Andrea Vesalio

The Circulatory System - From "De Humani Corporis Fabrica by A. Vesalio - 1642

1642

Ruega por Ella is an original etching realized by the great Spanish artist Francisco Goya and published for the first time in 1799. Original etching on paper. The plate is part of ...

Self Portrait is an original artwork realized by Charles Courtry (1846-1897) in the Late 19th Century. Etching print. Signed on plate. Good conditions. The artwork is depicted th...

Jean-Baptiste is an original Etching and drypoint realized by Georges Emile Capon (1890-1980) in the Mid-20th Century. Good Conditions. Numbered. Edition 12/60. The artwork is dep...

Country and coast: Scilla, Calabria, Italy. Etching and Watercolour (hand coloured) Very good conditions.

Floating is an Original etching realized by Edouard Dufeu ( 1840-1900) in the late 19th Century. Stamped on the rear is "Atelier Dufeu". Good conditions except for diffused foxings...

Floating is an Original etching realized by Edouard Dufeu ( 1840-1900) in the late 19th Century. Good conditions except for diffused foxings. The Artwork is depicted through strong...

An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...

A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...

George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...

This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...

"Dessine par Gallier" is a hand-colored engraving and etching by Pierre Laurent (1739-1809) and Pierre Audouin (1768-1822) after a painting by Eustache Le Sueur...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...