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James Abbott McNeill Whistler
Gants de Suède a Lithograph by James A M Whistler, 1890

1890

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  • "Il Maestro" Print after Franceso Barbieri called Guercino (1591-1666)
    By Giovanni Francesco Barbieri (Il Guercino)
    Located in Hallowell, ME
    Old Masters Print of Music Teachers after Franceso Barbieri called Guercino (1591-1666). This 13 x 21 inch etching is titled The Music Teachers after Franceso Barbieri called Guercino (1591-1666) Measurements: 13"x21". Susquehanna Antique Company...
    Category

    18th Century Old Masters Figurative Prints

    Materials

    Paper, Etching, Ink

  • Three Old Master Steel Engravings, after Pierre Jean Mariette 1694-1774
    Located in Hallowell, ME
    Priced for the group of three. You can frame them. margins clipped I assume 9" x 6.25"
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Black and White

  • Framed Pair of Architectural Engravings made After Giocondo Albertolli
    Located in Hallowell, ME
    Framed Pair of Architectural Engravings made After Giocondo Albertolli in Italy during the Neoclassical period of the 18th Century. This pair of engravings measure 28.5 inches by 23 inches in nice Roma molding picture frames. Priced for the pair. Albertolli is well listed as an engraver in Benezit. page 89, volume 1. Susquehanna Antiques...
    Category

    18th Century Realist Figurative Prints

    Materials

    Paper, Engraving

  • "Yellow Thunder" Chippewa Chief Lithograph Portrait by McKenney & Hall
    By McKenney & Hall
    Located in Hallowell, ME
    “O-hya-wa-mince-kee. A Chippewa Chief.” [Yellow Thunder.] From McKenney & Hall’s History of the Indian Tribes of North America. Philadelphia: Rice & Clark, 1843. Folio: image ca. 15 x 12. Lithograph. Original hand color. Very good condition. The McKenney & Hall lithographs of Native Americans The McKenney & Hall prints of Native Americans, from their History of the Indian Tribes of North America (1837-1844), document an important part of American history, illustrating the great leaders of the Indian nations which have disappeared since the mid-nineteenth century. Thomas McKenney, head of the United States Bureau of Indian Affairs for many years, was a champion of the Indian and fought throughout his tenure to preserve something of their culture, so integral a part of the history of the United States. His legacy was a gallery of portraits of the great chiefs by artists such as James Otto Lewis, Charles Bird King and George Cooke...
    Category

    1830s Academic Portrait Prints

    Materials

    Lithograph

  • Moses with Staff Portrait Print after Guercino (1591-1666)
    By Giovanni Francesco Barbieri (Il Guercino)
    Located in Hallowell, ME
    Print of Moses, after Franceso Barbieri called Guercino (1591-1666). This is an old master portrait print of a drawing of Moses standing with his wooden walking stick...
    Category

    18th Century Old Masters Portrait Prints

    Materials

    Etching, Paper, Ink

  • Botanical Print by Redoute, 18th C.
    Located in Hallowell, ME
    Mark on left seems rubbed, light foxing--see title and look it up as a Redoute image.
    Category

    Mid-18th Century Old Masters Still-life Prints

    Materials

    Color

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    By Henri de Toulouse-Lautrec
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    TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...
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