.5 cm. Grey Grammature is contemporary artwork realized by Elio Marchegiani and published in 1973 by La Nuova Foglio. Colored etching. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left by the artist. Edition of 68/100. In good conditions. This contemporary print belongs to the series Grammature di colore realized by the artist during the 1970s. The artwork is composed of a white square shape inside which there is a small gray triangle at the bottom left. The "Grammature di colore" is an abstract geometric synthesis of the Italian fresco, which remains a constant research reference. A "Grammatura di colore" is currently on display in the Italian Contemporary Art Collection at the Farnesina (Ministry of Foreign Affairs, Rome); two Grammature of color (on plaster and on blackboard) are exhibited at the GNAM in Rome, in the hall of the '900, and again at the' Museo del 900 'and at the' Cantiere del '900' Gallerie d'Italia in Milan. Elio Marchegiani (Siracusa, 1929) He began to paint by himself, but it was the meeting with Mario Nigro, the knowledge and friendship with Gianni Bertini...

Grammature Di Colore is an original print realized by Elio Marchegiani in the 1970s. Colored etching. Good conditions, except for a fold on the lower right corner. Hand-signed in p...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper S...

Artist: Hugo Dietz, Swiss (1930 - 1973) Title: Diamond Composition Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition: 25/50 Size: 22 x 22 inches Frame: 31.5 x 31.5...

Artist: Enrique Carbajal Sebastian, Mexican (1947 - ) Title: Deconstructed Cube Year: circa 1974 Medium: Serigraph, signed and numbered in p...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Megapolis II Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 17 x 17 inches Size: 20 x 2...

Artist: Jim Jacobs Title: Folded NYC I (after Mondrian) Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 40 Size: 33 x 26 inches

Carmen Herrera (Cuban, b. 1915) Untitled, 2018 Medium: Silkscreen in colors Dimensions: 76.2 x 55.9 cm (30 x 22 in) Edition of 50: Hand signed and numbered Condition: Mint

1996 Oil-based woodcut in colors Sheet: 22 1/2 x 22 1/2 in. Edition of 60 Signed and numbered in pencil, lower right