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after Jean-Michel Basquiat
Basquiat Skateboard Decks (set of 3)

2021

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  • Basquiat Skateboard Deck (Jean-Michel Basquiat skate deck)
    By after Jean-Michel Basquiat
    Located in NEW YORK, NY
    Jean-Michel Basquiat Skateboard Deck: Highly decorative Jean-Michel Basquiat Skateboard Deck licensed by the Estate of Jean-Michel Basquiat in conjunction with Artestar in 2021, feat...
    Category

    1980s Pop Art Prints and Multiples

    Materials

    Wood, Lithograph, Offset

  • Basquiat Skull Skate Decks, Set of Three (Triptych)
    By after Jean-Michel Basquiat
    Located in NEW YORK, NY
    Basquiat Skull Skateboard Decks (set of 3) A triptych of 3 individual skate decks licensed by the Estate of Jean Michel Basquiat (image: Basquiat, Untit...
    Category

    1980s Pop Art Sculptures

    Materials

    Lithograph, Wood, Offset

  • Takashi Murakami Flowers Skateboard Deck
    By Takashi Murakami
    Located in NEW YORK, NY
    Takashi Murakami Flowers Skate Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats Its Own...
    Category

    1980s Pop Art Prints and Multiples

    Materials

    Wood, Lithograph, Offset

  • Takashi Murakami Skateboard Decks (set of 3 works)
    By Takashi Murakami
    Located in NEW YORK, NY
    Takashi Murakami DOB Skateboard Deck Triptych 2018: A highly decorative Takashi Murakami skateboard set/triptych that makes for vibrant one of a kind wall-art that hangs with ease. The works feature Takashi Murakami’s Mr. DOB figure spread across three panels (individual skateboard decks). Medium: 3 individual Maplewood skateboard decks. Dimensions: 8.0 x 31 inches (20.5 x 79 cm; applies to each individual work). Condition: Each sealed in their original packaging. Excellent overall condition. Never opened or displayed. Published by Murakami’s Kaikai Kiki gallery. Stamped on the reverse from a limited edition of unknown. Further Background: Mr. DOB is Takashi Murakami’s alter ego and first signature character, appearing in his works as early as 1993. With this smiling creature, Murakami hoped to create a Japanese icon with universal appeal, in the spirit of Hello Kitty and Pikachu. To do so, he drew inspiration from characters in Eastern and Western popular culture, including the adorable Japanese manga...
    Category

    1980s Pop Art Prints and Multiples

    Materials

    Wood, Lithograph, Offset

  • Takashi Murakami Flowers Skateboard Decks: set of 3 works (Murakami skateboard)
    By Takashi Murakami
    Located in NEW YORK, NY
    Takashi Murakami Flowers Skateboard Decks: set of 3 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...
    Category

    1980s Pop Art Prints and Multiples

    Materials

    Lithograph, Wood, Offset

  • Takashi Murakami Flowers Skateboard Decks: set of 2 works (Murakami skateboard)
    By Takashi Murakami
    Located in NEW YORK, NY
    Takashi Murakami Flowers Skateboard Decks: set of 2 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...
    Category

    1980s Pop Art Sculptures

    Materials

    Lithograph, Offset, Wood

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  • British Pop: Mail Order, for Culture Carriers Stamp Out Art (Lt Ed signed stamp)
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    ALLEN JONES Mail Order, for Culture Carriers Stamp Out Art, from The Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 inches Edition of 250 (unnumbered) Hand signed in blue ink by Allen Jones with his initials on the lower left of the lithographic stamp, affixed to the envelope. Unframed As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Allen Jones, along with a group of top British Pop artists of the era including David Hockney, Eduardo Paolozzi, Derek Boshier, the poet/activist Christopher Logue and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250 each (some artists, like Paolozzi and Allen Jones created more than one design), with the artists signing each by hand in blue ink with his initials on the lower right. Allen Jones "Mail Order" is an especially clever take on the project; it is at once a postage stamp (hence the title "Mail Order"), but it also refers to the popular mail order catalogues of the era. It was a particular preoccupation of Jones, who, separately, created a large lithograph called "Janet is Wearing" -- referring to his wife Janet, but playing upon the advertising jargon of the day, used in mail order catalogues. For this particular project - creating a stamp to raise money for mail carriers...
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  • Christo and Jeanne-Claude: Wrapped Reichstag monograph & slipcase, LT Ed Signed
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    Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...
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    Located in New York, NY
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