Edward Donovan

Mackarel, Spanish Mackarel

1802

JOHN JAMES AUDUBON. BIRDS OF AMERICA from Drawings Made in the United States and Their Territories. Lithographed, colored, and printed by J. T. Bowen. Philadelphia. Published by V. ...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations a...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum in Vienna (Plate 35) and the carved stone pedestal supports for a Roman table...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Lithographs with Later Hand-Color. Berlin, 1870. 13” x 19” Unframed. A fine German work, the illustrations a...

JOHN GOULD A Monograph of the Trochilidae, or Family of Humming-birds. Drawn and lithographed by John Gould, Elizabeth Gould, H.C. Ritcher, and W. Hart. Richard Bowler Sharp supplement 1880-87. Published by John Gould. Printed by Hullmandel and Watson. London, 1849-61. Lithographs with original hand-color. Excepting the supplement, most with gold leaf illumination. 418 plates. John Gould was the most prolific ornithologist and recorder of birds in England during the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became a gardener at Ripley Castle, where he learned the art of taxidermy, a skill so useful in his future career. In 1827, N.A. Vigors required a taxidermist for the newly formed Zoological Society of London; the job came to Gould who moved to London and married Elizabeth Coxen. She was to become a skilled collaborator, both as draughtsman and as supervisor in the lithographic shop. It was Elizabeth who was responsible for transferring the drawings made by Gould, from the specimens sent to him from all over the world, onto lithographic stone. Unable to find a publisher, Gould resolved to publish his works himself. Illustrating over 3000 species of birds and animals and producing over forty folio volumes, Gould's works became great financial successes. He realized a considerable fortune. The most well known prints are from his outstanding monograph on hummingbirds. They are unequaled in the history of ornithology. The brilliant coloring is highlighted with gold and a transparent luster creating metallic hues, a technique which has never been successfully reproduced. The birds appear in charming groups of twos and threes surrounded by realistic foliage. Each bird is drawn to scale and is anatomically correct to the smallest detail. References: John Gould’s Hummingbirds...

JOHN GOULD A Monograph of the Trochilidae, or Family of Humming-birds. Drawn and lithographed by John Gould, Elizabeth Gould, H.C. Ritcher, and W. Hart. Richard Bowler Sharp supplement 1880-87. Published by John Gould. Printed by Hullmandel and Watson. London, 1849-61. Lithographs with original hand-color. Excepting the supplement, most with gold leaf illumination. 418 plates. John Gould was the most prolific ornithologist and recorder of birds in England during the 19th century. Born a gardener's son, he was raised on the royal estate at Windsor. He became a gardener at Ripley Castle, where he learned the art of taxidermy, a skill so useful in his future career. In 1827, N.A. Vigors required a taxidermist for the newly formed Zoological Society of London; the job came to Gould who moved to London and married Elizabeth Coxen. She was to become a skilled collaborator, both as draughtsman and as supervisor in the lithographic shop. It was Elizabeth who was responsible for transferring the drawings made by Gould, from the specimens sent to him from all over the world, onto lithographic stone. Unable to find a publisher, Gould resolved to publish his works himself. Illustrating over 3000 species of birds and animals and producing over forty folio volumes, Gould's works became great financial successes. He realized a considerable fortune. The most well known prints are from his outstanding monograph on hummingbirds. They are unequaled in the history of ornithology. The brilliant coloring is highlighted with gold and a transparent luster creating metallic hues, a technique which has never been successfully reproduced. The birds appear in charming groups of twos and threes surrounded by realistic foliage. Each bird is drawn to scale and is anatomically correct to the smallest detail. References: John Gould’s Hummingbirds...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Ancient Roman Amphitheater + Year: 2022 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints...

George EDWARDS Bird and beetle ('The Gowry Bird') Original engraving, enhanced with watercolor Printed signature in the plate Dated, 1741 28.8 x 23.3 cm Created for Volume I of the...

Dionisio MORETTI View of the Grand Canal, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) ...

Dionisio MORETTI Venice, Rialto Bridge, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Ve...

Dionisio MORETTI Venice, Santa Chiara Island, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inc...

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...