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Jean TinguelyOdalisque #2 (1989) Workshop Proof Silkscreen on Arches By Jean Tinguely1989
1989
$2,952.22
£2,190
€2,543.05
CA$4,132.86
A$4,507.69
CHF 2,375.17
MX$54,059.27
NOK 29,906.42
SEK 27,902.09
DKK 18,992.08
About the Item
Odalisque #2 (1989) Workshop Proof Silkscreen on Arches
By Jean Tinguely
Jean Tinguely (1925–1991) was a Swiss sculptor best known for his playful, kinetic machines that transformed movement, noise, and chance into art. Influenced by Dada and Constructivism, he rejected static, traditional sculpture in favor of mechanical contraptions made from scrap metal, motors, and found objects. His “Méta-Matics,” a series of drawing machines created in the late 1950s, challenged the idea of artistic authorship by allowing machines—rather than humans—to produce abstract artworks. Tinguely’s work was both humorous and critical, often poking fun at modern society’s obsession with progress, automation, and mass production.
1989
Silkscreen on Canson Arches watercolor paper
29 9/10 × 22 in 76 × 56 cm
- Creator:Jean Tinguely (1925-1991, Swiss)
- Creation Year:1989
- Dimensions:Height: 29.93 in (76 cm)Width: 22.05 in (56 cm)
- Medium:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Dubai, AE
- Reference Number:1stDibs: LU1608217285562
Jean Tinguely
Jean Tinguely (1925 – 1991) was a Swiss painter and sculptor, married to Niki de Saint Phalle. He is best known for his sculptural machines or kinetic art, in the Dada tradition; known officially as metamechanics. Tinguely's art satirized the mindless overproduction of material goods in advanced industrial society. Born in Fribourg, Tinguely grew up in Basel, but moved to France in 1952 with his first wife, Swiss artist Eva Aeppli, to pursue a career in art. He belonged to the Parisian avantgarde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (Nouveau Realisme) in 1960. His best-known work, a self-destroying sculpture titled Homage to New York (1960), only partially self-destructed at the Museum of Modern Art NY, although his later work, Study for an End of the World No. 2 (1962), detonated successfully in front of an audience gathered in the desert outside Las Vegas. Tinguely married fellow Swiss artist Eva Aeppli in 1951. In 1971, Tinguely married his second wife, Niki de Saint Phalle with whom he collaborated on several artistic projects such as the Hon – En Katedral or Le Cyclop.
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