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Francois Gilot
Palm Reader, Original French Mourlot Modernist Lithograph 1950s Francois Gilot

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  • Colorful Russian French Judaica Jewish Shtetl Wedding Lithograph Mourlot Paris
    By Mane Katz
    Located in Surfside, FL
    Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Jewish Shtetl Klezmer Wedding Tanz Judaica Lithograph WPA Yiddish Social Realist
    By William Gropper
    Located in Surfside, FL
    Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. humorous Yiddish Chassidic art. The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was actively engaged in support of the organized labor movement throughout his career. This original color lithograph print is done in the iconic style of the artist's oeuvre. Born to Harry and Jenny Gropper in 1897, William was raised in New York City's Lower East Side. His parents were Jewish immigrants from Romania and Ukraine, and young William grew up in relative poverty, watching his family struggle to achieve that sought-after American dream. His father, a bright and college-educated man, was unable to find employment that worthy of his intellect. His mother, meanwhile, worked as a seamstress from home. Coupled with the devastating loss of an aunt to the infamous Triangle Factory fire of 1911, significant childhood factors created the foundation that led to Gropper’s exploration of the American experience. Early on, Gropper displayed an extraordinary, natural skill for art. By 1912, he was already studying under the instruction of George Bellows and Robert Henri at the Ferrer School in Greenwich Village. During his time at school, Gropper was also awarded a prestigious scholarship to study at the National Academy of Design. However, he refused to fit into convention and was swiftly expelled from the Academy. After his expulsion, Gropper returned home to help financially by assisting his mother and taking a shop position. However, he didn't abandon art academia and soon presented a portfolio to the New York School of Fine Art which earned him a scholarship for study. Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publications like Vanity Fair, New Masses, The Nation, and Freiheit. His interest in the welfare of the American worker, class inequality, and social injustice was central in his work. After publishing the graphic novel Alley Oop in 1930, Gropper's illustration career extended well into the decade. However, he was never exempt from controversy, and his 1935 Vanity Fair cartoon; prompted anger from the Japanese government. As an involved labor organizer and Social Realist activist, Gropper continued to bring attention to his radical reputation with visits to the Soviet Union and Poland. However, his concern with European politics and U.S. social causes didn't slow down his artistic career, and by the late 1930s, he had produced significant murals for American cities like Washington D.C. His 1938 mural Construction of a Dam was commissioned for the Department of the Interior and represents the Social-Realism style that depicts experiences of the worker and everyday societal life. Measuring at a staggering 27ft by 87ft, the piece portrays muscular, robust American laborers scaling rocky hillsides, building infrastructure, and operating heavy machinery. The mural feels undeniably American with golden scenery, denim blues, and steely gray colors. Gropper fits perfectly into Social-Realism because the style exhibits an illustrative flair with strong lines and simple, bold hues. The inspiration for Construction of a Dam sprang from his 1937 travels to the poverty-stricken Dust Bowl area. The trip was sponsored by a Guggenheim Foundation Fellowship, and his drawings of the Grand Coulee and Boulder Dams...
    Category

    Mid-20th Century Modern Figurative Prints

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    Lithograph

  • Modern Israeli Lithograph Reuven Rubin Views Of Israel Judaica Camel Rider
    By Reuven Rubin
    Located in Surfside, FL
    Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lit...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph, Offset

  • Modern Israeli Lithograph Reuven Rubin Views Of Israel Judaica Horses, Riders
    By Reuven Rubin
    Located in Surfside, FL
    Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lit...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph, Offset

  • Modern Israeli Lithograph Reuven Rubin Views Of Israel Judaica Crowing Rooster
    By Reuven Rubin
    Located in Surfside, FL
    Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lit...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph, Offset

  • Jewish Shtetl Hasidic Wedding Dance Judaica Lithograph Yiddish Social Realism
    By William Gropper
    Located in Surfside, FL
    Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. ...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

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    By Hoi Lebadang
    Located in Santa Cruz, CA
    Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left. Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...
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  • L'escargot
    By Henri Matisse
    Located in London, GB
    Lithograph in colours based on the cut-out of the same title, 1952 From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54' Pr...
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  • Eve Incurs God’s Displeasure
    By Marc Chagall
    Located in Austin, TX
    This stone lithograph by Marc Chagall (1887-1985) is from the prestigious and influential French art publication Verve (1937-1960), Nos. 37/38, an issue devoted to Chagall’s Bible...
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  • The Drunken Chauffeur
    By David Salle
    Located in Fairfield, CT
    Represented by George Billis Gallery, NYC & LA --David Salle (born 1952) is an American painter, printmaker, and stage designer who helped define postmodern sensibility. Lithograph ...
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  • PKZ Salesman
    By Hans Falk
    Located in New York, NY
    1944, Color lithograph. Hans Falk was born in Zurich in 1918. He studied at the Lucerne School of Applied Arts and then completed an apprenticeship as a graphic designer. In 1942...
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