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David Hockney
Swimmer / Pool Diver - Offset Lithograph (Olympic Games, Los Angeles 1984)

1982

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  • Tree with Blue and Red Fruits - Lithograph - Maeght 1971
    By (after) Alexander Calder
    Located in Paris, FR
    Alexander CALDER (after) Tree with Blue and Red Fruits Lithograph poster Printed signature in the plate 80 x 50 cm (c. 32 x 20 in) INFORMATION : Lithograph created for the Calder e...
    Category

    1970s American Modern Figurative Prints

    Materials

    Lithograph

  • Lovers with a Tiger - Lithograph, Maeght 1977
    By Richard Lindner
    Located in Paris, FR
    Richard LINDNER Lovers with a Tiger Original lithograph, 1977 Printed signature in the plate On heavy paper 76 x 56 cm (c. 30 x 22 inch) Created for the artist exhibition in Maeght ...
    Category

    1970s American Modern Figurative Prints

    Materials

    Lithograph

  • Tribute to Nelligan : The Leafs - Original lithograph, Handsigned
    By Jean-Paul Riopelle
    Located in Paris, FR
    Jean-Paul RIOPELLE Tribute to Nelligan : The Leafs Original lithograph Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) REFERENCE : Catalog raisonne Y. Riopelle #19...
    Category

    1970s American Modern Figurative Prints

    Materials

    Lithograph

  • Tribute to Nelligan : Prince of Leafs - Original lithograph, Handsigned
    By Jean-Paul Riopelle
    Located in Paris, FR
    Jean-Paul RIOPELLE Tribute to Nelligan : Prince of Leafs Original lithograph Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) REFERENCE : Catalog raisonne Y. Riopel...
    Category

    1970s American Modern Figurative Prints

    Materials

    Lithograph

  • Tribute to Nelligan : Visage of Nature - Original lithograph, Handsigned
    By Jean-Paul Riopelle
    Located in Paris, FR
    Jean-Paul RIOPELLE Tribute to Nelligan : Visage of Nature Original lithograph Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) REFERENCE : Catalog raisonne Y. Riope...
    Category

    1970s American Modern Figurative Prints

    Materials

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  • Tribute to the Victims (Viet Nam) - Lithograph, 1967
    By Alexander Calder
    Located in Paris, FR
    Alexandre Calder (1898 - 1976) Tribute to the Victims, 1967 Lithograph on offset background (Arte atelier) Printed signature in the plate On paper 75 x 44.5 cm (c. 29.5 x 17.3 inch) Original vintage poster INFORMATION: Published by Maeght on the occasion of the artist's exhibition "Pour le Viet Nam...
    Category

    1960s American Modern Figurative Prints

    Materials

    Lithograph

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    Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grimes of The New York Times as "a restlessly inventive printmaker, painter, and sculptor." Born and raised in New York City, Mazur attended the Horace Mann School. He received a bachelor's degree from Amherst College in 1958, then studied art at Yale. Mazur first gained notice for his series of lithographs and etchings of inmates in a mental asylum, which resulted in two publications, "Closed Ward" and "Locked Ward." Over the years, he worked in printmaking and painting. His series of large-scale prints for Dante's Inferno won critical acclaim, and were the subject of a traveling exhibition organized by the University of Iowa in 1994. Later he concentrated on creating large, lyrical paintings which make use of his free, gestural brushwork and a varied palette. Some of these paintings were seen in an exhibition of 2002 at Boston University, "Looking East: Brice Marden, Michael Mazur, and Pat Steir." (See also Susan Danly, "Branching: The Art of Michael Mazur," 1997). The Museum of Fine Arts, Boston, has acquired a definMichael Mazur received a B.A. from Amherst College in 1957, studying in his senior year at the Accademia di Belle Arti in Florence, Italy. He went on to earn both a B.F.A. and an M.F.A. from the Yale School of Art and Architecture in 1961. Mazur's first teaching job was at the Rhode Island School of Design from 1961 to 1964. He was awarded a Guggenheim Foundation fellowship for 1964–65. From 1965 to 1976, he taught at Brandeis University, and from 1976 to 1978 at Harvard University. As an artist, teacher, and writer, Mazur has been active in reviving the monotype process. He contributed an essay to the pioneering exhibition catalogue The Painterly Print, published by the Metropolitan Museum of Art in 1980. Mazur recently chaired the New Provincetown Print...
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  • Unemployed Marchers — 1930s Modernism, WPA
    By Leon Bibel
    Located in Myrtle Beach, SC
    Leon Bibel, 'Unemployed Marchers', 2-color lithograph, c. 1938, edition 25. Signed, titled, and numbered '2/25' in pencil. A fine, richly-inked impression, on off-white wove paper, w...
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  • Old Village, Modern Lithograph by Millard Sheets
    By Millard Sheets
    Located in Long Island City, NY
    Old Village by Millard Owen Sheets, American (1907–1989) Circa 1977 Lithograph on Arches, signed and numbered in pencil Edition of 250, AP Image Si...
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  • The Drunken Chauffeur
    By David Salle
    Located in Fairfield, CT
    Represented by George Billis Gallery, NYC & LA --David Salle (born 1952) is an American painter, printmaker, and stage designer who helped define postmodern sensibility. Lithograph ...
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  • Censorship, Pop Art Lithograph by Don Nice
    By Don Nice
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    Artist: Don Nice, American (1932 - ) Title: Censorship Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 144 Size: 12 in. x 38 in. (30.48 cm x 96.52 cm) Frame Si...
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  • "Two Days of Childhood That are Still Unexplained, " Litho signed by Ben Shahn
    By Ben Shahn
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    "Two Days of Childhood That are Still Unexplained" from "For the Sake of a Single Verse" is an original lithograph signed in the lower right by the artist Ben Shahn. It depicts six female figures in long coats. One group is silhouetted in blue and the other in a pastel purple. 22 1/2" x 17 5/8" art 32 3/4" x 28" frame Ben Shahn (American, September 12, 1898 - March 14, 1969) was a painter, lithographer, and photographer best known for his left-wing political leanings, works of social realism, and The Shape of Content, a publication of his lectures. Shahn was born in Kovno, Lithuania, when the country was still occupied by the Russian Empire. In 1902, Shahn's father, Joshua Hessel, was exiled to Siberia. Shahn then moved to Vilkomir, Lithuania, with his mother, Gittel, and his two siblings. Their family moved to the United States in 1906 to join their father who had fled from exile. After settling in Brooklyn, NY, Shahn began to train in lithography and graphic design, and his favorite medium was egg tempera. In 1919, Shahn enrolled in New York University to study Biology before entering the City College in 1921 to study Art. He also studied Art at the National Academy of Design. In the 1920s, Shahn and his wife traveled around Africa and Europe to study the works of renowned artists such as Pablo Picasso (Spanish, 1881- 1973) and Raoul Dufy (French, 1877-1953). In 1933, Shahn worked as an assistant of Diego Rivera (Mexican, 1886 - 1957); at this time, Rivera was working on the mural at the Rockefeller Center in New York. Two years later, Shahn was recommended by Walker Evans (American, 1903 - 1975) to join the Farm Security Administration photographic group. One of the artist’s most famous works is the fresco mural he did for the Jersey Homesteads' community center. Shahn also worked on murals for the state on the Federal Security Building and the Bronx Central Annex Post Office. During the Second World War, Shahn made a series of paintings laced...
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