Roger Bezombes

'Blue Fish', Musee National d'Art Moderne, Grand Prix de Rome, Salon d'Automne

Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...

An early twentieth-century, hand-colored lithograph showing an idyllic scene of two young lovers in medieval dress seated in a rural bower beneath fruit...

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally titled lower left, 'Peggy and Dot' with numb...

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally inscribed lower left with title, 'An...

A mid-century, stone lithograph titled 'Christopher' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A bright and...

Signed lower right 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935. This painter, illustrator, muralist, lithographe...

From the estate of Jerry and Ruth Opper Abstract Bird Print 1940-1950's Stone Lithograph on Paper 17.5" x 23" Unframed Came from a portfolio of his...

This lithographic poster was printed in 1981 at the Atelier Mourlot in Paris. In the early 1970s, Air France commissioned Roger Bezombes to create original artworks capturing the s...

This lithographic poster was printed in 1981 at the Atelier Mourlot in Paris. In the early 1970s, Air France commissioned Roger Bezombes to create original artworks capturing the s...

This lithographic poster was printed in 1981 at the Atelier Mourlot in Paris. In the early 1970s, Air France commissioned Roger Bezombes to create original artworks capturing the s...

Serpentine with Orchids, 2005 Four-color screenprint on Rives BFK. Edition: 50 + 7 artist’s proofs 28 x 22 (paper size) framed by Bark Frameworks. Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grimes of The New York Times as "a restlessly inventive printmaker, painter, and sculptor." Born and raised in New York City, Mazur attended the Horace Mann School. He received a bachelor's degree from Amherst College in 1958, then studied art at Yale. Mazur first gained notice for his series of lithographs and etchings of inmates in a mental asylum, which resulted in two publications, "Closed Ward" and "Locked Ward." Over the years, he worked in printmaking and painting. His series of large-scale prints for Dante's Inferno won critical acclaim, and were the subject of a traveling exhibition organized by the University of Iowa in 1994. Later he concentrated on creating large, lyrical paintings which make use of his free, gestural brushwork and a varied palette. Some of these paintings were seen in an exhibition of 2002 at Boston University, "Looking East: Brice Marden, Michael Mazur, and Pat Steir." (See also Susan Danly, "Branching: The Art of Michael Mazur," 1997). The Museum of Fine Arts, Boston, has acquired a definMichael Mazur received a B.A. from Amherst College in 1957, studying in his senior year at the Accademia di Belle Arti in Florence, Italy. He went on to earn both a B.F.A. and an M.F.A. from the Yale School of Art and Architecture in 1961. Mazur's first teaching job was at the Rhode Island School of Design from 1961 to 1964. He was awarded a Guggenheim Foundation fellowship for 1964–65. From 1965 to 1976, he taught at Brandeis University, and from 1976 to 1978 at Harvard University. As an artist, teacher, and writer, Mazur has been active in reviving the monotype process. He contributed an essay to the pioneering exhibition catalogue The Painterly Print, published by the Metropolitan Museum of Art in 1980. Mazur recently chaired the New Provincetown...

Abstract serigraph of a cat with organic forms. This serigraph is a limited edition. The artist signed titled and dated the work. It is framed in a gold frame with a white matte. Dim...