(after) Josef Albers

Homage to the Square: R-III A-4 (~28% OFF LIST PRICE - LIMITED TIME ONLY)

1977

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 1974 Signed, numbered and dated by...

Hajo Hangen Order #58.G (Ordnungsfolge 58.G) Color silkscreen Year: 1972 Signed, numbered, dated and titled by hand Edition: 80 Size: 24.0×16.9in on 27.6×19.7in COA provided Ref.: 924802-1176 Heijo Hangen (born April 29, 1927 in Bad Kreuznach ) is a German constructive art...

Max Bill Abstract Geometric Composition Silkscreen on wove paper Year: 1971 Size: 13.7x11.82in Edition: 2500 Unsigned as issued COA provided Publisher: Edition Domberger Siebdruck, Filderstadt, Germany Ref.: 924802-1199 ------------------------------ (Geometric Abstraction, Minimalism, Constructivism) Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work.[3] His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions.[4] Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 1974 Signed, numbered and dated by...

Wolfram Erber Untitled Geometric Abstraction Color silkscreen Year: 1977 Signed and dated by hand Size: 8.3×6.3in on 16.5×11.6in COA provided Ref.: 924802-1174 Wolfram Erber (1939-...

Max Bill Composition with white center Color silkscreen Year: 1972 Edition: Edition for "Look at" Size: 23.3 × 23.3 inches Unsigned, unknown edition size (pres. ~2,000) - sometimes an edition of 2,000 is mentioned - this is not verified. COA provided *Framing options available. Please inquire. ------------------------------ (Geometric Abstraction, Minimalism, Constructivism) Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work.[3] His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions.[4] Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker" of 1954, a stool that can also be used as a shelf element, a speaker's desk, a tablet or a side table. Although the stool was a creation of Bill and Ulm school...

James Rosenquist (1933-2017) "Color of Mind and Muscle" Screenprint in colors on wove paper, 1996 31-1/2 x 25-3/4 inches (80 x 65.4 cm) (sheet) A.P. 7/10 edition of 30 Signed, numb...

JAMES ROSENQUIST Miles from America Screenprint in colors with pochoir on Arches paper, 1975 Signed and numbered and titled in pencil along lower edge Edition number AP 1/25 (asi...

ROBERT MOTHERWELL (1915-1991) London Series II: Untitled (Blue/Pale Blue) Screenprint in color on J.B. Green paper, c. 1971 Initialed and numbered by the artist, full ...

2021 Screenprint in colors, on Rives BFK paper Image/sheet: 40 x 30 in. (101.6 x 76.2 cm) Edition of 100 Signed, dated and numbered in pencil, lower margin Unframed, mint condition

2020 Set of three 18-color screenprints on Rives BFK paper Sheet: 32 7/10 x 40 in. (83.1 x 101.6 cm), each Edition of 55 Each signed, dated and numbered in pencil, lower margin Unfra...

2020 Screenprint in colors, on Arches paper Sheet: 28 1/2 x 38 in. (72.4 x 96.5 cm) Edition of 55 Signed, dated and numbered in pencil, lower margin Unframed, mint condition