This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, this work reflects Miros dynamic midcentury evolution, defined by bold chromatic contrasts, spontaneous gesture, and poetic abstraction.
Executed as a lithograph on velin paper, this work measures 9 x 7.85 inches (22.86 x 19.94 cm). Unsigned and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century.
Artwork Details:
Artist: Joan Miro (1893–1983)
Title: Sans titre (Untitled), from Joan Miro, 1956
Medium: Lithograph on velin paper
Dimensions: 9 x 7.85 inches (22.86 x 19.94 cm)
Inscription: Unsigned and unnumbered, as issued
Date: 1956
Publisher: Maeght Editeur, Paris
Printer: Mourlot Freres, Paris
Edition: MM
Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 39; Miro, Joan, and Raymond Queneau. Joan Miro Lithographe II : 1953-1963. Maeght, 1972, nos. 230-238.
Condition: Well preserved, consistent with age and medium
Provenance: From the 1956 publication Joan Miro, published by Maeght Editeur, Paris
Notes:
Excerpted from the album (translated from French), This album has been printed by the printing press of R. Blanchard in Paris on behalf of Maeght, Editeur, 13, rue de Teheran, Paris VII. The original color lithographs were printed on the presses of Mourlot Freres. The photographs of the works are by E. Catala-Roca, Y. Hervochon, Pierre Matisse Gallery, Soichi Sunami and Robert. Miros photograph, page 83, is by Sabine Weiss.
About the Publication:
The 1956 publication Joan Miro, issued by Maeght Editeur in Paris, stands as one of the defining postwar monographs produced by the renowned publisher whose collaborations with modern masters reshaped the landscape of fine art printmaking. Conceived as both a scholarly work and an artistic object, the publication brings together extensive photographic documentation of Miros work alongside original color lithographs printed by Mourlot Freres, the premier Parisian atelier responsible for lithographic editions by Picasso, Chagall, Braque, Leger, and Calder. Produced under the direction of Maeght Editeur—a central force in modern art publishing, exhibition culture, and the creation of Derriere le Miroir—the publication reflects the publishers commitment to merging literary content, critical scholarship, and original prints into unified, collectible works of art. The printing of the text and photographic elements was undertaken by R. Blanchard in Paris, while the lithographs were executed by Mourlot Freres with the technical refinement that distinguished their collaborations with the twentieth centurys most important artists. The publication offers a synthesis of Miros creative evolution during the early and mid-1950s, contextualized within Maeghts broader program of championing avant-garde innovation. Today, Joan Miro (1956) remains an essential publication in the artists printed oeuvre, valued for its craftsmanship, historical relevance, and its role in disseminating Miros work internationally at a pivotal moment in postwar modernism.
About the Artist:
Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012.
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