A los Toros (The Bulls)
Pablo PicassoA los Toros (The Bulls)1959
1959
About the Item
- Creator:Pablo Picasso (1881-1973, Spanish)
- Creation Year:1959
- Dimensions:Height: 19.75 in (50.17 cm)Width: 13.75 in (34.93 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Washington, DC
- Reference Number:1stDibs: LU54437705022
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
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1950s Animal Prints
MaterialsAquatint
- Los Cabestros Retiran al Toro Manso (Halters Withdraw the Tamed Bull)By Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Title: Los Cabestros Retiran al Toro Manso (Halters Withdraw the Tamed Bull) Portfolio: La Tauromaquia Medium: Aquatint Year: 1959 Edition: Deluxe portfolio edi...Category
1950s Animal Prints
MaterialsAquatint
- Carmen, Head of a Calf (Plate XXXVI)By Pablo PicassoLocated in Washington, DCPablo Picasso Carmen Artist: Pablo Picasso Medium: Original etching on Montval wove paper Title: Head of a Calf (Plate XXXVI) Portfolio: Carmen Ye...Category
1940s Minimalist Animal Prints
MaterialsEtching
- La Pique (I), from A Los Toros Avec PicassoBy Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Medium: Transfer lithograph Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Year: 1961 Framed Size: 16 3/4" x 19 1/4" Image Size: 8" x 10" Sheet Size: 9...Category
1960s Cubist Animal Prints
MaterialsLithograph
- Dog on a StumpBy George RodrigueLocated in Washington, DCArtist: George Rodrigue Title: Dog on a Stump Medium: Silkscreen Year: 1996 Edition: 32/75 Framed Size: 39" x 33" Sheet Size: 30" x 21" Signed: Hand signed and numbered in silver ink...Category
1990s Pop Art Animal Prints
MaterialsScreen
- Shower PowerBy Katherine BernhardtLocated in Washington, DCArtist: Katherine Bernhardt Title: Shower Power Medium: 14 Colour Lithograph on Somerset Tub Sized Radiant White 410gsm Date: 2023 Edition: 55/75 (from the edition of 75 unique print...Category
2010s Contemporary Abstract Prints
MaterialsLithograph
- "Oiseau sur fond carmin (Oiseau XIV)"By Georges BraqueLocated in Köln, DEOne of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...Category
1950s Modern Animal Prints
MaterialsAquatint
Price Upon Request - "Les trois oiseaux en vol"By Georges BraqueLocated in Köln, DEOne of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...Category
1960s Modern Animal Prints
MaterialsAquatint
Price Upon Request - no title / "Oiseau bleu"By Georges BraqueLocated in Köln, DEOne of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...Category
1950s Modern Animal Prints
MaterialsAquatint
Price Upon Request - The tortoise and the hareLocated in Ljubljana, SIThe tortoise and the hare. Original color aquatint and etching, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo...Category
1980s Conceptual Still-life Prints
MaterialsEtching, Aquatint
- Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird AudubonBy John James AudubonLocated in Saint Augustine, FLArtist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet Framed size: 26.25" x 31.75" Sheet size: 21.75" x 27.25" Platemark size: 15" x 20.63" Image size: 12" x 18" Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors Rare Notes: Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming. The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...Category
1830s Victorian Animal Prints
MaterialsWatercolor, Engraving, Aquatint, Intaglio
- Eared Grebe /// John James Audubon Ornithology Havell Edition Bird Animal ArtBy John James AudubonLocated in Saint Augustine, FLArtist: John James Audubon (American, 1785-1851) Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81) Portfolio: The Birds of America, Havell Edition Year: 1838 Medium: Original Ha...Category
1830s Victorian Animal Prints
MaterialsWatercolor, Engraving, Aquatint, Intaglio
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