After Fernand Leger-Museum Morsbroich-12.5" x 9.25"-Lithograph-1959-Modernism

1959

Derives from a publication of 33 first edition lithographs in four colors, all completed for the final (6th) edition of The Situationalist Times: International Parisian Edition, prod...

Paper Size: 23.75 x 32 inches ( 60.325 x 81.28 cm ) Image Size: 22.5 x 32.5 inches ( 57.15 x 82.55 cm ) Framed: No Condition: A: Mint Additional Details: Translated as "The Fro...

Paper Size: 33.5 x 25.25 inches ( 85.09 x 64.135 cm ) Image Size: 33.5 x 25.25 inches ( 85.09 x 64.135 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Sku: CB1512 Artist: Alex Katz Title: Sarah-American Dance Festival Year: 2011 Signed: No Medium: Serigraph Paper Size: 48 x 34 inches ( 121.92 x 86.36 cm ) Image Size: 48 x 34 inches...

Paper Size: 20 x 13 inches ( 50.8 x 33.02 cm ) Image Size: 20 x 13 inches ( 50.8 x 33.02 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemental Conditio...

Sku: CB1505 Artist: Alex Katz Title: American Dance Festival Year: 1976 Signed: No Medium: Offset Lithograph Paper Size: 39 x 30.5 inches ( 99.06 x 77.47 cm ) Image Size: 39 x 30.5 i...

Large format lithograph with architectural study, partly coloured. Signed at lower right. Edition 65/100(?).

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

Artist: Toulouse Lautrec (1864 -1901) French Title: The Chestnut Vendor Medium: Lithograph, Year: 1897 Signature: Signed in Plate (TL) Lower Left Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed A lithograph of a Toulouse Lautrec drawing...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...

CAPPIELLO, LEONETTO (1875 - 1942) "Katabexine" Lithograph in color, linen-backed c. 1903 Sheet size: 54.25” x 39” Cap./GP, 252; Cap/StV, 4.22; DFP-II, 118; Schardt, pp. 174-5; PAI-V...

ROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...