Items Similar to 'Tree of life'. Coloured lithograph. Signed, titled, dated and numbered EA 1/5
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Guillaume Cornelis van Beverloo (Corneille)'Tree of life'. Coloured lithograph. Signed, titled, dated and numbered EA 1/51998
1998
About the Item
'Tree of life''. Coloured lithograph. Signed, titled, dated and numbered EA 1/5
This piece is accompanied with a certificate of authencity by the Corneille Foundation.
Corneille – Guillaume Cornelis van Beverloo (3 July 1922 – 5 September 2010), better known under his pseudonym Corneille, was a Dutch artist.
Corneille was born in Liege, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art.[3] He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl].
The poetic Corneille was strongly influenced by Miró and Klee. After the group dissolved in 1951 he moved to Paris and began collecting African art. These artifacts became evident in his works, which began to take on a more imaginative style, like landscapes seen from a bird's eye view, exotic birds and stylised forms. His work is in the collection of the Centre Georges Pompidou.
Until his death Corneille lived and worked in Paris, and made visits to Israel where he worked with the Jaffa Atalier. On 24 September 2003 an exhibition of his prints opened at the Ramat-Gan Museum of Art, Israel. He died at Auvers-sur-Oise, France.
- Creator:Guillaume Cornelis van Beverloo (Corneille) (1922 - 2010, Dutch)
- Creation Year:1998
- Dimensions:Height: 35.04 in (89 cm)Width: 25.6 in (65 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU129225505792
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2015
1stDibs seller since 2019
31 sales on 1stDibs
Typical response time: Several days
- ShippingRetrieving quote...Ships From: BRUSSELS, Belgium
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Rhodotorulic Acid. Woodcut in colors. Signed.By Damien HirstLocated in Paris, FRHIRST Damien (1965 - ) Rhodotorulic Acid. Woodcut in colors. Signed. Provenance : DTR Modern Gallery, New York. About Damien Hirst (Artist) British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.” In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God. Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with The Cure (Violet) and The Cure (Turquoise), both from 2014, which are among several pill paintings...Category
2010s Abstract Abstract Prints
MaterialsPaper
- Architectural designs. A set of nine architectural engravings.By Albertolli GiacondoLocated in Paris, FRArchitectural designs. A set of nine architectural engravings. These engravings are framed in white gold covered french frames. From the publication published in Milan in 1782. "Diff...Category
1780s Interior Prints
MaterialsEngraving
- Allegory of the four seasons. Four engravings on two framed sheets.By Albertolli GiacondoLocated in Paris, FRAllegory of the four seasons. A pair of engravings. These engravings are framed in white gold covered french frames. From the publication published in Milan in 1782. "Different ornam...Category
1780s Interior Prints
MaterialsEngraving
- Chandelier designs. A pair of engravingsBy Albertolli GiacondoLocated in Paris, FRChandelier designs. A pair of architectural engravings. These engravings are framed in white gold covered french frames. From the publication published in Milan in 1782. "Different o...Category
1780s Interior Prints
MaterialsEngraving
- Ceiling designs. A set of three architectural engravings.By Albertolli GiacondoLocated in Paris, FRCeiling designs. A set of three architectural engravings. These engravings are framed in white gold covered french frames. From the publication publishe...Category
1780s Interior Prints
MaterialsEngraving
- HUBER Johann Kaspar. View of a city thought to be Antwerp. Wasked ink.By HUBER JOHANN KASPARLocated in Paris, FRJohann Kaspar HUBER is a Swiss painter.Category
Late 18th Century Landscape Drawings and Watercolors
MaterialsInk
You May Also Like
- Sandeman Porto & Sherry – Iconic Original PosterLocated in Zurich, CHThe Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...Category
1920s Art Deco Figurative Prints
MaterialsPaper, Lithograph
- Henri Toulouse Lautrec, Original Lithograph 1897By Henri de Toulouse-LautrecLocated in Saint Augustine, FLArtist: Toulouse Lautrec (1864 -1901) French Title: The Chestnut Vendor Medium: Lithograph, Year: 1897 Signature: Signed in Plate (TL) Lower Left Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed A lithograph of a Toulouse Lautrec drawing...Category
Late 19th Century Post-Impressionist Figurative Prints
MaterialsLithograph
- "La Vache Enragee" iconic vintage poster by Toulouse-LautrecBy Henri de Toulouse-LautrecLocated in Hinsdale, ILTOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Grande Tuilerie d’Ivry" from Les Maitres de l'AfficheBy Alexandre CharpentierLocated in Hinsdale, ILCHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- Flirt Biscuits by Alphonse MuchaBy Alphonse MuchaLocated in Hinsdale, ILALPHONSE MUCHA (1860 – 1939) Flirt Biscuits Rennert/Weill 72 Lithograph in colors c. 1900 Signed in stone, lower right margin Image: 24” x 11”, Paper: 25 ¼” x 11 ¾” F...Category
Early 1900s Art Nouveau Figurative Prints
MaterialsLithograph
- "Promenoir" by Henri de Toulouse-LautrecBy Henri de Toulouse-LautrecLocated in Hinsdale, ILTOULOUSE-LAUTREC, HENRI DE (1864-1901) PROMENOIR Delteil 290, Adhemar 324, Wittrock 315 Lithograph printed in olive black-green ink, c. 1899 Printed on japon paper, Full margi...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph