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James Allen
Coal Heavers

c. 1935

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  • Bailey's Beach, Newport, Rhode Island.
    By Clifford Isaac Addams
    Located in Storrs, CT
    Bailey's Beach (Newport, Rhode Island). 1933. Etching. Hausberg 126 state v/vi. Edition 75. 6 x 7 7/8 (sheet 9 3/8 x 12 3/8). Printed with extensive plate tone with plate tone on 'Va...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • Spring Night, Greenwich Village
    By Martin Lewis
    Located in Storrs, CT
    Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
    Category

    1930s American Modern Figurative Prints

    Materials

    Drypoint, Etching

  • Wall Street
    By Joseph Pennell
    Located in Storrs, CT
    Wall Street. 1904. Etching. Wuerth 344. 11 3/4 x 7 7/16 (sheet 15 1/2 x 10 1/4). Edition about 75. A rich, tonal impression printed on Japanese mulberry paper. Signed in pencil. Hous...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • Bailey's Beach, Newport, Rhode Island.
    By Clifford Isaac Addams
    Located in Storrs, CT
    Bailey's Beach (Newport, Rhode Island). c. 1931-1933. Etching and drypoint. Hausberg catalog 126 state vi. Edition 75. 6 x 7 7/8 (sheet 9 9/16 x 12 1/2). Printed on cream wove paper ...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • "The Caissons Go Rolling Along".
    By Kerr Eby
    Located in Storrs, CT
    "The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
    Category

    1920s American Modern Landscape Prints

    Materials

    Drypoint, Etching

  • The Biggest of All; Telephone and Telegraph Building.
    By Joseph Pennell
    Located in Storrs, CT
    The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Etching, Drypoint

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  • Guardians of the Spire; Amiens Cathedral Number 2
    By John Taylor Arms
    Located in Middletown, NY
    Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...
    Category

    Mid-20th Century American Modern Figurative Prints

    Materials

    Drypoint, Etching

  • Palazzo dell'Angelo
    By John Taylor Arms
    Located in Middletown, NY
    Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
    Category

    1930s American Modern Figurative Prints

    Materials

    Drypoint, Etching

  • The Old Smyth Gate, Charleston, South Carolina
    By Alfred Hutty
    Located in Middletown, NY
    A view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House. Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Laid Paper, Drypoint, Etching, Handmade Paper

  • Irving Guyer, Christmas Trees on Second Street (NYC)
    By Irving Guyer
    Located in New York, NY
    Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
    Category

    1930s American Modern Figurative Prints

    Materials

    Drypoint, Etching

  • Steps to the Grand Canal, St. Mark's in the distance, Venice.
    By Donald Shaw MacLaughlan
    Located in Middletown, NY
    A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Laid Paper, Drypoint, Etching

  • Tugs on the Hudson
    By Charles Frederick William Mielatz
    Located in Middletown, NY
    Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City rive...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Handmade Paper, Drypoint, Etching

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