Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Carol Wax
Frog Cog

1986

About the Item

Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the frog. The repetition of the shapes, generally in sets of six, creates what at first appears to be abstract compositions." "Frog Cog" is #34 from an edition of only 35, referenced as Firos 38. Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon, unplugged fans into whirring creatures, and fabric into rippling water or animalistic forms. Her sewing machines, emblazoned with elegant hieroglyphs, reflect a bygone design sensibility while her accordions vibrate with the rhythms of a Cajun dance hall on a Louisiana bayou. Recognition of Wax’s art includes an Individual Support Grant from the Adolph and Esther Gottlieb Foundation, Inc., two Artist Fellowships from the New York Foundation for the Arts, a Concordia Career Advancement Award from NYFA, The Louise Nevelson Award for Excellence in Printmaking from the American Academy of Arts and Letters, and residences at The MacDowell Colony and Marie Walsh Sharpe Art Foundation’s Space Program. A selection of the many collections that own her prints are The Metropolitan Museum of Art, The New York and Boston Public Libraries, The Philadelphia Museum of Art, The Library of Congress, and The National Museum of American Art, Smithsonian Institution.
More From This SellerView All
  • Zebragram (a stylized circular design created by repeated imagery of a zebra)
    By Carol Wax
    Located in New Orleans, LA
    Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the zebra. ...
    Category

    Late 20th Century American Modern Animal Prints

    Materials

    Mezzotint

  • Trunk Lines (Interweaved faces, ears and the trunks of elephants form design)
    By Carol Wax
    Located in New Orleans, LA
    Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the elephan...
    Category

    1980s American Modern Animal Prints

    Materials

    Mezzotint

  • Deerflake (The artist's first work celebrating the Solstice / deer as snowflake)
    By Carol Wax
    Located in New Orleans, LA
    Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the deer. T...
    Category

    Late 20th Century American Modern Animal Prints

    Materials

    Mezzotint

  • Birds of Paradigm
    By Carol Wax
    Located in New Orleans, LA
    Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the elephan...
    Category

    1980s American Modern Animal Prints

    Materials

    Mezzotint

  • Mizuhiki
    By Katsunori Hamanishi
    Located in New Orleans, LA
    "Mizuhiki" is an exclusive publication by Stone + Press in an edition of 100. Katsunori Hamanishi was born in 1949 on Hokkaido island - Japan's second largest island. In 1973 he fi...
    Category

    1990s Contemporary Abstract Prints

    Materials

    Mezzotint

  • Python Sebae (African Rock Python Skull)
    By Jacob Crook
    Located in New Orleans, LA
    Python is a hand-pulled mezzotint in an edition of 25. This is #7/25. Jacob Crook was born in St. Louis, MO in 1985. Crook works primarily in the intagli...
    Category

    2010s American Modern Animal Prints

    Materials

    Mezzotint

You May Also Like
  • 1950s "Abstract Bird" Stone Lithograph Print
    Located in Arp, TX
    From the estate of Jerry and Ruth Opper Abstract Bird Print 1940-1950's Stone Lithograph on Paper 17.5" x 23" Unframed Came from a portfolio of his...
    Category

    Mid-20th Century American Modern Animal Prints

    Materials

    Paper, Lithograph

  • Hybrid Fertility
    By Jane Martin VonBosse
    Located in Storrs, CT
    11 3/4 x 8 5/8 (sheet 12 1/4 x 16). Edition 20, #5. A fine impression printed on green Ingres d'Arches laid paper. Signed, titled and numbered in pencil. Housed in a 20 x 16-inch ar...
    Category

    Mid-20th Century American Modern Abstract Prints

    Materials

    Linocut

  • Serpentine with Orchids Modernist Silkscreen Signed Screenprint
    By Michael Mazur
    Located in Surfside, FL
    Serpentine with Orchids, 2005 Four-color screenprint on Rives BFK. Edition: 50 + 7 artist’s proofs 28 x 22 (paper size) framed by Bark Frameworks. Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grimes of The New York Times as "a restlessly inventive printmaker, painter, and sculptor." Born and raised in New York City, Mazur attended the Horace Mann School. He received a bachelor's degree from Amherst College in 1958, then studied art at Yale. Mazur first gained notice for his series of lithographs and etchings of inmates in a mental asylum, which resulted in two publications, "Closed Ward" and "Locked Ward." Over the years, he worked in printmaking and painting. His series of large-scale prints for Dante's Inferno won critical acclaim, and were the subject of a traveling exhibition organized by the University of Iowa in 1994. Later he concentrated on creating large, lyrical paintings which make use of his free, gestural brushwork and a varied palette. Some of these paintings were seen in an exhibition of 2002 at Boston University, "Looking East: Brice Marden, Michael Mazur, and Pat Steir." (See also Susan Danly, "Branching: The Art of Michael Mazur," 1997). The Museum of Fine Arts, Boston, has acquired a definMichael Mazur received a B.A. from Amherst College in 1957, studying in his senior year at the Accademia di Belle Arti in Florence, Italy. He went on to earn both a B.F.A. and an M.F.A. from the Yale School of Art and Architecture in 1961. Mazur's first teaching job was at the Rhode Island School of Design from 1961 to 1964. He was awarded a Guggenheim Foundation fellowship for 1964–65. From 1965 to 1976, he taught at Brandeis University, and from 1976 to 1978 at Harvard University. As an artist, teacher, and writer, Mazur has been active in reviving the monotype process. He contributed an essay to the pioneering exhibition catalogue The Painterly Print, published by the Metropolitan Museum of Art in 1980. Mazur recently chaired the New Provincetown...
    Category

    Early 2000s American Modern Abstract Prints

    Materials

    Lithograph, Screen

  • Le Singe
    By Pablo Picasso
    Located in New York, NY
    A very good impression of this aquatint, grattoir and drypoint. Edition of 225. Printed by Lacourière, Paris. Published by Martin Fabiani, Paris. From "Histoire Naturelle." Catalogu...
    Category

    1930s Modern Abstract Prints

    Materials

    Drypoint, Aquatint, Etching

  • Big Horse (Black & Moorhead 46)
    By Stanley William Hayter
    Located in New York, NY
    Stanley William Hayter Big Horse (Black & Moorhead 46), 1932 Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting Hand signed, numbered and dat...
    Category

    1930s Abstract Expressionist Animal Prints

    Materials

    Engraving, Drypoint

  • "Birth" - Intaglio Print by Tomoya Uchida
    Located in Soquel, CA
    "Birth" by Tomoya Uchida (American, 20th Century). This piece is mostly abstract, high-contrast organic shapes, with the exception of one straight line that sits above the organic shapes. In the lower left corner of the piece, there is a wasp. Titled "Birth" along the bottom edge. Signed "T. Uchida" in the lower right corner. Presented in a new white and black double mat with foamcore backing. Mat size: 14"H x 10"W Paper size: 12"H x 8.5"W Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...
    Category

    1980s Contemporary Animal Prints

    Materials

    Paper, Ink, Drypoint

Recently Viewed

View All