Milton Avery

Rooster

1953

Marc Chagall "Paris de ma fenêtre" 1969-1970 Lithograph in colors on Arches paper 32.5 x 23.75 inches (image size) 39.5 x 27.5 inches (sheet size) ​​​​​​​Edition of 50 + 25 AP Signe...

Marc Chagall "Le Nu" Lithograph in colors on Arches paper 21.25 x 14 in. (image size) 25.5 x 18.38 in (sheet size) ​​​​​​​Edition of 50 + Épreuve d'artiste Signed in pencil lower rig...

Marc Chagall "La famille du peintre" 1972 Lithograph in colors on Arches paper 21.75 x 16.75 inches (image size) 29 x 19.5 inches (sheet size) ​​​​​​​Edition of 50 + EA Signed in pen...

This painting is illustrated in color in the the book, "PAINTINGS BY KAN TAI-KEUNG 1970-1979" page 51. Published by S S Design & Production, Hong Kong, 1980. A copy of this book will accompany the painting. Born in Panyu, Guangdong, in 1942, Kan Tai-Keung was deeply influenced by his grandfather, Yao Sheung, and became passionate about painting from childhood on. He moved to Hong Kong in 1957, and worked as an apprentice tailor there for ten years. In 1964, Kan started to learn watercolour painting and sketching with his uncle Han May-Tin. Later he took a Chinese ink painting course from Lui Shou-kwan and an applied design course from Wucius Wong...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

Signed lower right, 'Keiko Minami' (Japanese, 1911-2004) and inscribed, lower left, with number and limitation, '26/50'. Japanese painter and printmaker, Keiko Minami became well kn...

Wonderful mid century modern wood cut of wild Penguins by Israeli artist Hannah Yakin Hiyze (Dutch/Israeli, b. 1933), 1967. 13/33. Signed, number, dated and titled lower left edge. Condition: some waviness to paper. Presented under glass with vintage painted wood frame. Image size: 14"H x 37"W. Born Hannah van Hulst in Amsterdam, during World War II, Hannah developed her artistic talents, experiencing "happy times in which necessity bore creativity." After the war she went to high school and studied art at Academia Artibus, Utrecht, the Netherlands and in Paris with famous poster designer and graphic artist Paul Colin. In 1956 she emigrated to Israel where she met and married the artist Abraham Yakin...

The Couple is an original etching realized by Mino Maccari in the mid-20th Century. Good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journalist...

Portrait is an original woodcut print realized by Mino Maccari in mid-20th century. Good condition. Hand-signed by the artist with pencil. Mino Maccari (1898-1989) was an Italian ...

This is a highly collectible woodcut print by Jacques Hnizdovsky. Plate number 64, as per book by Abe M. Tahir, Jr. It is in very good condition. Edition of 100 and individual numbe...

Heres a rooster with attitude! He's checkin you out! Be carefull. Printed on off white rice paper. Make My Day - Animal Painting - Woodcut Print By Marc Zimmerman Limited Edition 0...