Etching Animal Prints
to
39
105
22
39
79
42
2
73
21
26
2
1
Overall Height
to
Overall Width
to
40
36
6
4
2
1
1
1
51
50
35
25
21
15
13
13
11
10
9
8
7
6
6
6
6
4
4
4
7
83
37
1
6
18
8
3
3
2
4
3
2
20
18
17
10
5
127
85
66
62
61
Medium: Etching
Recognized Seller Listings
"T"
By Kelvin Mann
Located in Palm Springs, CA
The single letter "T", from the alphabet, illustrated by a Toucan. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and i...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Black Ducks (Marsh Ducks)
Located in Fairlawn, OH
Black Ducks (Marsh Ducks)
Etching, 1964
Signed in pencil lower right
Titled in pencil lower left
Edition: 250
Published by Associated American Artist, New York
Illustrated: AAA catal...
Category
1960s American Realist Etching Animal Prints
Materials
Etching
Z
By Kelvin Mann
Located in Palm Springs, CA
"Z is for zoo, with a lion, monkey, rhinoceros and giraffe illustrating the letter "Z", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in folio...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Horse by Félix Pissarro - Etching
Located in London, GB
Horse by Félix Pissarro (1874-1897)
Etching
8 x 10 cm (3 ¹/₈ x 4 inches)
London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradition of Printmaking, October 200...
Category
19th Century Impressionist Etching Animal Prints
Materials
Etching
La Proie by Orovida Pissarro, 1917 - Etching Print
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
La Proie by Orovida Pissarro (1893 - 1968)
Etching
12.5 x 17.5 cm (4 ⅞ x 6 ⅞ inches)
Signed and dated 1917
Trial ...
Category
1910s Etching Animal Prints
Materials
Etching
"O"
By Kelvin Mann
Located in Palm Springs, CA
The single letter "O", illustrated by an Owl, from Kelvin Mann's bestiary animal alphabet. The full set of 26 etchings in folio box is available for $3500. Animals, real and imagined...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Exposure 2023, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: Etching w/ Aquatint
Year: 2033
Edition: 20
Image Size: 24 x 32 inches
Rocky outcroppings off the California coastline.
Werger has received over 250 awards in national and ...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Clarity, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: Etching with aquatint
Year: 2021
Edition: 45
Image Size: 35.5 x 23.75 inches
A Birds-eye view of a sea gull sailing over the California surf.
Werger has received over 250 a...
Category
2010s Contemporary Etching Animal Prints
Materials
Aquatint, Etching
Magnificent Jungle Cats
Located in Fairlawn, OH
Magnificent Jungle Cats
Etching, drypoint and monoprint inking of the plate
Printed by the artist at Atelier 17, New York
Annotated 1/5 in pencil
Estate stamp and number, verso
Editi...
Category
1950s Abstract Etching Animal Prints
Materials
Etching
Fear Ridden by Orovida Pissarro, 1926 - Etching Print
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Fear Ridden by Orovida Pissarro (1893 - 1968)
Etching
12.8 x 17.5 cm (5 x 6 ⅞ inches)
Signed and dated lower righ...
Category
1920s Etching Animal Prints
Materials
Etching
Two Horses Under a Tree by Félix Pissarro - Etching and aquatint
Located in London, GB
Two Horses Under a Tree by Félix Pissarro (1874-1897)
Etching and aquatint
11 x 17 cm (4 ³/₈ x 6 ³/₄ inches)
Exhibition: London, Stern Pissarro Gallery, Camille Pissarro & his Desce...
Category
1890s Impressionist Etching Animal Prints
Materials
Etching, Aquatint
Geese, by Stephen McMillan
Located in Palm Springs, CA
Medium: etching and aquatint
Edition of 250
Year: 2014
Image Size: 9 x 12 inches
Signed, titled and numbered by the artist.
Inspired by a scene of seven Canadian Geese in Lake Padde...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Elfin Forest, by Stephen McMillan
Located in Palm Springs, CA
Medium: etching and aquatint
Edition of 200
Year: 2019
Image Size: 6 x 9 inches
Signed, titled and numbered by the artist.
The Elfin Forest is a grove of pygmy live oak trees just s...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Shorebirds, by Stephen McMillan
Located in Palm Springs, CA
Medium: etching and aquatint
Edition of 100
Year: 2015
Image Size: 9 x 12 inches
Signed, titled and numbered by the artist.
Inspired by a scene of seven Canadian Geese in Lake Padde...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
Cheetah by Orovida Pissarro, 1930 - Etching Print
Located in London, GB
SOLD UNFRAMED
Cheetah by Orovida Pissarro (1893 - 1968)
Etching, 28/50
19.2 x 24.5 cm (7 ½ x 9 ⅝ inches)
Signed and dated lower right Orovida 1930
Numbered lower left 28/50 and titled lower middle
Artist's Biography:
Orovida Camille Pissarro...
Category
1930s Etching Animal Prints
Materials
Etching
White Leghorns
By Jamie Wyeth
Located in New York, NY
Edition 52/150
Jamie Wyeth (b. 1946) is a third-generation artist - son of Andrew Wyeth, and grandson of N.C. Wyeth, and he is distinguished in his own right as a contemporary real...
Category
1980s Contemporary Etching Animal Prints
Materials
Etching
The Frog, 1942 (Histoire Naturelle - Textes de Buffon, B.357)
Located in Greenwich, CT
The Frog is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches,...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Category
20th Century Modern Etching Animal Prints
Materials
Aquatint, Drypoint
The Bull, 1942 (Histoire Naturelle - Textes de Buffon, B.331)
Located in Greenwich, CT
The Bull is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.15 x 8.5 inches...
Category
20th Century Modern Etching Animal Prints
Materials
Aquatint, Drypoint
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Aquatint, Drypoint
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category
20th Century Modern Etching Animal Prints
Materials
Aquatint, Drypoint
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Ox, 1942 (Histoire Naturelle - Textes de Buffon, B.330)
Located in Greenwich, CT
The Ox is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.7 x 8.2 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Aquatint, Drypoint
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Turkey, 1942 (Histoire Naturelle - Textes de Buffon, B.346)
Located in Greenwich, CT
The Turkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.8 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Aquatint, Drypoint
The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
Located in Greenwich, CT
The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...
Category
20th Century Modern Etching Animal Prints
Materials
Aquatint, Drypoint
The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category
20th Century Modern Etching Animal Prints
Materials
Drypoint, Aquatint
Mare and Foal by Orovida Pissarro - Etching Print
Located in London, GB
SOLD UNFRAMED
Mare and Foal by Orovida Pissarro (1893 - 1968)
Etching
15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches)
Artist's Biography
Orovida Camille Pissarro, Lucien and Esther Pissarr...
Category
20th Century Etching Animal Prints
Materials
Etching
Curves by Orovida Pissarro, 1919 - Etching Print
Located in London, GB
Curves by Orovida Pissarro (1893 - 1968)
Etching, trial proof no. 54
20.2 x 15 cm (8 x 5 ⅞ inches)
Signed and dated lower right, Orovida 1919
Inscribed lower left Trial proof no. 54 ...
Category
1910s Post-Impressionist Etching Animal Prints
Materials
Paper, Etching
Pig Sticking by Orovida Pissarro, 1931 - Etching Print
Located in London, GB
SOLD UNFRAMED
Pig Sticking by Orovida Pissarro (1893 - 1968)
Etching
17.3 x 27.4 cm (6 ¾ x 10 ¾ inches)
Signed and dated lower right Orovida 1931 Numbered lower left 26/50 and titl...
Category
1930s Etching Animal Prints
Materials
Etching
Landscape with Horses.
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist Etching Animal Prints
Materials
Drypoint, Etching
"U", from Kelvin Mann's animal alphabet
By Kelvin Mann
Located in Palm Springs, CA
The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Concerning The Great Ship MOUR-DE-ZENCLE (19/20)
By David Avery
Located in Palm Springs, CA
Signed and numbered from the edition of 20. Avery's prints often mix elements of myth, legend and history with his own light touch of surrealism.
“MOUR-DE-ZENCLE” is from Alfred Jarry...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching
"D", from animal alphabet for dragonfly
By Kelvin Mann
Located in Palm Springs, CA
The single letter "D", from the alphabet, illustrated by dragonflies. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real an...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"W", for whale in this animal alphabet series
By Kelvin Mann
Located in Palm Springs, CA
The single letter "W", from the alphabet, illustrated by a whale. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and im...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"K", for Kiwi from Kelvin Mann's animal alphabet
By Kelvin Mann
Located in Palm Springs, CA
The single letter "U", from the alphabet, depends on phonics for the "ewe" to qualify for "U". All letters are available, and the full set of 27 etchings in folio box is available fo...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"E", is for elephant in this animal alphabet series
By Kelvin Mann
Located in Palm Springs, CA
The single letter "E", from the alphabet, illustrated by elephants. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and ...
Category
Early 2000s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"Y", is for Yak in this animal alphabet
By Kelvin Mann
Located in Palm Springs, CA
The letter "Y", from the alphabet, illustrated by a Yak. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and imagined, p...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"B"
By Kelvin Mann
Located in Palm Springs, CA
The single letter "B", from the alphabet, illustrated by Bees and butterflies. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in ...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Pelicans, by Stephen McMillan
Located in Palm Springs, CA
The wildlife and scenery of the Pacific Northwest is the constant focus for McMillan, who spends a lot of his time backpacking and hiking to find the inspiration for his prints like ...
Category
2010s Etching Animal Prints
Materials
Etching, Aquatint
"A", from bestiary alphabet by Kelvin Mann
By Kelvin Mann
Located in Palm Springs, CA
The single letter "A", from the alphabet, illustrated by an alligator. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real a...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"G"
By Kelvin Mann
Located in Palm Springs, CA
The letter "G", illustrated by goldfish. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box is available for $3500. Anim...
Category
Early 2000s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"M"
By Kelvin Mann
Located in Palm Springs, CA
The single letter "M", from the alphabet, illustrated by mischievous monkeys . All letters from Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in foli...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
"R"
By Kelvin Mann
Located in Palm Springs, CA
The single letter "R", from the alphabet, illustrated by a rhinoceros. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio bo...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Animal Kingdom (Magnificent Jungle Cats)
Located in Fairlawn, OH
Animal Kingdom (Magnificent Jungle Cats)
Etching, 1953-1955
Signed and titled in pencil by the artist (see photos)
Annotated: "First Proof" (see photo)
Estate stamp verso (see photo)...
Category
1950s American Modern Etching Animal Prints
Materials
Etching
The Hunting Prince by Orovida Pissarro - Etching
Located in London, GB
The Hunting Prince by Orovida Pissarro (1893 - 1968)
Etching
15 x 20 cm (5 ⅞ x 7 ⅞ inches)
Signed and dated lower right Orovida 1926
Inscribed lower left Trial proof no.14 and titled lower middle
Provenance: Private collection, Europe
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category
1920s Etching Animal Prints
Materials
Etching
Blue Wing
Located in Fairlawn, OH
Blue Wing
Etching, c. 1940
Signed in the lower right (see photo)
Created while the artist was a commercial artist working in Minneapolis, after his tenure o...
Category
1940s American Realist Etching Animal Prints
Materials
Etching
Put Your Money Where Your Hooves Are...
By Kelvin Mann
Located in Palm Springs, CA
Playing on the theme of children's snap off toys, this print by New Zealand born artist Kelvin Mann also evokes the
Muybridge photographic images of horses...
Category
21st Century and Contemporary Contemporary Etching Animal Prints
Materials
Etching, Aquatint
Man & Beast by Orovida Pissarro - Etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Man & Beast by Orovida Pissarro (1893-1968)
Etching
27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches)
Signed and dated lower right, orovida 1924
Inscribed lower left, Final state no 12/40 and titled lower centre
Artist biography:
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1920s Post-Impressionist Etching Animal Prints
Materials
Etching
Wanderlessed
Located in Palm Springs, CA
Signed and numbered in pencil from the edition of 44.
Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in sever...
Category
2010s Contemporary Etching Animal Prints
Materials
Etching, Aquatint
La Poursuite by Orovida Pissarro - Animal etching
Located in London, GB
La Poursuite by Orovida Pissarro (1893-1968)
Etching with aquatint
17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches)
Signed and dated lower right Orovida 1917
Inscribed lower left Final State Trial proof no. 1
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1910s Etching Animal Prints
Materials
Aquatint, Etching
Etching animal prints for sale on 1stDibs.
Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available