The Yellow Belt
View Similar Items
Jim DineThe Yellow Belt2005
2005
About the Item
- Creator:Jim Dine (1935, American)
- Creation Year:2005
- Dimensions:Height: 20.5 in (52.07 cm)Width: 26.5 in (67.31 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Washington, DC
- Reference Number:1stDibs: LU54433801372
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
Find Jim Dine prints and other art on 1stDibs.
- On the BeachBy Bernard BuffetLocated in Washington, DCBernard Buffet On the Beach Artist: Bernard Buffet Medium: Original lithograph Title: On the Beach Year: 1968 Framed Size: 18 1/4" x 15 1/2" Sheet Size: 1...Category
1960s Figurative Prints
MaterialsLithograph
- Marine, from Poesies AntillaisesBy Henri MatisseLocated in Washington, DCArtist: Henri Matisse Title: Marine Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Frame Size: 24" x 20 1/4" Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 3...Category
1970s Portrait Prints
MaterialsLithograph
- Paraphrase d'un Chant d'Enfant dans le Soir, from Poesies AntillaisesBy Henri MatisseLocated in Washington, DCArtist: Henri Matisse Title: Paraphrase d'un Chant d'Enfant dans le Soir Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Frame Size: 24" x 20 1/4" Sheet Siz...Category
1970s Portrait Prints
MaterialsLithograph
- La Chute d'Icare (The Fall of Icarus)By Henri MatisseLocated in Washington, DC“After Matisse” La Chute d’Icare, pochoir, from Verve, Vol. IV, No. 13, “De la couleur” Éditions de la Revue Verve, Paris 1945. An unsigned and unnumber...Category
1940s Fauvist Figurative Prints
MaterialsLithograph
- Christ in the Clock, from Chagall - Jacques LassaigneBy Marc ChagallLocated in Washington, DCArtist: Marc Chagall Title: Christ in the Clock Portfolio: Chagall - Jacques Lassaigne Medium: Lithograph Year: 1957 Edition: 6,000 Sheet Size: 9" x 7 7/8" Image Size: 9" x 7 7/8" Si...Category
1950s Fauvist Figurative Prints
MaterialsLithograph
- Les Banderilles (IV)By Pablo PicassoLocated in Washington, DCArtist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Reflections on Brushstrokes, from the Reflections SeriesBy Roy LichtensteinLocated in Palo Alto, CARoy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 incorporates his iconic multimedia imagery, flowing with eclectic and imaginative sequence of shapes. Bright colors of neon yellow, blue, gray, and green intertwine against each other creating a strong contrasting effect. Shapes and forms are irregularly placed within a rectangular frame allowing the composition to stand out. Lichtenstein’s famous dots are dispersed along the cream colored block running through mainly the center of the image. This creates a comic-like effect that is a common theme throughout his entire oeuvre. Because Reflections is an important series where Lichtenstein uses multimedia and relates to his Mirrors paintings of the early seventies. Dots, stripes, mirrors, prominent brushstrokes presents themselves in a dashing manner throughout this series. Created in 1990, Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 is a color lithograph, screenprint, woodcut, and metalized PVC collage with embossing on Somerset paper. This work is hand signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. Numbered from the edition of 68 in pencil in the lower right margin, there were also 16 artist proofs. Catalogue Raisonné: Roy Lichtenstein Reflections on Hair...Category
1990s Pop Art Figurative Prints
MaterialsLithograph, Screen, Woodcut
- Two Paintings: DagwoodBy Roy LichtensteinLocated in Miami, FLFrom the "Paintings" Series. Lithograph and woodcut in colors. Published by Gemini G.E.L., Los Angeles. Hand signed, dated '84 and numbered in pencil lower right. 14 colors in 11 run...Category
1980s Contemporary Abstract Prints
MaterialsLithograph, Woodcut
- Framed Floral Lithograph and Woodcut by Michael LinLocated in Long Island City, NYArtist: Michael Lin (Taiwanese, 1964 - ) Title: Untitled Year: 2006 Medium: Lithograph and Woodcut, signed, numbered, and dated in pencil Paper Size: 24 x...Category
Early 2000s Contemporary Figurative Prints
MaterialsWoodcut, Lithograph
- Steel Workers, 1946By Antonio FrasconiLocated in New York, NYSteel Workers, 1946. By Antonio Frasconi, 1990. "Steel Workers, 1946" is a woodcut and offset lithograph created by Antonio Frasconi in 1990. This p...Category
1990s Contemporary Figurative Prints
MaterialsLithograph, Woodcut
- United Auto Workers, 1936-1937.By Antonio FrasconiLocated in New York, NYAntonio Frasconi created this woodcut and offset lithograph entitled "United Auto Worker, 1936-1937" in 1991. It is signed, titled, dated and inscribed “2/10” in pencil. The paper ...Category
1990s Contemporary More Prints
MaterialsLithograph, Woodcut
- TWELVE PRINTS BY CONTEMPORARY AMERICAN ARTISTSBy Rockwell KentLocated in Portland, MEKent, Rockwell, et al. TWELVE PRINTS BY CONTEMPORARY AMERICAN ARTISTS. Edited by Carl Zigrosser (1891-1975) and designed by Bruce Rogers (1870-1957) and printed by Edwin Rudge on watermaked Japan paper. Published by E. Weyhe, NY, 1919. Edition of 115 copies, of which 15 were reserved for the artists and collaborators, and 100 were for sale, this being one of the latter. Folio (19 x 14 inches, 48 x 36 cm.), cloth portfolio with title label, Title page, two pages of text by Zigrosser, Table of Contents and twelve plates of varying sizes, each signed by the artist. Erhard Weyhe (1883-1972) established the Weyhe Galley at 794 Lexington Avenue in New York in 1919, with Zigrosser as the Director. In addition to dealing in art, the gallery published prints, singly and in portfolios, usually of the work of emerging American Modernists. This portfolio, dating from the first year of Weyhe Gallery's existence was the first of these publications. Zigrosser engaged Bruce Rogers to design the portfolio, and also personally sought out the artists, visited their studios and selected the works to be included in "Twelve Prints." Blue Bird was Rockwell Kent's first published print (Burne-Jones 1) The Copyist at the Metropolitan (Morse 148) was being worked on when Zigrosser visited, and its inclusion in the portfolio preceded Sloan's own edition. The full list of artists and the titles and media of their works is as follows: Earl Horter - The Dark Tower, etching Rockwell Kent - Blue-bird, wood engraving William Auerbach-Levy - Tony, etching Kenneth Hayes Miller - The Bather, drypoint Jerome Myers - Springtime, drypoint Walter Pach...Category
1910s Figurative Prints
MaterialsWoodcut, Etching, Lithograph
