1966 Alexander Calder 'Derriere le Miroir No. 156' Surrealism France Lithograph
Alexander Calder1966 Alexander Calder 'Derriere le Miroir No. 156' Surrealism France Lithograph1966
1966
About the Item
- Creator:Alexander Calder (1898 - 1976, American)
- Creation Year:1966
- Dimensions:Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: XX68941stDibs: LU129418147662
Alexander Calder
The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling.
Because Calder's parents, both artists themselves, did not want him to suffer the hardships of trying to make a living in art, they encouraged the young Calder to study mechanical engineering at the Stevens Institute of Technology, in Hoboken, New Jersey. He worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) and his revered prints to his free-standing abstract sculptures, called stabiles.
In 1926, Calder moved to Paris and established a studio in the Montparnasse quarter. He began creating the many parts of his famous miniature circus from found materials, such as wire, string, cloth, rubber and cork. Designed to be transportable, Cirque grew to fill five suitcases over the years. Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.
In the 1950s, Calder returned to his roots in mechanical engineering, creating monumental abstract sculptures that verged on the architectural. He worked from loose gestural drawings like this preparatory sketch for his Man Stabile, from 1966. Throughout his career, he also worked as a set designer for the theater, as well as an illustrator and printmaker, producing vibrant, whimsical drawings for books and journals.
Find original Alexander Calder art today on 1stDibs.
- John van Hamersveld-Design Support-40.25" x 27.25"-Lithograph-1980-ContemporaryBy John Van HamersveldLocated in Brooklyn, NYKeywords: geometry, shapes, cube, sphere, cone, grid, perspectiveCategory
20th Century Prints and Multiples
MaterialsLithograph
- After FRANK WESTON BENSON Eleanor 28" x 30" Poster - 2002 Impressionism PinkBy Frank Weston BensonLocated in Brooklyn, NYPoster printed for the Museum of Fine Arts, Boston. Published by The McGaw Group LLC.Category
Early 2000s Prints and Multiples
MaterialsOffset, Lithograph
$60 Sale Price20% Off - A.M. Cassandre-Pathe-39.75" x 27"-Lithograph-1981-Vintage-Black & White, BrownBy After A.M.CassandreLocated in Brooklyn, NY1981 lithograph reproduction published by Henri Mouron and printed by Bedos, Paris.Category
20th Century Prints and Multiples
MaterialsLithograph
- 1968 Alexander Calder 'Derriere le Miroir no.173 Double Page' SurrealismBy Alexander CalderLocated in Brooklyn, NYPaper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...Category
1960s Prints and Multiples
MaterialsLithograph
- 1973 Joan Miro 'Derriere le Miroir, no. 203 pg 10, 11' Surrealism MulticolorBy Joan MiróLocated in Brooklyn, NYPaper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additi...Category
1970s Prints and Multiples
MaterialsLithograph
- 1966 Henri de Toulouse-Lautrec 'La Revue Blanche' Art Nouveau Blue, Neutral FrancBy Henri de Toulouse-LautrecLocated in Brooklyn, NYPaper Size: 14.5 x 10.5 inches ( 36.83 x 26.67 cm ) Image Size: 12.5 x 9 inches ( 31.75 x 22.86 cm ) Framed: No Condition: A: Mint Additional Details: Lithograph from the book ...Category
1960s Prints and Multiples
MaterialsLithograph
- Tyre, From the Isthmus: Roberts' 19th C. Hand-colored LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Tsur Ancient Tyre, From the Isthmus, April 27, 1839" by David Roberts from his Egypt and Nubia volumes of the large...Category
1840s Realist Interior Prints
MaterialsLithograph
- Kee-Shes-Wa, A Fox Chief: An Original Hand-colored McKenney & Hall LithographBy McKenney & HallLocated in Alamo, CAThis is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kee-Shes-Wa, A Fox Chief", litho...Category
Mid-19th Century Naturalistic Portrait Prints
MaterialsLithograph
- Approach of the Simoon, Desert of Gizeh: 19th C. Hand-colored Roberts LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is the most famous and collectible of David Roberts' works, entitled "Approach of the Simoon, Desert of Gizeh". The scene captures the dramatic moment when a fierce sandstorm, known as a simoon, approaches a caravan traveling through the desert of Gizeh in Egypt. The scene is filled with swirling clouds of sand, which obscure the figures of the travelers and their camels. The sky is dark and ominous, with lightning bolts striking the ground in the distance. The figures in the foreground appear to be huddling together for protection, while one man in the center struggles to keep his turban from being blown away. Roberts' lithograph is particularly striking for its attention to detail and its use of light and shadow to create a sense of depth and atmosphere. The figures and camels in the foreground are rendered with great precision, while the distant landscape and stormy sky are suggested with broad, sweeping strokes. Overall, "Approach of the Simoon, Desert of Gizeh" is a powerful and evocative image of the harsh realities of life in the desert, and a testament to David Roberts' skill as an artist. This is the most well known and sought-after of all Roberts prints, as well as the most difficult to find and hence most expensive. This hand-colored lithograph is printed on wove paper with wide margins. The print is in excellent condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV conservation glass. All framing materials used are archival museum quality. The frame measures 23.75" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Petra and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211969422 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...Category
Mid-19th Century Realist Landscape Prints
MaterialsLithograph
- Chez Panisse Birthday Celebration: Signed Limited Ed. Goines Graphic Art PosterBy David Lance GoinesLocated in Alamo, CAThis original framed graphic art lithographic poster entitled "Chez Panisse Cafe & Restaurant Seventeenth Birthday" was created by David Lance Goines in 1...Category
Late 20th Century Interior Prints
MaterialsLithograph
- Tiberias from the Walls: David Roberts' 19th C. Hand-colored LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Tiberias from the Walls, Saffet (Safed) in the Distance" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1841. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered among the greatest lithographically illustrated works issued in the 19th century. This page from Roberts' 19th century publication includes a half-folio hand-colored lithograph of a view of the town of Tiberias and with the town of Safed on the hill in the distance. They lie along the Sea of Galilee...Category
1840s Realist Interior Prints
MaterialsLithograph
- Pillar of Absalom near Jerusalem: David Roberts' 19th C. Hand-colored LithographBy David RobertsLocated in Alamo, CAThis is an original 19th century hand-colored lithograph entitled "Absaloms Pillar, Valley of Schoshaphat" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...Category
1840s Realist Interior Prints
MaterialsLithograph
Recently Viewed
View AllRead More
Renowned for His Mobiles, Alexander Calder Was Also Adept at Crafting Modernist Jewelry
There are no sparkling gemstones on this necklace, but its value far exceeds the cost of its materials.
10 Must-Visit American Public Sculptures
Get your dose of Vitamin D while surveying works by the likes of Alexander Calder, Keith Haring and Pablo Picasso.