Rare "Nicholas" 1956 Collotype
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 7
(after) Andrew WyethRare "Nicholas" 1956 Collotype
About the Item
- Creator:(after) Andrew Wyeth (1917 - 2009, American)
- Dimensions:Height: 25.78 in (65.49 cm)Width: 19.78 in (50.25 cm)
- Movement & Style:
- Period:
- Condition:Good. Minor toning to paper minor wear to edges. this has never been framed.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU382430402
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,543 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- Social Realist Lithograph Moses Soyer WPA Artist Hudled RefugeesBy Moses SoyerLocated in Surfside, FLMoses Soyer (December 25, 1899 – September 3, 1974) was an American social realist painter. Soyer was born in Borisoglebsk, Russian Empire, in 1899. His father was a Hebrew scholar, writer and teacher. His family emigrated to the United States in 1912. Two of Soyer's brothers, Raphael (his identical twin) and Isaac were also painters. Soyer's wife, Ida, was a dancer, and dancers are a recurring subject in his paintings. Soyer studied art in New York, first at Cooper Union and later at the Ferrer Art School, where he studied under the Ashcan painters Robert Henri and George Bellows. He had his first solo exhibition in 1926 and began teaching art the following year at the Contemporary Art School and The New School. He died in the Chelsea Hotel in New York while painting dancer and choreographer Phoebe Neville. He was included in the show “American Modernism – Paintings from the Dr. and Mrs. Mark S. Kauffman Collection,” along with 30 leading masters of American modernism, which captured the essence of a revolutionary era...Category
Mid-20th Century American Realist Figurative Prints
MaterialsLithograph
- Original Vintage Color World War 2 Propaganda Poster TAKE CARE Offset LithographBy Franz Oswald SchiffersLocated in Surfside, FLTAKE CARE Don't be delayed by V.D.; 1946 military poster by Franz Oswald Schiffers. the 1946 U.S. (or Australian) World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. Thisis a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...Category
1940s American Realist Figurative Prints
MaterialsOffset
- Vintage Color WWII Poster "it will look even Bigger..." Offset LithographBy Franz Oswald SchiffersLocated in Surfside, FLThis is a vintage 1946 public service announcement poster The artwork is bold, clear and direct. "it will look even bigger… after the war!" Girl looks on longingly at 10 dollar bill....Category
1940s American Realist Figurative Prints
MaterialsOffset
- Original Vintage Color World War II Propaganda Poster Soldier Offset LithographBy Franz Oswald SchiffersLocated in Surfside, FLGoing home? Don't be delayed by V.D.; 1946 military poster by Franz Oswald Schiffers. Going home? Don't be delayed by V.D. VD, the 1946 U.S. (or Australian) World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. Bound up in rope. Going home? Don't be delayed by V.D.! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...Category
1940s American Realist Figurative Prints
MaterialsOffset
- Original Vintage Color World War II Propaganda Poster Delayed! Offset LithographBy Franz Oswald SchiffersLocated in Surfside, FLDELAYED VD; 1946 military poster by Franz Oswald Schiffers. Delayed! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. He can see the bright lights big city in the distance but he is chained to the VD block... VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...Category
1940s American Realist Figurative Prints
MaterialsOffset
- Original Vintage Color World War II Propaganda Poster "Almost" Offset LithographBy Franz Oswald SchiffersLocated in Surfside, FLALMOST VD; 1946 military poster by Franz Oswald Schiffers. Almost! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...Category
1940s American Realist Figurative Prints
MaterialsOffset
You May Also Like
- Coney Island, PP, Ed./50, 1935By Paul CadmusLocated in Washington Depot,, CTA printer's proof of an edition of 50. Depicting Cadmus' sense of humor and style. The beautiful frame dimensions are 18.5 x 19.5".Category
1930s American Realist Figurative Prints
MaterialsPaper, Etching
- Preparing for the Sundance, lithograph, signed and numbered, Native AmericanLocated in Whitefish, MTPreparing for the Sundance by Howard Terpning Limited edition print, signed and numbered Edition: #146/1000 28" x 24" 37" x 32" (framed) Howard Terpni...Category
Late 20th Century American Realist Figurative Prints
MaterialsArchival Paper, Lithograph
- Limpia Creek Crossing, lithograph, signed and numberd, Cowboy Western ArtLocated in Whitefish, MTLimpia Creek Crossing by Wayne Baize Limited edition print, signed and numbered Edition: #170/1500 18" x 24" 26" x 33" (framed) Born in 1943 in the heart of the Texas ranch, Wayne Baize was the son of a stock farmer, whose main crops included cotton, wheat and livestock. It was from his hard working father, a man who was more comfortable with a horse drawn plow than its mechanized counterpart, that Baize gained not only a strong work ethic but an innate love for animals and the people who cared for them. Baize paints a way of life influenced by not only his own upbringing, but also by gene...Category
21st Century and Contemporary American Realist Figurative Prints
MaterialsArchival Paper, Lithograph
- Warming UpBy Riva HelfondLocated in Raleigh, NCA wonderful silk screen print by Riva Helfond of Air Force soldiers preparing a plane for action. Signed in the image in ink and signed, titled "Warming Up", and numbered 30/45 in th...Category
Mid-20th Century American Realist Figurative Prints
MaterialsScreen
- ShampooLocated in Raleigh, NCRgrFineArts is pleased to offer this New York WPA color woodcut by Paul Weller titled Shampoo. The WPA label is affixed to the margin on the reverse of the print.Category
1940s American Realist Figurative Prints
MaterialsWoodcut
- Money MattersLocated in Raleigh, NCProbably a bank poster from the first half of the 20th century urging financial literacy. The poster features a young man dreaming about the future abd th...Category
1940s American Realist Figurative Prints
MaterialsLithograph