Henry Wilkinson 1

“Partridge Shooting”

Circa 1960

Original etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...

James Gillray (13 August 1756 – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London. Description: Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is a yokel no longer bewildered. He stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right) wears a high cocked hat...

Original wood engraving on paper. Taken from Harper’s Weekly, April 7, 1860. Signed “Homer” in the plate. Condition is good. Slight staining lower left. Very slight tear to the l...

Original photo mechanical print handcolored throughout by the French artist, Lucy Garnot. Signed left bottom. Circa 1900. Condition is very good. T...

Original photo mechanical print handcolored throughout by the French artist, Lucy Garnot. Signed and titled bottom. Circa 1900. Condition is very go...

China Trade aquatint engraving. The plate was engraved by Dadley in London after drawings by Pu Qua of Canton and published in 1799 by W. Miller of Bond Street in London. Sight size 11.5 by 9.5 inches. Under glass. Silver leaf frame with wear consistent with age. Overall framed measurements are 13.5 by 11.5 inches. Not examined out of frame. Borghese label verso. Provenance: Sarasota collector. Inscriptions read as follows: Pu-Qua. Canton. Delin. Dadley, London, Sculpt. Published May 4, 1799, by W. Miller, Old Bond Street, London. John Dadley...

"The Temptation of Saint Anthony" is an original etching by Fernand Cormon. This piece has the artist's stamp. The piece is signed in pencil by the artis...

"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed on the lower edge of the etching, "ARunciman inv. & fecit," i...

18th Century (c1740) etching/engraving , John II, Count of Hainaut Holland & Zeeland (1247-1304)

George Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...

George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...

"Le Petit Cirque Prinder" is an original etching by Auguste Brouet. This piece depicts a variety of circus performers surrounded by small children. The artist signed the piece in the...