Figurative Prints

Signed lower right, 'W.Georgetti', and created circa 1950. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...

This lithographic poster illustrates Aristide Bruant who was a famous performer and cabaret owner in Paris at the turn of the 20th century. Lautrec, seizing on Bruant's trademark cos...

Artist: Marc Chagall Title: Vision of Paris Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 22" x 19" Image Size: 12 1/2" x 9 1/2" Sh...

Here I have the lowest authentic priced Raphl Dufy Le Havre for sale! Originally purchased purchased from Sotheby’s I’m 1984 for approx $3500, I have attached a photo of receipt ...

Charlotte and Amalia by Lélia Pissarro (b. 1963) Etching 22.7 x 27.5 cm (9 x 10 ⁷/₈ inches) Signed lower left, Lélia Pissarro Numbered lower right, 2/15 Artist biography: Born in P...

Artist: Marc Chagall Title: Christ in the Clock Portfolio: Chagall - Jacques Lassaigne Medium: Lithograph Year: 1957 Edition: 6,000 Sheet Size: 9" x 7 7/8" Image Size: 9" x 7 7/8" Si...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 195...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Présence de Marquet, 1962. Published by Editions d'Art Ma...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 195...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 195...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

Original Edition Lithograph on English cartridge paper. Edition: 3,000. Inscription: Signed in the plate and unnumbered. Excellent Condition; never framed or matted. Notes: Published...

Les Poules de Lyora by Lélia Pissarro (b. 1963) Drypoint and watercolour on paper 21.5 x 26.5 cm (8 ¹/₂ x 10 ³/₈ inches) Signed lower left, Lélia Pissarro Numbered lower right, 10/15...

Quai Boïeldieu, à Rouen by Camille Pissarro (1830-1903) Lithograph 27.7 x 36 cm (10 ⁷/₈ x 14 ¹/₈ inches) Stamped lower left and numbered lower right, 8/14 Executed circa 1896 Delteil...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

Polychrome etching and sugar-lift aquatint. Signed lower right, 'Ruth Weisberg' (American, born 1942) and dated 1967; additionally titled, lower center, 'Joseph Dreamed a Dream' and...

After Tea by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 12 x 13.2 cm (4 ³/₄ x 5 ¹/₄ inches) Initialled and titled in the plate Executed circa 1917 Artist biography Ludovic-Rod...

HENRI DE TOULOUSE-LAUTREC Amazone et Tonneau 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC La Loge au mascaron doré 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC Miss May Belfort Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC Etude de femme 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC Blanche et Noire 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC Le Jockey 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC Le Sommeil 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC La Loge au mascaron doré 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC La Passagère 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

HENRI DE TOULOUSE-LAUTREC Cecy Loftus 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Bold and colorful portrait by renowned artist T.C. Cannon of a Native American woman in a red dress with a gold cross around her neck titled "Woman at the Window." Signed along botto...

Original vintage exhibition poster: HENRI MATISSE EXHIBITION. Linen baked in excellent condition, ready to frame. The background is a flat...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse. This lithograph was printed and published in 2007 using 100% cotton 300 g/m² BFK Rives paper. Artwork entirely made in France: from the production of the paper in Arches in the Vosges department, to the traditional lithographic printing process, one drawing for each different color, one color per press run. The Blue Nudes...

"The hen that lays in the hen that pays" Screenprint on Paper Bold screenprint by Toni Carner (American, b. 1957). A large, patterned hen is sitting on th...

"King Pin" Pointillist Lithograph in Ink on Paper Detailed lithograph of a king on a bench by E.B. Rothewell (American, 1926-2011). A stylized portrait of a king, seated on a large bench. He is looking upwards, with a somewhat dejected expression, hands near his mouth. This piece is completely made from small dots (stippling) giving the subject the feel of a fantasy illustration...

Les Amateurs d'Estampes Woodcut, 1892 Initialed in the plate lower left Titled below image: "Gravure originale sur bois par F. Vallotton" Reference: Valloton and Goerg 107c, with the purple address stamp upper right center (see photo) Condition: Excellent Aging to sheet One spot of printers ink outside of the image in the upper margin Block size: 7 3/8 x 10 inches Sheet size: 10 1/8 x 12 3/4 inches Condition: Very good, aging (yellowing) to the paper Provenance: Edmund Sagot (1881-1917), noted Parisian art dealer and print publisher By decent Vallotton was a noted member of the Nabi, highly regarded for his paintings and original woodcuts. His works are in most major museums. Thank you for your interest in the Vallotton woodcut, Les Amateurs d’Estampes (Print Lovers). It depicts print collectors admiring the new offerings in the window of the Sagot Gallery in Paris. The woodcut is the second published version of the address card for Edmund Sagot the noted Paris art gallery with the change of address in lavender ink. It had moved and hence the change of address was necessary for publicity. The woodcut was created in 1892. It is unsigned as all the address cards are. There are two size variants, this being the larger of the two. It is printed on a tan wove paper. It is in excellent original condition. The provenance is from the Heirs of Edmund Sagot (1857-1917). by decent. The Sagot family was noted for selling posters, fine prints and original works of art. Edmund’s brother Clovis, was Picasso’s first dealer in Paris. The image is documented in the Vallotton and Goerg catalog raisonne in entry 107c Impressions of this image can be found in many museums including: Bibliothèque nationale de France De Young/Legion of Honor/Fine Art Museums of San Francisco Newfields, Indianapolis Museum of Art National Gallery of Australia Musee Des Beaux-Arts du Canada Van Gogh Museum Museum of Fine Arts, Houston Portland Art Museum Kunst Museum, Holland Philadelphia Museum of Art Yale University Art Gallery Félix Vallotton, in full Félix Edouard Vallotton, (born December 28, 1865, Lausanne, Switzerland—died December 28, 1925, Paris, France), Swiss-born French graphic artist and painter known for his paintings of nudes and interiors and in particular for his distinctive woodcuts. Vallotton was raised in a traditional bourgeois and Protestant household. After completing secondary school, he left Lausanne in 1882 for Paris to pursue art studies. Though he was accepted by the École des Beaux-Arts, he chose to attend the less traditional Académie Julian, where he studied with French painters Jules Lefebvre and Gustave Boulanger and enjoyed virtually free rein over his pursuits. He took the opportunity to study graphic arts—lithography and other methods of printmaking. He exhibited publicly for the first time in 1885 at the Salon des Artistes Français—the oil painting Portrait of...

SOLD UNFRAMED Series - Les Lavandières by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: B...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le Café Georges à Cannes by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signe...

"Jeune Hindoue" is an original hand-signed and numbered lithograph realized by Henri Matisse in 1929. It belongs to an edition of 50 prints. Excellent condition. Reference : Duthuit...

Hand Signed. Edition of 130 pieces. This artwork is from the collection "Dix danseures"  Ref. Duthuit 481 Very good condition.

"Annette" is an original black and white lithograph by Alberto Giacometti. It depicts the bust of a nude woman in scratchy lines. Annette was Alberto's wife and frequently modeled fo...

Christopher Wool "The Show is Over", 2013 Offset Lithograph 33 1/2 × 25 inches (Note: this ships rolled in a tube measuring 35" x 5") Unframed This poster was designed by contemporar...

Woman Embroidering (Nini) by Lucien Pissarro (1863-1944) Woodcut 15 x 10 cm (5 ⁷/₈ x 4 inches) Stamped with initials lower right Numbered lower left, 18/20 Provenance: Private Colle...

This lithograph is part of my private collection and in very good condition. It is original, numbered and signed by the artist in the plate and on the print. Guilde de la Gravure.

Christopher Wool Martin Kippenberger Self-Portraits Poster, 2005 Offset lithographic poster in colours on smooth wove paper. 36 × 24 inches Unframed This poster designed by Christop...

Alain Kirili To Cecil Taylor, Sculptor, 1995 Lithograph Pencil signed, dated and numbered 91/100 on the lower front Frame Included This work is floated and framed Measurements: Frame: 10 x 10 x 1 inch Print: 6 x 6 inches About Alain Kirili: Born in Paris, France, 1946 Died in New York City, 2021 ALAIN KIRILI was a French-American sculptor born in Paris, France 1946, died in New York City 2021. He has had solo museum exhibitions with the Musée de l’Orangerie, Paris; the Musée Rodin, Paris; and the Brooklyn Museum. Kirili has been included in group exhibitions at the Museum of Modern Art, New York; MoMA P.S. 1, New York; the Hirshhorn Museum, Washington, D.C.; and the Jardin du Palais-Royal, Paris. His work can be found in the collections of the Museum of Modern Art, New York; Centre Pompidou; The Jewish Museum, New York; and the Nasher Sculpture Center among others. Courtesy of Susan Inglett Galery ABOUT CECIL TAYLOR Cecil Taylor (b. 1929) is a towering, sometimes divisive figure within twentieth-century music. In the early 1960s, with fellow maverick artists Ornette Coleman, Albert Ayler and others, he revolutionized jazz by extending bebop into a radical terrain dubbed the "New Thing" or "free jazz"—the latter a term with political as well as aesthetic connotations given the social changes underway at the time in America. For Taylor, freedom meant a deep synthesis of the modern composers such as Béla Bartók and Igor Stravinsky that he encountered during his studies at the New England Conservatory of Music with the nuanced and original piano innovations of Thelonious Monk, Horace Silver, Bud Powell...

Curves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...

Colorful Cat Face - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th...

Artist: Henri Matisse (after) Medium: Original lithograph Title: Lierre Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14" x 1...

Physiology of Boxing is an Original Litograph realized by Luc Albert Moreau (1882-1948). The artwork is in good condition included a cream colored cardboard passpartout (49x32 cm). No signature. In the 1920s, French painter Luc-Albert Moreau created a suite of 60 lithographs of the many aspects of boxing, which he considered a noble sport. Physiologie de la Boxe featured paintings and drawings of boxing winners and losers, as well as spectators and managers. Moreau was a painter with the Cubists up to 1912, but soon reverted to a more traditional style. He also produced lithographs of Parisian bars...

Artist: Henri Matisse (after) Medium: Original lithograph Title: Lierre en Fleur Portfolio: The Last Works of Henri Matisse Year: 1958 Edition: 2000 Framed Size: 17 1/2" x 17 1/2" Sh...