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Pablo Picasso
After Pablo Picasso - Lithograph - The Peace Dove

1961

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  • Salvador Dali (after) - Auvergne - Lithograph
    By (after) Salvador Dali
    Located in Collonge Bellerive, Geneve, CH
    Lithograph after an original gouache by Salvador Dali for the Societe Nationale des Chemins de Fer Title: S.N.C.F. (Butterfly Suite) Embossed signature Dimensions: 46.5 x 24 cm Edit...
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    Lithograph

  • Salvador Dali (after) - Roussillon - Lithograph
    By Salvador Dalí­
    Located in Collonge Bellerive, Geneve, CH
    Lithograph after Salvador Dali Title: S.N.C.F Blind stamped signature Dimensions: 46.5 x 34 cm Edition: 1700 Numbered in pencil 1969 References : Catalogue raisonne Michler & Lopsi...
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    1960s Surrealist Landscape Prints

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    Lithograph

  • Alberto Giacometti - Original Lithograph
    By Alberto Giacometti
    Located in Collonge Bellerive, Geneve, CH
    Alberto Giacometti - Original Lithograph 1964 Dimensions: 38 x 28 cm From the journal Derrière le Miroir No. 148, 1964 Edition: Foundation Maeght at Saint Paul Alberto Giacometti...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Georges Braque - Original Lithograph
    By Georges Braque
    Located in Collonge Bellerive, Geneve, CH
    Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Lithograph after Georges Braque
    Located in Collonge Bellerive, Geneve, CH
    Lithograph after Georges Braque From the deluxe art review, Derrière le Mirroir 1964 Printed signature Dimensions: 38 x 28 cm DLM No. 148, 1964 Edition: Foundation Maeght at Saint P...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • (after) Pablo Picasso - Face of Peace - Lithograph
    By (after) Pablo Picasso
    Located in Collonge Bellerive, Geneve, CH
    Artist: Pablo Picasso (after) Medium: Lithograph Portfolio: Visage de la Paix Year: 1951 Edition: 2050 Sheet Size: 29,5 x 22,5 cm It was produced under the direct supervision of Pabl...
    Category

    1950s Modern Animal Prints

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    Lithograph

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  • Original 1918 "Join the Army Air Service, Be An American Eagle!" vintage poster
    Located in Spokane, WA
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