George Grosz

George Grosz Lithograph "Dämmerung" (Twilight ), 1922

1922

Color Lithograph on handmade paper Ecce Homo by George Grosz, 1917. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numerals lo...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922 Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923 Numbered in Roman numeral...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1918. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin Published by Malik Verlag, 1923. Numbered in Roman numera...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1921. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Over the course of her prolific and radical career, Nancy Graves became a master of translating the primary data of soft science disciplines such as archaeology and anthropology into empirically informed, expressive works, such as "Canopic Prestidigitation." A large-scale, 23-color lithograph, Canopic Prestidigitation is as technically masterful as it is conceptually layered. Graves combines the Egyptian visual lexicon of the afterlife and allusions to European Renaissance masterworks to catalyze heuristic understandings of cross-cultural communication—Figures rendered in the hybridized profile-portrait style of Egyptian hieroglyphs float through a swirling and subtle maze of neo-classical architectural suggestions, while a disembodied hand reminiscent of Michelangelo’s "The Creation of Adam" reaches out through a frothing red portal. A cast-paper representation of Horus perches in the bottom right corner of the work, a nod to the symbolic language of the print and Graves’ multi-disciplined artistic approach. When read together, the elements of Canopic Prestidigitation become an artistic interpretation of the intangible qualities of social science...

Lithograph with hand tinting on heavy wove paper, full margins. Significant condition issues in the margins which include adhesive residue, edge tears and minor edge losses. The image area is clean with minor mat tone, however, colors are slightly attenuated. The verso shows moderate uneven toning. Issues primarily exist outside of the image area. This large and lively work was printed by Charles Hullmandel. _______ The images in Boys's 1842 portfolio, Original Views of London...

Lithograph in colors with engraving on buff wove paper. Each of the two images measures 10 3/4 x 6 5/8 inches (271 x 167 mm), with the sheet measuring 14 1/4 x 20 1/2 inches (360 x 5...

from "Paris dans sa Splendeur: Monuments, Vues, Scènes Historiques, Descriptions et Histoire." Lithograph and engraving with hand coloring in watercolor on cream wove paper, 9 3/8 x ...

Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...