Items Similar to Dine, Four Hearts - SIGNED
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Dine, Four Hearts - SIGNED1971
1971
About the Item
JIM DINE (1935- ) Jim Dine's artwork reflect his skill as a draftsman and his virtuosity as a painter. Frequently, these skills are combined, but more often he has chosen to separate them so that some prints dramatically display his linear techniques and others his power as a painter. A modern master of printmaking, Jim Dine has long combined Pop-informed imagery with a highly personal point of view. He has created objects which are privately symbolic such as his series of Hearts which refers to his wife Nancy, and his Bathrobe studies, for instance, are progressive self-portraits.
Edition Lithograph on Arches paper, 1971. Paper Size: 30.75" x 22." Signed in pencil. Published by Professional Prints with The National Galerie Berlin. Excellent Condition; never framed or matted.
- Creation Year:1971
- Dimensions:Height: 30.75 in (78.11 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- After:Jim Dine (1935, American)
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465210040892
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2002
1stDibs seller since 2021
854 sales on 1stDibs
Typical response time: <1 hour
More From This SellerView All
- Braque, Oiseaux, Verve: Revue Artistique et Littéraire (after)By Georges BraqueLocated in Auburn Hills, MILithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...Category
1950s Modern Landscape Prints
MaterialsLithograph
- Braque, Oiseaux, Verve: Revue Artistique et Littéraire (after)By Georges BraqueLocated in Auburn Hills, MILithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...Category
1950s Modern Landscape Prints
MaterialsLithograph
- Braque, Oiseaux, Verve: Revue Artistique et Littéraire (after)By Georges BraqueLocated in Auburn Hills, MILithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...Category
1950s Modern Landscape Prints
MaterialsLithograph
- Beastie, Braniff Flying Colors suite, Alexander CalderBy Alexander CalderLocated in Auburn Hills, MIALEXANDER CALDER (1898-1976) Credited with the invention of the mobile, Alexander Calder revolutionized twentieth-century art with his innovative use of subtle air currents to animat...Category
1970s Modern Animal Prints
MaterialsLithograph
- Braque, Oiseaux, Verve: Revue Artistique et Littéraire (after)By Georges BraqueLocated in Auburn Hills, MILithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...Category
1950s Modern Landscape Prints
MaterialsLithograph
- Magritte, Un Séduisant Navire d'eau de Mer (after)By René MagritteLocated in Auburn Hills, MIOriginal Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mourlot. Excellent Condition; never framed or matted. Notes: From the suite, Les Enfants Trouvés de Magritte, 1968. Published by A.C. Mazo et Cie, Paris; printed by Fernand Mourlot, Paris, 1968. Les Enfants Trouvés de Magritte comprised twelve coloured lithographs, four of which, Ma Mère l'Oye, Pierreries, La Belle Captive...Category
1960s Surrealist Landscape Prints
MaterialsLithograph
You May Also Like
- "Silent Witness, " pop art original lithograph collage realist abstract signedBy Michael KniginLocated in Milwaukee, WI"Silent Witness" is an original color lithograph by Michael Knigin. It features a realistic rendition of an Emperor Angelfish swimming in front of the New York skyline including the ...Category
1970s Pop Art Animal Prints
MaterialsLithograph
- UntitledBy Billy Al BengstonLocated in San Francisco, CAArtist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...Category
1990s Pop Art Animal Prints
MaterialsLithograph, Screen, Paper
- Shepard Fairey POP Wave Print 2016 & C.R. Stecyk III Street Art & ContemporaryBy Shepard FaireyLocated in Draper, UTTwo artists: Shepard Fairey and C.R. Stecyk III The Pacific Ocean Park pier straddled a dividing line between the cities of Santa Monica and Los Angeles. It was in equal portions: a...Category
2010s Pop Art Landscape Prints
MaterialsScreen
- SeeserpentBy Kenny ScharfLocated in New York, NYKenny Scharf American, b. 1958 Seeserpent 2017 Archival Pigment Inks on Moab Entrada Rag Bright 300 gsm fine art paper 12 2/5 × 16 9/10 in 31.5 × 43 cm Edition of 150 Colorful, cart...Category
2010s Pop Art Animal Prints
MaterialsArchival Pigment
- SeeserpentBy Kenny ScharfLocated in New York, NYKenny Scharf American, b. 1958 Seeserpent 2017 Archival Pigment Inks on Moab Entrada Rag Bright 300 gsm fine art paper 12 2/5 × 16 9/10 in 31.5 × 43 cm Edition of 150 Colorful, cart...Category
2010s Pop Art Animal Prints
MaterialsArchival Pigment
- Garden BlackcapBy Kate HeissLocated in Deddington, GBGarden Blackcap by Kate Heiss [2021] limited_edition Linocut Edition number 30 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:0.5cm Sold Unframe...Category
21st Century and Contemporary Pop Art Landscape Prints
MaterialsLinocut, Paper