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Art Subject: Camel
The Camels - Original Lithograph by Paul Gervais - 1854
By Paul Gervais
Located in Roma, IT
The Camels is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...
Category
1850s Modern Figurative Prints
Materials
Lithograph
Le Chameau - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Chameau is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engrav...
Category
1770s Modern Figurative Prints
Materials
Etching
Le Dromadaire - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Dromadaire is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good c...
Category
1770s Modern Figurative Prints
Materials
Etching
Camel with two Humps - Original Lithograph by Paul Gervais - 1854
By Paul Gervais
Located in Roma, IT
Camel with two Humps is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and wa...
Category
1850s Modern Figurative Prints
Materials
Lithograph
Dromedary - Hand Colored Lithograph - 19th century
Located in Roma, IT
Dromedary is an original lithograph, Hand-colored on paper realized by an Anonymous artist of the XIX century, Titled on the lower center.
In very good condition.
The artwork repre...
Category
19th Century Modern Figurative Prints
Materials
Lithograph
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Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
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TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was from New York to Los Angeles, followed by multiple National routes. The airline expanded to serve Europe, the Middle East, and Asia after WWII when the company was under Howard Hughes's owner's control from 1939 until 1961. Hughes was a dominant force in expanding and promoting his company's routes. The economy was vastly improving, and travel by air for business and pleasure increased, too. Posters were a crucial element in promoting this form of travel and TWA. The airline started a decline in the 1970s that ended up in a third bankruptcy that caused its acquisition by American Airlines in 2001. The airline operated in 132 destinations worldwide and had a fleet size of 190.
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Modern Israeli Lithograph Reuven Rubin Views Of Israel Judaica Camel Rider
By Reuven Rubin
Located in Surfside, FL
Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil.
Israeli views Lithograph by Israeli Master.
Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania.
Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years.
In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine.
Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974
Artistic career
Joseph Zaritsky, Arieh Lubin, Yona Zeliuk, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Yitzhak Katz, and Baruch Agadati; The painters who depicted the country’s landscapes in the 1920s rebelled against Bezalel. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light.
In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters.
In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters.
His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin.Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots.
Selected group exhibitions:
2015 Israeli Art: The Renewed Collection Galleries, Dr. Julius and Hilde Merzbacher Galleries and the Ayala Zacks Abramov Pavilion for Israeli Art, Israel Museum, Jerusalem
Artists: Reuven Rubin, Ephraim Moses Lilien, Yitzhak Danziger, Lea Nikel, Naftali Bezem, Mordecai Ardon, David Reeb, Ruth Schloss, Yehiel Shemi, Menashe Kadishman, Avigdor Arikha, Moshe Gershuni, Moshe Geva, Tsibi Ginton, David Gitlin, Michael Klapisch, Liliane Klasmer, Gabi Krakauer, Leopold Moshe Kupferman, Sigalit Landau, Moshe Mokady, Ori Reisman...
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