James RosenquistJames Rosenquist Untitled1964
1964
About the Item
- Creator:James Rosenquist (1933, American)
- Creation Year:1964
- Dimensions:Height: 22 in (55.88 cm)Width: 28.75 in (73.03 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Washington, DC
- Reference Number:
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
- ShippingRetrieving quote...Ships From: Washington, DC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- On the BeachBy Bernard BuffetLocated in Washington, DCBernard Buffet On the Beach Artist: Bernard Buffet Medium: Original lithograph Title: On the Beach Year: 1968 Framed Size: 18 1/4" x 15 1/2" Sheet Size: 1...Category
1960s Figurative Prints
MaterialsLithograph
- Banquet at the Palace of MenelausBy Marc ChagallLocated in Washington, DCMarc Chagall Banquet at the Palace of Menelaus Artist: Marc Chagall Medium: Lithograph on Arches wove Title: Banquet at the Palace of Menelaus Portfolio: The Odyssey, Volume I Year:...Category
1970s Figurative Prints
MaterialsLithograph
- Profile and Red Child, from Mourlot Lithographe IBy Marc ChagallLocated in Washington, DCArtist: Marc Chagall Title: Profile and Red Child Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 18 1/2" x 15 1/2" Image Size: 12 1/2...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Marc Chagall Night in Paris (cover)By Marc ChagallLocated in Washington, DCMarc Chagall Night in Paris (cover) Artist: Marc Chagall Medium: Lithograph Title: Night in Paris (cover) Portfolio: 1954 Paris - Derriere le Miroir Yea...Category
1950s Figurative Prints
MaterialsLithograph
- Eve Incurs God's Displeasure, from Drawings for the BibleBy Marc ChagallLocated in Washington, DCArtist: Marc Chagall Title: Eve Incurs God's Displeasure Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size:...Category
1960s Figurative Prints
MaterialsLithograph
- Nocturne at Vence, from 1963 Mourlot Lithographe IIBy Marc ChagallLocated in Washington, DCArtist: Marc Chagall Title: Nocturne at Vence Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x ...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Sandeman Porto & Sherry – Iconic Original PosterLocated in Zurich, CHThe Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...Category
1920s Art Deco Figurative Prints
MaterialsPaper, Lithograph
- Henri Toulouse Lautrec, Original Lithograph 1897By Henri de Toulouse-LautrecLocated in Saint Augustine, FLArtist: Toulouse Lautrec (1864 -1901) French Title: The Chestnut Vendor Medium: Lithograph, Year: 1897 Signature: Signed in Plate (TL) Lower Left Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed A lithograph of a Toulouse Lautrec drawing...Category
Late 19th Century Post-Impressionist Figurative Prints
MaterialsLithograph
- "Grande Tuilerie d’Ivry" from Les Maitres de l'AfficheBy Alexandre CharpentierLocated in Hinsdale, ILCHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "The Chap Book " Original lithograph from “Les Maitres de L’Affiche” seriesLocated in Hinsdale, ILBRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Emilienne d’Alencon" from Les Maitres de l'AfficheBy (Attributed to) Jules CheretLocated in Hinsdale, ILCHERET, JULES (1836 - 1932) "Emilienne d’Alencon" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #29, 1898. Plate #113 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to...Category
1890s Figurative Prints
MaterialsLithograph
- "An Artist's Model" from "Les Maitres de L'Affiche" seriesLocated in Hinsdale, ILPRICE, JULIUS "An Artist’s Model" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #1, 1896. Plate # 3 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph