Pink Lady, Art Deco Screenprint by Erte
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ErtéPink Lady, Art Deco Screenprint by Erte1980
1980
About the Item
Erté
Born Romain de Tirtoff (1892–1990) in St. Petersburg, Russia, to an aristocratic family, the artist known as Erté — a pseudonym derived from the French pronunciation of his initials — was a Renaissance man of the art and design world. He worked in graphic arts, interior design, fashion, jewelry and set design for the stage and silver screen, becoming a leader of the Art Deco style.
Moving to Paris in 1912, Erté worked as a fashion designer under couturier Paul Poiret before securing a job with Harper’s Bazaar as a cover artist. Over 22 years, Erté created more than 240 magazine covers alongside his ongoing work in fashion design. Extending his prolific career into theater sets, costumes, prints and lithographs, he became one of the most famous artists of the era. Erté’s style — a combination of the nature-inspired flourishes of Art Nouveau and bold, geometric linework — directly contributed to the birth of Art Deco, earning him the nickname “the Father of Art Deco.”
After a lull of creative production in the 1940s and 1950s, Erté reentered the public eye in the 1960s, when a renewed interest in Art Deco had taken shape. Creating colorful lithographs, bold serigraphs (silk-screen prints) and bronze sculptures, he contributed to a resurgence of the style in France and beyond. This late-life acclaim for his art led to exhibitions in museums and galleries all over the world as well as his first published monograph in 1970. That same year he was awarded the title of Chevalier du Mérite Artistique et Cultural and in 1976 was named Officier des Arts et Lettres by the French government. Today, Erté’s works are in the collections of the Metropolitan Museum of Art and the Cooper Hewitt, Smithsonian Design Museum, in New York, the Victoria and Albert Museum in London and LACMA in Los Angeles..
On 1stDibs, browse a collection of Erté art, including fine-art prints, paintings and other works.
- HarlequinBy Giancarlo ImpigliaLocated in Long Island City, NYArtist: Giancarlo Impiglia Title: Harlequin Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 30 x 22 inchesCategory
1980s Art Deco Figurative Prints
MaterialsScreen
- Butterfly, Art Deco Silkscreen by Edouard DermitBy Édouard DermitLocated in Long Island City, NYButterfly Édouard Dermit, French (1925–1995) Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 19.5 x 25 inches Siz...Category
1970s Art Deco Figurative Prints
MaterialsScreen
$400 Sale Price23% Off - Erte, "The Letter 'C'" from the Alphabet Suite, Serigraph, 1976By ErtéLocated in Long Island City, NYThis glamorous screenprint was created by Russian-born French artist Erte. Erte is perhaps most famous for his elegant fashion designs, which capture the art deco period in which he ...Category
1970s Art Deco Figurative Prints
MaterialsScreen
- The Curtain, Art Deco Print by Erte 1977By ErtéLocated in Long Island City, NYArt Deco screenprint from Erte's famous "Alphabet Suite". The P is shaped by a nude woman with long flowing auburn hair. Artist: Erte Title: The Curtain Medium: Screenprint, signe...Category
1970s Art Deco Figurative Prints
MaterialsScreen
- The Letter P from the Alphabet Suite, Nude Screenprint by ErteBy ErtéLocated in Long Island City, NYArt Deco screenprint from Erte's famous "Alphabet Suite". The P is shaped by a nude woman with long flowing auburn hair. Artist: Erte Title: The Lett...Category
1970s Art Deco Figurative Prints
MaterialsScreen
- Erte, "The Letter 'C'" from the Alphabet Suite, Serigraph, 1976By ErtéLocated in Long Island City, NYThis glamorous screenprint was created by Russian-born French artist Erte. Erte is perhaps most famous for his elegant fashion designs, which capture the art deco period in which he ...Category
1970s Art Deco Figurative Prints
MaterialsScreen
- Letter "Y" from the Alphabet SuiteBy Erte - Romain de TirtoffLocated in Saugatuck, MIErte hand signed and numbered limited edition lithograph and screen print. From the Alphabet Suite. Framed dimensions are 26" W x 31" T. Near Mint condi...Category
1970s Art Deco Figurative Prints
MaterialsScreen, Lithograph
- Au JaponBy Victor Max NinonLocated in Fairlawn, OHAu Japon Pochoir (Stencil Print), 1925 Signed by the artist in pencil lower right (see photo) Signed in the image lower left (see photo) Stamped verso: Made in France Note: The artist won a gold medal in Paris in 1925 for his porchoirs Condition: excellent Image size: 11 1/2 x 13 inches Sheet size: 20 x 25 3/4 inches The artist is Italian, Vittorio Accornero de Testa, working in Paris. The image combines Art Deco and Japonism, two of the most famous styles of the period of the 1920's. Condition: Excellent, never matted or framed Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...Category
1920s Art Deco Figurative Prints
MaterialsScreen
- La Voiture Th. Schneider, Car - 1912Located in London, GBGAMY and MONTAUT, Ernest. La Voiture Th. Schneider, 1912 gagne à Dieppe Dinant et à la Sarthe vitesse et régularité / Magneto Bosch Corburateur Claudel Roues Riley. Mabileau & Co., ...Category
1910s Art Deco Figurative Prints
MaterialsScreen, Stencil
- Cycles Motos Alcyon.Located in London, GBGAMY and MONTAUT, Ernest. Cycles Motos Alcyon. [Paris: Mabileau & Co., c. 1914]. Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x 49.2cm. The Gamy-Montaut ...Category
1910s Art Deco Figurative Prints
MaterialsScreen, Stencil
- L’Allumage Moderne.Located in London, GBGAMY and MONTAUT, Ernest. L’Allumage Moderne. Magneto Lavalette Eisemann. [Paris: Mabileau & Co., c. 1910]. Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x ...Category
1910s Art Deco Figurative Prints
MaterialsScreen, Stencil
- Grand Prix de l’A.C.F. 1913 (Motocyclettes).Located in London, GBGAMY and MONTAUT, Ernest. Grand Prix de l’A.C.F. 1913 (Motocyclettes), 1er. Greame Fenton sur autocyclette CLEMENT - PNEU DUNLOP - Carburateur Longuemare bougie Eyquem. Mabileau & ...Category
1910s Art Deco Figurative Prints
MaterialsScreen, Stencil
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