D'apres Laffite

Return of Napoleon From Egypt - Original Lithograph after Laffite - 1846

1846

Motivo is an original modern artwork realized by Nicola Ciarletta and Giovanni Omiccioli. Black and white lithograph realized by Giovanni Omiccioli. and a text by Nicola Ciarletta ...

Sergeant Infantry Trenches is a Vintage Offset and Lithograph print realized by Dunoyer de Segonzac. The artwork is in good condition on a yellowed paper. Stamp signed and Titled on the lower margin. André Dunoyer de Segonzac (7 July 1884 – 17 September 1974) was a French painter and graphic artist. The gossamer quality of his etchings stood in contrast to the thickly painted surfaces and generally somber color of his oil paintings, which reflected his admiration for Courbet and Cézanne. His subjects include landscapes, still lifes, and nudes. He influenced other artists like Samuel Peploe.

The Military Portait - The Appearance of Our Lady- The Classroom is an original Lithograph realized by Denis Auguste Marie Raffet. Signed on the center and numbered (9). Edition by...

The Couple is a beautiful colored lithograph realized by Stefania Guidi in 1993. Hand-signed in pencil on the lower right margin. Dated on the lower right. Numbered on the lower left. Edition of 150. Very Good conditions. Stefania Guid i (Rome, 1929) belongs to the Marche family of the Marquises Guidi Giovanissima. In 1958, she had her first personal exhibition of sculptures and drawings at the Giosi gallery in Via del Babbuino in Rome. She married the musician and composer Michele Paradiso on 1 July 1978 in Campidoglio. From 1956 to 2014, the work of Stefania Guidi was expressed in various techniques and materials with great craftsmanship. She made 192 etchings on copper and zinc; 40 lithographs on stone...

Dédié a Madame Vve. Charlet is an original artwork realized by Hippolyte Bellangé in 1846. Original lithograph on paper. The title appear on the lo...

Flowers is an Original Lithograph realized by Ernesto Treccani in 1973. Limited edition of 125 copies, editor "La Nuova Foglio SPA". Very good condition on a white cardboard. Hand...

A framed hand-colored Vanity Fair caricature of a prominent 19th century English judge, Henry Charles Lopes, 1st Baron Ludlow (1828-1899) entitled "An O...

WALDEMAR MARSZAŁEK (born in 1960) Polish painter. He received his diploma in graphic design in 1985. He is a professor at the Academy of Fine Arts i...

Salvador Dali - The Vision - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Detruit. SIGNATURE : plate signed by Dali. LIMITED : 233 copies. SIZE : 41 x 33 cm REFERENCES ...

Red Head Charles Levier, French (1920–2003) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 24 x 16 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

(after) Pablo Picasso - Flying Dove with a Rainbow - Lithograph 1952 Dimensions: 28 x 38 cm Signed and dated in the plate Numbered in pencil Edition : /10...

With Josh Crumpler on the design and layout, the team sought to give issue its own stamp – “to really give a sense of who the artist is,” says Milo. In this sense, they wanted to distinguish how Harland was “very carefree” and how he had a “slightly punk” attitude on life, but also how his was was notably concise. “It was about bringing together those elements,” continues Milo. “He is pleased with how it came out so that was a big plus.” Upon deciding on the aesthetic and feel of the magazine, Milo goes on to explain how they pulled many cues from postmodernism. Especially that of mixed-media, and how, with Harland producing his own self-portrait to be included in the issue, they wanted to juxtapose the photograph with a handwritten Q&A. “Harland’s work merges a love of pop culture, abstract expressionism and wordplay,” says Milo, “so the combination of these styles really fit the mould and influenced the design of Plaster.” This conception effortlessly rings out from the magazine, with what Milo describes as “clashing Herb Lubalin...