Abstract Abstract Prints

Created in 1986, Sam Francis King Corpse, 1986 is a unique color trial proof screenprint on Arches cover paper hand signed by Sam Francis (San Mateo, 1923- Santa Monica, 1994) in the...

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: Paulo en Costume d'Arlequin (Paulo in Harlequin Costume) Year of Original Artwork: 1926 Medium: Lithograph on Coventry Pape...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came o...

In excellent condition from an edition of 50, this piece is beautifully framed in museum-quality materials. Al Held is best remembered for his large-scale paintings of bright, hard-e...

Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar to...

Artist: Joan Miro Title: Plate 2 Portfolio: Joan Miro Medium: Lithograph Date: 1956 Edition: Unnumbered Frame Size: 17" x 24" Sheet Size: 9" x 15" Image Size: 7 1/2" x 14" Signature:...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American artists that radically defined abstraction and establish...

Engraving, 1976 Handsigned by the artist in pencil Edition : 115 Publisher : Galerie Schmücking (Braunschweig) Printer : Lacourière et Frélaut (Paris) 28.00 cm. x 37.50 cm. | 11.02 ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Calligraphy Lithograph, 1969 Edition: 260 Signed in script by the artist (see photo) Signed with initials and dated by the artist (see photo) Publication for the Print Club of Cleveland, No. 47 for 1969 Printer: Hollander Workshop, New York, with their chopstamp (see photo) Ulfert Wilke (1907–1987) was an internationally recognized painter, calligrapher and art collector connected to the abstract expressionism movement. He was born in Bavaria, Germany, and immigrated to the United States in 1938. He is best known for his large canvas paintings...

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

Joan Miro Barcelona III (from Barcelona Suite) Etching and Aquatint and Carborundum in Colors on Guarro Wove paper Year: 1972 Edition: 50 Signed and ...

This unframed, signed, limited edition pigment print printed on natural cotton rag paper by world renown artist Robert Kelly exists in an edition of 30 that is available as a single ...

Untitled print is an original color lithograph on paper, realized by the multidisciplinary Japanese artist, Aki Kuroda (Kyoto,1944). Signed in pencil by the artist on the lower rig...

Engraving, 1976 Handsigned by the artist in pencil Edition : 115 Publisher : Galerie Schmücking (Braunschweig) Printer : Lacourière et Frélaut (Paris) 28.00 cm. x 37.50 cm. 11.02 i...

Abstract composition is an original screen print realized by Carlo Lorenzetti in 1969. Editor Segnapassi Pesaro. hand-signed. Numbered, Edition, 45...

Sinuous Geometries is an original colored lithograph realized by Mario Padovan in the 1970s . Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Editio...

Composition is a beautiful artwork realized by Italo Scelza in 1977. Etching. Hand signed and dated in the lower right margin of the artwork. Numbered (29/100) in the lower left mar...

A very good impression of this large, scarce print, color aquatint on white wove Fabriano paper. Artist's proof, aside from the edition of 35. Signed and inscribed "artist's proof" ...

David Morris So What Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

David Morris Red Baron Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached ver...

A very good impression of this color aquatint and lift-ground etching and aquatint on Arches Cover paper. Signed and numbered 15/100 by Motherwell. There are 20 artist proofs, number...

Perspective is a lithograph realized by Renato Livi in 1971. Hand-signed and dated on the lower right margin. Numbered on the lower left margin. Edition 36/125. Abstract compositi...

David Morris Flemenco Sketches Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided R...

Engraving, 1976 Handsigned by the artist in pencil Edition : 115 Publisher : Galerie Schmücking (Braunschweig) Printer : Lacourière et Frélaut (Paris) 28.00 cm. x 37.50 cm. 11.02 in. x 14.76 in. (paper) 19.50 cm. x 25.50 cm. 7.68 in. x 10.04 in. (image) Original drypoint engraving by Zoran Music...

A very good impression of this color screenprint on Rives BFK. Signed and numbered 40/175 in pencil by Chamberlain. Published by London Arts, Inc., Detroit, with the blind stamp lowe...

"Echolocation Five" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Five" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...

A very good impression of this color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "A.P." in pencil by Stamos. Printed by Kelpra...

Working Man is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1937. Signed o the plate on the lower. The print suite was realize...

"Echolocation Six" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper. Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works. "Echolocation Six" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame. Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023. Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...

This is an Archival Pigment Print Edition on Paper. Paper Size: 20 in x 24 in Frame size: 21 in x 25 in Artwork priced unframed. Please contact gallery for framing options. About the Artwork:   This is a rectangular floral print edition on paper with fresh colors. About the Artist: Rin Lack...

Lauren Steinert Trace #4 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1034 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C...

Engraving, 1976 Handsigned by the artist in pencil Edition : 115 Publisher : Galerie Schmücking (Braunschweig) Printer : Lacourière et Frélaut (Paris) 28.00 cm. x 37.50 cm. 11.02 in. x 14.76 in. (paper) 19.50 cm. x 25.50 cm. 7.68 in. x 10.04 in. (image) Original drypoint etching by Zoran Music...

Archival Pigment Print of rich abstraction by Artist Elizabeth Gilfilen. Edition of 20 Paper Size: 20 in x 24 in Frame Size: 23.5in x 27.5 in Artwork priced unframed. Please contac...

Lesbo is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract art Mario Radice (1898-1987), in 1964. Hand-signed and numbered...

A very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

Konrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator. Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Lee, Cramer was both educator and artist. He ran a summer school for miniature camera photography in the 1930s and later taught one of the first American college courses in photography at Bard College. Although he began as a painter of abstract, geometric forms in bold colors, Cramer is most known as a photographer. Konrad Cramer was born and raised in Wurzburg, Germany. Cramer studied to be an artist at the Karlsruhe Academy under Ludwig Schmidt-Reutte and Ernest Schurth. He became interested in the German avant-garde early in his schooling, he was a member of the Blaue Reiter, exposed and encouraged by the experimental works of Wassily Kandinsky and Franz Marc. An additional influence on Cramer's artistic development was the Cubist landscapes of Paul Cézanne. Florence Ballin Cramer opened a gallery on 57th Street in 1919, encouraged by the sculptor Elie Nadelman. Florence Gallery exhibited and sold the works of living artists. Although it only survived briefly, it was the first New York gallery to show works by Yasuo Kuniyoshi, Alexander Brook, Ernest Fiene, and Stefan Hirsch. Cramer then settled with his wife in Woodstock, New York, where Ballin had painted with the Art Students League each summer since 1906. Cramer established a reputation as one of Woodstock's most modern painters with an impressive series of abstract paintings exhibited at the MacDowell Club in 1913. In the 1920s Cramer developed a personal representational style which blended modern and regional influences. Cramer received a Rockefeller grant in 1920 to study educational methods for craftsmen in Germany and France. In 1922 he took a teaching position at the Woodstock School of Painting and helped establish the Woodstock Artists Association, where he served as a director. While teaching and painting, Cramer also applied his artistic talent to illustration and textile design. Konrad Cramer first exhibited at the Whitney Studio Club in 1924 and participated in the Whitney Museum of American Art's first and second biennials in 1933 and 1935. He was also included in the 1935 exhibition Abstract Painting in America at the Whitney. Cramer was later included in the Whitney Museum exhibition Pioneers of Modern Art in America in 1946. In the 1930s Cramer participated in many other museum invitationals, including: the Carnegie International (1929, 1933, 1937, 1938); the Pennsylvania Academy of the Fine Arts (1934, 1936), and the Corcoran Gallery of Art (1935, 1937). In 1934 Konrad Cramer and his wife travelled to Mexico where they produced many paintings and drawings. Back in Woodstock in 1935, Cramer briefly joined the (WPA) Federal Art Project, administering the regional program in Woodstock. In the mid-1930s Cramer took up photography to clarify aesthetic issues in his painting. Cramer had gotten to know Alfred Stieglitz upon his arrival in America in 1911 and wrote an essay about 291 Gallery for Stieglitz's magazine Camera Work in 1914. Through Stieglitz and then in the 1930s fellow Woodstockers like Russell Lee, Cramer became interested in the possibilities of photography and began working with it as an artistic medium. In the 1950s Cramer collaborated on a traveling exhibition and book of abstract photographs with Manuel Komroff...

This artwork titled "Bicycle" 1979 is an original color lithograph by Colombian/American artist Knox Martin, b.1923. It is hand signed and numbered 199/300 in pencil by the artist. The image size is 30.35 x 12.35 inches, sheet size is 35.5 x 21.15 inches, It is in excellent condition, it has a small reference tag in the back. The colors are fresh and bright, has never been framed. About the artist: New York School artist Knox Martin was born in Barranquilla, Colombia to an American aviator father - the first man to ever pilot an aircraft over the Andes - and a Colombian mother. His family moved to Salem, Virginia and later to New York City when he was 5 years old. Knox Martin served in the Coast Guard in WWII on a sub-chaser, part of a rescue flotilla at Omaha Beach in Normandy. He attended The Art Students League of New York from 1946 to 1950 under the GI Bill. At the League he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet and Morris Kantor. There he met fellow students Susan Weil...

This is an Archival Pigment Print Edition on Paper. Paper Size: 24 in x 30 in Frame size: 25 in x 31 in Artwork priced unframed. Please contact gallery for framing options. About the Artwork:   This is a rectangular floral print edition on paper with fresh colors. About the Artist: Rin Lack...

Artist: Chryssa, Greek (1933 - 2013) Title: Times Square Fragment #10 Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300; AP 35 Paper Size: 40 x 25 inches

Abstract Composition is an Etching and Linoleum on Arches Paper, realized by Alberto Magnelli in 1970. Hand-signed. Numbered on the lower, Edition 47/75. Belongs to the series "La ...

Edition of 40 77.5 x 58.5 cms (30.5 x 23 ins)

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, technology and futurism. Recalling the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art, these works use digital imaging as a means to navigate the territory between photography and painting, mixing references to photography, painting and television display technology. Visualizing ephemeral and elusive environments of light, air, fission and liquid...

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

Artist: Joan Miro Title: Plate 4 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

James Siena Untitled geometric abstraction, 2006 3-Color etching on paper with deckled edges Edition 8/54 Signed, dated and numbered in graphite pencil on the front Frame included: Elegantly floated and framed in a hand made white wood frame This lovely 2006 Siena etching - known aptly as the Christmas print...

This silkscreen print by Ilya Bolotowsky measures 40" x 30.5". It is an abstract print completed in 1970 and titled Series 8. Ilya Bolotowsky (1907-1981) was a Russian American pain...

Matt Magee JVVSL, 2022 Lithograph 65 x 49 in (165.1 x 124.5 cm) JPHB 5287

A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 74/75 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York.

This artwork titled "Island Jewels Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, titled...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 50. Paper size is 24"h x 30"w with an image size of 14.5"h x 19"w. R...

Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown in ...

Artist: Alexander Calder Title: Cover Derriere le Miroir # 221 Portfolio: Derriere le Miroir #221 Medium: Original lithograph in colors Date: 1975 E...

This artwork "Utitled" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed and numbered 1/1 in pencil...