Jenny Toth

Ducks Quacking, Cactus Peeking, linear style, monochromatic

2016

This is an artist proof (one of a kind) aquatint of a parrot made up of fingers, and beautiful insects cascading to her right. She has a human ear on one side. The images is 6 x 6 ...

This is an artist proof (one of a kind) etching of a woman with a cactus growing in and out of her. Whimsical and both funny and thoughtful, the composition is both rhythmic and pow...

This is an artist proof (one of a kind) etching of a woman peaking behind a bull's skull with other live bulls dancing around behind. The work has movement and a feeling of a circle...

This is an artist proof aquatint of a woman stepping forward in a tiled Mexican living room with her dog and a mysterious giant cactus coming out of the floor. Image is 9.75 x 9.75 ...

This is an artist proof (one of a kind) aquatint and watercolor depicting a cactus-filled Mexican garden, a mirror tilted up and an image of the artist s...

Oil based ink and oil paint monotype on fine printmaking paper. Moving horse in expressionist active strokes. Bold, direct motion.

Mariana Magdaleno (Mexico, 1982) 'Baila conmigo', 2018 silkscreen on paper Feltmark 300 g 29.4 x 21.3 in. (74.5 x 54 cm.) Edition of 50 ID: MAM-101 Unframed

This beautiful piece speaks about: never stop trying, there is a reward for every step taken, be it good or bad, if your pull the right string, it could be talking to you, chasing yo...

Signed lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise of a swan, reclining and cradling Lida in his wings while King Tyndareus ponders the mutability of human circumstance. Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He became an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism. Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others. Photo of Arthur B Davies circa 1907 in New York City by Gertrude Käsebier courtesy of Library of Congress Prints and Photographs Division Washington, D.C. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al. Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions: Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...

Overall size- H71 x W71 Owl and Pussycat by Rebecca Denton [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:25 cm x W:25 c...

Etching, aquatint, drypoint and scraper, on Rives BFK paper. Hand signed and numbered by Pablo Picasso. Published by Galerie Louise Leiris, Paris. Image size 12.125 x 18.125 inches. ...

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...