David Bumbeck

The Car

1978

Artist: Robert Cottingham, American (1935 - ) Title: Rolling Stock Series: For Armyn Year: 1992 Medium: Aquatint Etching, signed, numbered and titled in pencil Edition: 43/60 Im...

Artist: John Kacere, American (1920 - 1999) Title: Jill I Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, 10 HC, 45 AP Image Size: 25.5 x 19 inches Size: 2...

Artist: Ron Kleemann, American (1937 - ) Title: Jackie Stewart Year: 1972 Medium: Serigraph, signed and numbered in white pencil Edition: 41/150 Size: 2...

Painter John Salt is known for his photorealistic depictions of the deteriorating American landscape. His favored subjects include junkyard jalopies and broken-down mobile homes. Bor...

Esperanza by Audrey Flack, American (1931) Date: Circa 1972 Screenprint, signed and numbered in pencil Edition of 150 Size: 34 in. x 24 in. (86.36 cm x 60.96 cm) Published by Shorewood

Artist: John Kacere, American (1920 - 1999) Title: Judy Year: 1982 Medium: Lithograph, signed and numbered in pencil Edition: 300, 40 AP Image Size: 24 x 20 inches Size: 29 in. x 21....

Richard Haas Manhattan View, Governor's Island (Szoke 87, 89), 1999 Aquatint & Photo Etching in Colors on Arches Cover Paper with full margins Pencil signed from the limited edition ...

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by Robert Bechtle (San Francisco, 1932 - Berkeley, 2020)...

Robert Cottingham Blues (The Original), 1989 Color aquatint on wove paper Edition 31/45 Pencil signed and numbered by Robert Cottingham on the front Framed This is the original, stri...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

Richard Haas Alwyn Court (180 West 58th Street, NYC), 1973 Etching on wove paper Edition 4/50 Signed, titled and numbered 4/50 on the recto Measurements: Artwork: 19.25 inches (vert...

Albert DECARIS December : Christmas Tree Original etching Signed in pencil Exceptional copy bearing n° 1/100 Titled Janvier (January) On vellum 66 x 50 cm (c. 26 x 20in) Excellent ...