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Damien Hirst
To a Stranger

2013

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  • 'Virtual Insanity' Limited Edition Mixed Media Print, 2020
    By Hijack
    Located in New York, NY
    Street Pop Art limited edition silkscreen print ‘Virtual Insanity’ by prodigy contemporary street-artist Hijack, was created in 2020 as a part of his environmentally conscious series. The koala is an endangered species with VR goggles on, clinging to a stop sign is a brilliant cultural commentary dialing on the global climate crisis and natural habitat preservation. Hijack remarked of the work, "At this pace, we’re all going to have to plug into the matrix in order to enjoy all the biodiversity and ecosystems that we’ve lost." Hijack has become recognized on a global scale for his activist mentality and has recently been incorporating themes of environmentalism and global climate awareness in his artworks. His visual commentary is thought provoking and captivating with vibrant pop-art colors. Edition of 80, signed by the artist on the lower front, and stamped on verso. Arriving ready-to-install, the blue chip print is custom framed in white finish and is completed with museum caliber non-glare UV protective glass. Additional custom framing options are available upon inquiry. The limited edition screen print from 2020 measures 30 x 22.5 x 2 in. The young street-art star has developed a consistent signature style that fluidly blends the worlds of contemporary and street-art together in a mixture similar to that of his mentors, such as the legendary Banksy, Shepard Fairey, KAWS, and his father, Mr. Brainwash. Hijack’s work is a direct approach to present day cultural commentary, he creates daring thought-provoking, layered concepts with visually vibrant presentation. Hijack has crafted a persona, inspired by the spirit of music and the poetry of everyday moments, that creates colorful and meaningful perspectives on life. Hijack's blue chip artworks continue to inspire revelation in the art world as he creates with imaginative landscapes, brilliantly constructed juxtapositions, and activist ideologies. Hijack’s work often comments on the contemporary world in a humorous, refreshing, and thought-provoking manner and have been seen in galleries and murals of cultural hot spots around the globe. HIJACK, born in 1992, started as an underground street artist, silently stenciling the streets at night. In April 2013, Hijack took the United Kingdom art...
    Category

    2010s Street Art Mixed Media

    Materials

    Archival Paper, Screen

  • Damien Hirst 'All You Need Is Love, Love, Love' Diamond Dust Screen Print, 2010
    By Damien Hirst
    Located in New York, NY
    The ‘All You Need Is Love, Love, Love’ butterfly heart with diamond dust by contemporary master artist, Damien Hirst, was created in 2010. It is signed and numbered by the Artist and...
    Category

    2010s Young British Artists (YBA) Animal Prints

    Materials

    Archival Paper, Screen

  • Damien Hirst 'Grey Spots' Etching and Aquatint. 2005
    By Damien Hirst
    Located in New York, NY
    'Grey Spots' limited edition print by Damien Hirst is hand etched with aquatint in his signature dots. Signed by the artist in pencil on the lower center and numbered on verso. This ...
    Category

    2010s Abstract Prints

    Materials

    Etching, Aquatint

  • Damien Hirst 'Ethidium Bromide Aqueous Solution' Spots Etching, 2005
    By Damien Hirst
    Located in New York, NY
    The 'Ethidium Bromide Aqueous Solution' Spots Etching, 2005 is an edition of 65 and is signed by the Artist. The iconic 'Spot Series' is one of Hirst's most recognizable themes, as...
    Category

    2010s Pop Art More Prints

    Materials

    Archival Paper, Etching, Aquatint

  • 'Cineole' Multicolor Spot Etching, 2004
    By Damien Hirst
    Located in New York, NY
    The 'Cineole' Multicolor Spot Etching, 2004 is an edition of 145 + 35 AP, signed by the Artist on front in pencil. Published by the Paragon Press, London. The Multi-color Spots Etc...
    Category

    Early 2000s Abstract Abstract Prints

    Materials

    Etching

    'Cineole' Multicolor Spot Etching, 2004
    $36,000 Sale Price
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  • Damien Hirst 'Pyronin Y' Limited Edition Spots Etching, 2005
    By Damien Hirst
    Located in New York, NY
    Damien Hirst 'Pyronin Y' Limited Edition Spots Etching on Hahnemühle paper, with full margins. Edition of 65 + 20 AP. Signed by the Artist on front. Published by the Paragon Press, L...
    Category

    Early 2000s Pop Art More Prints

    Materials

    Archival Paper, Etching, Aquatint

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    By (after) Salvador Dali
    Located in Paris, FR
    after Salvador DALI (1904-1969) France : Auvergne, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition Printed in...
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  • The Mock Turtle's Story Alice in Wonderland Salvador Dali 1969 original woodcut
    By Salvador Dalí­
    Located in Paonia, CO
    The Mock Turtle's Story is from Lewis Carroll's Alice's Adventures in Wonderland as interpreted by Salvador Dali and published by Maecenas ( a Random...
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  • Blue Jays, Aquatint Etching by Martin Barooshian
    By Martin Barooshian
    Located in Long Island City, NY
    Blue Jays Martin Barooshian, American (1929–2022) Date: circa 1981 Intaglio Etching and Aquatint, signed and numbered in pencil Edition of 175, AP 25 Image S...
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    1980s Animal Prints

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  • Who Caire, Intaglio Etching by Jean Sariano
    By Jean Sariano
    Located in Long Island City, NY
    Who Caire Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching, signed and numbered in pencil Edition of 300 Size: 16 x 29 in. (40.64 x 73.66 cm)
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  • Stanley Boxer Aquatint Intaglio Etching Elephant Herd Abstract Expressionist
    By Stanley Boxer
    Located in Surfside, FL
    Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over this period, he created several series of intricately rendered figurative works, illustrating whimsical scenes featuring animals, plants and nubile winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation. The Tate Museum received twenty-five of Stanley Boxer’s prints as a gift of Kenneth Tyler from Tyler Graphics, comprising a complete portfolio of Ring of Dust in Bloom, 1976, an incomplete portfolio of Carnival of Animals, 1979, and two individual prints. This work is from Carnival of Animals, a portfolio of fourteen intaglio prints on handmade paper. Tate holds eleven of the prints from this portfolio (Elephants, Swan and Fossils are not in Tate’s collection). Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller, director of the University of Richmond's Harnett Museum of Art, describes his evolution as an artist: You can see the shift from working with figurative imagery in the 1940s and early '50s to abstraction in the late '50s. The abstraction in the late '60s and '70s was more derived from color-field issues. In the 1980s, Boxer really hit his stride in larger works with lots of thick paint and splashes of color. He sold a lot, and his success in the art world in the 1980s gave him the freedom to do what he wanted to do most. He was married to painter and artist Joyce Weinstein. The Boca Raton Museum of Art in Florida hosted an exhibition entitled Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection. At the time the museum issued a statement that said in part: "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John...
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    1970s Abstract Expressionist Animal Prints

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  • Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird Audubon
    By John James Audubon
    Located in Saint Augustine, FL
    Artist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet Framed size: 26.25" x 31.75" Sheet size: 21.75" x 27.25" Platemark size: 15" x 20.63" Image size: 12" x 18" Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors Rare Notes: Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming. The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...
    Category

    1830s Victorian Animal Prints

    Materials

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