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David Morrison
David Morrison, Cosmic Disturbance at Vermillion, Figurative Lithograph, 2015

2015

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  • Blue, Ukiyo-e landscape woodcut print, 2014
    By Keiji Shinohara
    Located in New York, NY
    Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
    Category

    2010s Contemporary Landscape Prints

    Materials

    Woodcut

  • Spirit of Place III I, red contemporary abstract screen print with hand coloring
    By Ann Aspinwall
    Located in New York, NY
    Printmaker Ann Aspinwall draws a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line foll...
    Category

    2010s Contemporary Abstract Prints

    Materials

    Screen

  • Tessuto Veneziano (c-5/10) contemporary bstract etching and chine colle print
    By Ann Aspinwall
    Located in New York, NY
    Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934): Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.” Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...
    Category

    2010s Contemporary Abstract Prints

    Materials

    Archival Paper, ABS, Etching

  • Keiji Shinohara, Symphony (TP), Ukiyo-e woodcut print landscape, 2002
    By Keiji Shinohara
    Located in New York, NY
    In his "Symphony (TP)," 2002, Keiji Shinohara flattens a sunset landscape to its most essential visual elements in the tradition of Japanese woodcut, while updating the medium with t...
    Category

    Early 2000s Contemporary Landscape Prints

    Materials

    Archival Paper, Woodcut

  • Opus 9, landscape Ukiyo-e monotype, 2008
    By Keiji Shinohara
    Located in New York, NY
    In his Ukiyo-e monotype, Opus 9, 2011, Keiji Shinohara uses the tradition of landscape as a playground for his dialogue between eastern and western tradition. Shinohara's flattened s...
    Category

    Early 2000s Contemporary Landscape Prints

    Materials

    Monoprint, Woodcut

  • Opus 11, Ukiyo-e monotype print with platinum leaf landscape, 2008
    By Keiji Shinohara
    Located in New York, NY
    In his monotype, Opus 11, 2008, Keiji Shinohara uses his medium to disrupt the formulation of the landscape genre. A cross-section of sky, or perhaps water, inserts itself into the rich red pigment of the earth. The pale yellow and blue...
    Category

    2010s Contemporary Landscape Prints

    Materials

    Platinum, Monotype

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    Located in Alamo, CA
    "Neptune Washington" is a large contemporary lithograph by Ron Adams (1934- ), created in 1996. It depicts a muscular African-American fisherman polling his fishing boat in a river in the rain. Adams distinctive rendering of Neptune conveys his great strength, as well as the grace, fluidity and balance of his body. He is barefoot and shirtless, dressed in striped overalls with his right shoulder strap undone. A bucket of fish sits next to his left foot, while fishing line, an open tin can and a frog are seen on a wet bench in front of Neptune. A long-necked white bird (crane) sits on a log floating by in the river near the opposite shore. Ominous storm clouds are present in the background over trees, brush and rocks along the opposite river bank. The lithograph is printed on handmade deckle-edged paper and presented with a museum style floating mount in a black wood frame with a thick cream mat and glazed with UV protected plexiglass. It is signed in pencil in the right lower corner along with the date, '96. The title "Neptune Washington" is inscribed in pencil in the lower margin in the center and initials HGI are in the lower left. The initials HGI may stand for Hand Graphics Institute, which Adams founded in New Mexico. The initials rather than the usual edition number (which consisted of 70), possibly signify an artist proof or possibly a Hors-Commerce (before trade) printing. The print is in excellent condition. The frame measures 38" x 30.25" x 1.25". Ron Adams is a prominent African-American master printmaker. His detailed depictions of African-American musicians, craftsmen, folk heroes and everyday people have made him one of the top figurative artists and printmakers in the country. He has worked with and taught many other well-known artists, including Frank Stella, Charles White, John Biggers, Robert Rauschenberg and Jasper Jones...
    Category

    Late 20th Century Contemporary Portrait Prints

    Materials

    Lithograph

  • Le Mexicain (Le Gilet Jaune) The Mexican (The Yellow Vest) /// Contemporary Art
    By Louis Toffoli
    Located in Saint Augustine, FL
    Artist: Louis Toffoli (Italian-French, 1907-1999) Title: "Le Mexicain (Le Gilet Jaune) The Mexican (The Yellow Vest)" *Signed by Toffoli in pencil lower right Year: 1990 Medium: Orig...
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    1990s Contemporary Figurative Prints

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    Lithograph

  • Speckled Corn Kachina, Dan Namingha, lithograph, Hopi, kachina, blue, orange
    By Dan Namingha
    Located in Santa Fe, NM
    Speckled Corn Kachina, Dan Namingha, lithograph, Hopi, kachina, blue, orange hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also pr...
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    1970s Contemporary Figurative Prints

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    Lithograph

  • Uncle of the Corn Dancers, Dan Namingha, Hopi, kachina, lithography edition
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    Uncle of the Corn Dancers, Hopi, kachina, lithography Dan Namingha hand pulled limited edition lithograph signed and numbered by the artists
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    1970s Contemporary Figurative Prints

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  • The Archer
    By Sandro Chia
    Located in Long Island City, NY
    Artist: Sandro Chia, Italian (1946 - ) Title: Untitled - The Archer Year: circa 1985 Medium: Lithograph, Signed and Numbered in Pencil Edition: 197/500...
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  • Monica Lying On Her Side With Scribbles
    By Tom Wesselmann
    Located in Boston, MA
    Artist: Wesselmann, Tom Title: Monica Lying On Her Side With Scribbles Date: 1990 Medium: Lithograph Unframed Dimensions: 40.5" x 60" Framed Dimensions: 44.5" x 64" Signature: ...
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    1990s Contemporary Figurative Prints

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