Going Abroad (From The Waves II Series)
View Similar Items
Frank StellaGoing Abroad (From The Waves II Series)1989
1989
About the Item
- Creator:Frank Stella (1936, American)
- Creation Year:1989
- Dimensions:Height: 73.44 in (186.54 cm)Width: 54.5 in (138.43 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palo Alto, CA
- Reference Number:Seller: 77871stDibs: LU1567211314162
Frank Stella
Frank Stella is one of the central figures in postwar American art. A proponent of minimalism and non-representational abstraction, Stella is a painter, printmaker and sculptor. A native of Massachusetts, he attended Phillips Academy in Andover and earned a BA from Princeton, where he studied art and color theory with Josef Albers and Hans Hofmann.
Stella frequented New York galleries as a student and was intrigued by the work of Jackson Pollock and Franz Kline, both of whom were at the height of their creative powers in the late 1950s. After moving to New York in 1958, he gravitated toward the geometric abstraction and restrained painting style of Barnett Newman and Jasper Johns. Johns’s flat, graphic images of common objects such as targets and flags prompt viewers to question the essential nature of representation and whether these pictures are really paintings or simply new iterations of the items themselves. Stella pushed Johns’s reasoning further, considering paintings on canvas as objects in their own right, like sculptures, rather than representations. This led him to reject certain formal conventions, eschewing sketches and often using nontraditional materials, like house paint.
In 1959, Stella created his “Black Paintings,” series, in which bands of black paint are separated by thin, precise stripes of bare canvas. At a time when contemporary painting was all about wild gestures, thick paint and formal abandon, these pieces created a sensation. That same year, Stella's work was included in the exhibition "Sixteen Americans" at the Museum of Modern Art in New York, and he joined the roster of artists represented by Leo Castelli Gallery. In 1960, he began introducing color into his work and using unconventionally shaped canvases to complement his compositions.
In his “Eccentric Polygon” series, from 1965 and ‘66, Stella embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas. This series was followed by the 1967–70 “Protractor” series, characterized by colorful circles and arcs. Named after the ancient cities whose circular plans Stella had noticed while traveling in the Middle East during the 1960s, these works usually comprised several canvases set flush against one another so that the geometric figures in each section came together in a larger, more complex whole.
Also in the mid-1960s, Stella started exploring printmaking, initially working with Kenneth Tyler, of Gemini G.E.L., and later installing printing equipment in his own studio. In 1968, he created the “V” series of lithographs,which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall-mounted sculptures.
Stella’s 1970–73 “Polish Village” series was inspired by a documentary photos and architectural drawings of Polish synagogues that had been destroyed by Nazis during World War II. The resulting works — composed primarily of paint and cloth on plywood — are more rugged and less polished than his previous series. Herman Melville's Moby Dick was his muse for a series of three- dimensional works he created in the 1980s in which waveforms, architectural elements and Platonic solids play a prominent role. During this period, Stella embraced a new, exuberant style that is exemplified in "La Scienza della Fiacca." In 1997, he oversaw the creation of the Stella Project, a 5,000-square-foot work inside the Moores Opera House at the University of Houston. A large free-standing sculpture by Stella stands outside the National Gallery of Art in Washington, D.C.
Stella’s work is in the collections of numerous important museum collections around the world, including New York’s Museum of Modern Art and Metropolitan Museum of Art; the Menil Collection, in Houston; the Hirshhorn Museum and Sculpture Garden, in Washington, D.C.; and the San Francisco Museum of Modern Art. He was awarded the National Medal of Arts by President Obama in 2009, and was given the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center in 2011.
Find a collection of Frank Stella's art on 1stDibs.
- People for the American WayBy Robert RauschenbergLocated in Palo Alto, CACreated in 1991, this color lithograph and screenprint on Arches Cover paper is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left mar...Category
1990s Abstract Expressionist Figurative Prints
MaterialsLithograph, Screen
Price Upon Request - Flaps (Marrakitch)By Robert RauschenbergLocated in Palo Alto, CACreated in 1991, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...Category
Early 2000s Abstract Expressionist Figurative Prints
MaterialsScreen
Price Upon Request - DemuthBy Robert IndianaLocated in Palo Alto, CACreated in 2001, this silkscreen is hand signed by Robert Indiana (Indiana, 1928 - Maine, 2018) in pencil in the bottom margin and is numbered from the edition of 50 in the bottom ma...Category
Early 2000s Abstract Expressionist Figurative Prints
MaterialsScreen
Price Upon Request - Tri-Color IIBy Richard DiebenkornLocated in Palo Alto, CAChuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...Category
1980s Abstract Expressionist Figurative Prints
MaterialsEtching, Aquatint
Price Upon Request - L.A.S.F. #3By Ed RuschaLocated in Palo Alto, CACreated in 2003, this color soft-ground etching is hand-signed by Ed Ruscha (Nebraska, 1937 - ) in pencil in the lower right margin. Numbered from the edition of 35 in pencil in the ...Category
Early 2000s Abstract Expressionist Figurative Prints
MaterialsEtching
Price Upon Request - Reflections on Minerva, from ReflectionsBy Roy LichtensteinLocated in Palo Alto, CAFramed in a bright yellow boarder, Roy Lichtenstein Reflections on Minerva, from Reflections, 1990 shows a distressed Minerva partially obscured by reflective lines. As if she is beh...Category
1990s Pop Art Figurative Prints
MaterialsLithograph, Screen
Price Upon Request
- Untitled Figure signed numbered mixed media print from scarce European portfolioBy George McNeilLocated in New York, NYGeorge McNeil Untitled Figure, 1986 Lithograph on paper. Publisher's and Printer's Blind Stamps Hand-signed, numbered 78/84 and dated by the artist on the front with publisher's and...Category
1980s Abstract Expressionist Figurative Prints
MaterialsLithograph, Pencil, Screen
- Ting Shao Kuang "Emerald Valley"Located in Los Angeles, CATing Shao Kuang (b. 1939) Chinese American) "Emerald Valley" (S.49), 1987, color screen print, signed and numbered 118/275 in penc...Category
19th Century Abstract Expressionist Figurative Prints
MaterialsColor, Screen
- DancerBy Phil Bob BormanLocated in Santa Monica, CA"Screen Print Edition 4/33"Category
Late 20th Century Abstract Expressionist Figurative Prints
MaterialsScreen
Price Upon Request - Glowing Guitar, ArmanBy ArmanLocated in Fairfield, CTArtist: Arman (1929-2005) Title: Glowing Guitar Year: 1978 Edition: 150, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 22.25 inches Condition: Excellent Inscription: Sign...Category
1970s Abstract Expressionist Figurative Prints
MaterialsScreen
$2,200 Sale Price20% Off - Otono Floral (Sexual Spring-like Winter)By Julian SchnabelLocated in New York, NYOtono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...Category
1990s Abstract Expressionist Abstract Prints
MaterialsScreen
- Cash cow Original silkscreen print by Katie Edwards, coloured, animal printBy Katie EdwardsLocated in Deddington, GBlimited_edition Screen print Edition number 20 Image size: H:28 cm x W:19.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A q...Category
2010s Abstract Expressionist Animal Prints
MaterialsScreen