Carlos Merida

1945 Mexican Modernist Silkscreen Serigraph Print Regional Folk Art Dress Mexico

1945

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz. Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city. Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life. As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde. Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s. In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985. As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris. Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz. Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city. Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life. As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde. Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s. In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985. As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris. Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...

Robert Ellis Kushner (American, b.1949). 44/84 Lithograph on paper titled " Honor thy Mother and Father"; Depicting a husband and wife (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric and nudity. Kushner was associated with the Pattern and Decoration movement and used fabric collage in large-scale, bold paintings of the figure. Since 1987 he has used flowers as the subject of his paintings, more recently adding a cornucopia of fruits and vegetables to his repertoire. Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu, Qi Baishi, and Wu Changshuo. Kushner’s work combines organic representational elements with abstracted geometric forms in a way that is both decorative and modernist. Kushner has collaborated with Master printer Bud Shark since 1982 on various monotypes and lithographs. These exuberant, sensuous prints often include collage elements, including glitter, chine-collé, metal leaf and hand coloring. Kushner's work has been exhibited extensively in the United States, Europe, and Japan and has been included in the Whitney Biennial three times and twice at the Venice Biennale in Italy. He was the subject of solo exhibitions at both the Whitney Museum of American Art and the Brooklyn Museum. A mid-career retrospective of his work was organized by the Philadelphia Institute of Contemporary Art. He was one of the original painters of the Pattern and Decoration movements of the 1970s. (along with Cynthia Carlson, Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon) The group began exhibiting together in 1976 in "Ten Approaches to the Decorative" at the Alessandra Gallery in New York, followed by "Pattern Painting" in 1977 at PS1 in Long Island City, Queens. Subsequently, over fifty group exhibitions featuring the founding artists were held in museums and galleries in Europe and the U.S. including the National Gallery of Art in Washington, D.C., the Art Institute of Chicago, Palais des Beaux Arts, Brussels, Louisiana Museum of Modern Art in Humlebaek, Denmark, the Neue Galerie, in Aachen, Germany, the Pori Art Museum, the Mayor Gallery in London, Modern Art Oxford, and the Hudson River Museum in Yonkers, New York.Robert Kushner's prints include a lithograph with gold leaf titled White Lilac and a series of monotypes that include Blue Bells II, Geranium IV, and Oregon Grape III. Robert Kushner lives in New York and has completed several major public commissions. He has exhibited his work widely and is represented in the collections of The Brooklyn Museum, Los Angeles County Museum, The Metropolitan Museum, NY, The San Francisco Museum of Modern Art, The Tate Gallery, London, The Whitney Museum, NY and others. In 1997 Hudson Hills Press published the monograph, Robert Kushner: Gardens of Earthly Delight by Alexandra Anderson-Spivey. The New Jersey Center for Visual Arts mounted the survey exhibition Robert Kushner: 25 Years of Making Art in 1998. Kushner's work is represented in numerous important public collections: Albright-Knox Art Gallery, Buffalo, NY Art Collection of the United States Embassy, Panama Australian National Gallery, Canberra, Australia The Baltimore Museum of Art, Baltimore, MD Bowdoin College Museum of Art, Brunswick, ME The Brooklyn Museum of Art, Brooklyn, NY California Palace of the Legion of Honor, San Francisco, CA Carnegie Museum of Art, Pittsburgh, PA The Columbus Museum of Art, Columbus, OH The Contemporary Museum, Honolulu, HI The Corcoran Gallery of Art, Washington, DC Galleria degli Ufizzi, Florence, Italy Gröninger Museum, Gröningen, the Netherlands Honolulu Academy of Arts, Honolulu, Hawaii J. Paul Getty Trust, Los Angeles, CA Library of Congress, Washington, D.C. Los Angeles County Museum of Art, Los Angeles, CA The Metropolitan Museum of Art, New York, NY Museum Ludwig, Cologne, Germany Museum Ludwig, St. Petersburg, Russia Museum Moderner Kunst - Palais Lichtenstein, Vienna, Austria The Museum of Modern Art, New York, NY The National Gallery of Art, Washington, D.C. Neue-Galerie-Sammlung Ludwig, Aachen, Germany Philadelphia Museum of Art, Philadelphia, PA Rockefeller Center, New York, NY San Francisco Museum of Modern Art, San Francisco, CA The Tate Gallery, London, England Whitney Museum of American Art, New York, NY Select Exhibitions: Robert Kushner: 30 Literary Nudes, Luis De Jesus, Santa Monica, CA Robert Kushner: The Language of Flowers, DC Moore...

Abstract Composition, 1959 Silkscreen Lithograph "Phoenix". This was from a portfolio which included works by Yosl Bergner, Menashe Kadishman, Yosef Zaritsky, Aharon Kahana, Jacob Wexler, Moshe Tamir and Michael Gross. Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggada, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books and literary texts, he stuck to the narrative which drew its images from his childhood world, from Yiddish and from the Jewish culture of Poland in whose bosom he grew, with its literature, theater and fantasy. From this point of view his position as an "outsider", first in Australia and later in Israel, like that of the European Jew on the periphery of the dominant culture, afforded him a special dialectic vantage point from which to view his human and cultural surroundings. He was and remains a figurative painter even when he verges on the abstract. Israeli painter of Austrian birth, active in Australia. He grew up in Warsaw. His father, the pseudonymous Jewish writer Melech Ravitch, owned books on German Expressionism, which were an early influence. Conscious of rising anti-Semitism in Poland, Ravitch visited Australia in 1934 and later arranged for his family to settle there. Bergner arrived in Melbourne in 1937. Poor, and with little English, his struggle to paint went hand-in-hand with a struggle to survive. In 1939 he attended the National Gallery of Victoria’s art school and came into contact with a group of young artists including Victor O’Connor (b 1918) and Noel Counihan...

"Detente" according to the artist: "These two silkscreen prints were made in 1987, edition of 5 prints. They were published by Kent Fine Art, NYC. Signed and numbered they sell for $2,500 each". these are unsigned and unnumbered rare printers proofs. Jerry Kearns is an American visual artist who was born in 1943. Several works by the artist have been sold at auction, including 'Seven works: Exit Art The First World portfolio' sold at Phillips New York, Chelsea 'Editions' in 2010. There have been Several articles about Jerry Kearns, including 'Art in Review; Jerry Kearns' written by Holland Cotter for New York Times in 1996. influences include Andy Warhol, Keith Haring and Roy Lichtenstein. JERRY KEARNS SELECTED GROUP EXHIBITIONS 2007 "Kentucky Derby Benefit Party and Art Benefit Auction" 2006 “Scope MIAMI” Jack The Pelican Presents Gallery, Miami FLA. “What a War” White Box Gallery, New York , NY. Curator Eleanor Heartney “Gallery Artists” Modernism Gallery, San Francisco, CA. “ WORD” Deborah Colton Gallery, Houston, TX. Curator Brandon Krall “Hedonistic Imperative”, Deborah Colton Gallery, Houston, TX “The Studio Visit”, EXIT ART, New York 2004 “The Print Show”, EXIT ART, New York “25 Anniversary...

Printed on a slightly reflective metallic silver finished paper. there is a companion piece on a money green paper. A depiction of a ballet dancer, superimposed upon canceled dance c...

Paul Insect Demios Your Guiding Light , 2016 Signed and numbered 7 Colour Screen Pritn on Arches 88 300GSM paper 29 9/10 x 21 7/10 in Edition of 70

’Chris Prater’ By Ronald Brooks Kitaj Medium - Screen Print Signed - Yes Edition - 150 Size - 630mm x 920mm Date - 1980 Condition - 10 Colour of print may not be accurate when viewe...

Beautiful Bedroom Kate. Original color silkscreen on Museum Board, 1998. Edition of 90 signed and numbered impressions on Museum Board. Tom Wesselma...

Screenprint Edition of 36 Signed and titled in graphite (lower recto) Frame available upon request Available from Matthew Marks Gallery, New York and Los Angeles

Gary Hume Michael 2002 Screenprint 60 1/8 x 30 inches; 153 x 76 cm Edition of 80 Signed, titled, dated, and numbered in graphite (lower recto) Frame available upon request Gary Hume...

A surreal juxtaposition of geometric forms and uncannily realistic pedestrians forms the composition of this moody screen print. Framed by a flat of charcoal grey, a man in shadow i...