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Jules Chéret
Les Affiches Illustrées

1896

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  • Playboys (2 American male refugees from the Gatsby era preen on Mexican beach)
    By Caroline Durieux
    Located in New Orleans, LA
    In these beady-eyed playboys, Durieux pokes some fun at the pride and pretensions of the Great Gatsby class. Here are two Americans pretending to be macho on a Mexican beach. Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
    Category

    1930s American Modern Portrait Prints

    Materials

    Lithograph

  • Mawu's Gaze (goddess, associated with the Sun and Moon in Dahomey mythology)
    Located in New Orleans, LA
    Rudolph Taylor created this single color lithograph at Tamarind Institute in PTP. It was printed by Emery Spina in an edition of 15. This is impression #8. Mawu-Lisa is a creator goddess, associated with the Sun and Moon in Dahomey mythology. In some myths, she is the wife of the male god Lisa. Mahu and Lisa are the children of Nana Buluku, and are the parents of Xevioso, The Kingdom of Dahomey was a West African kingdom located within present-day Benin that existed from approximately 1600 until 1904. Dahomey developed on the Abomey Plateau amongst the Fon people in the early 17th century and became a regional power in the 18th century by conquering key cities...
    Category

    21st Century and Contemporary Modern Figurative Prints

    Materials

    Lithograph

  • Woman Walking Away from Gentleman
    By Rudolf Bauer
    Located in New Orleans, LA
    A well dressed woman takes leave of a gentleman. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905, where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm, and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, Bauer had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and his significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, Bauer founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...
    Category

    Early 20th Century Modern Figurative Prints

    Materials

    Lithograph

  • Morning
    By Caroline Durieux
    Located in New Orleans, LA
    Caroline Durieux created the technique (electron print) used in the depiction of "Morning".e. This is only one of 5 impressions. Some have theorized that the image is close to that of the artist's brother, Professor Charles Durieux. In the electron print technique, radioactive isotopes are mixed with printing ink. A drawing is made and exposed face-to-face to paper coated with a radio-sensitized substance. The paper is then developed and produces an exact image of the original drawing. “The image is transferred from the radioactive drawing to the sensitized paper by invisible beta rays,” says Dr. Wheeler. “Since beta rays are electrons, we named the process Electron Printing.” Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
    Category

    1950s American Modern Figurative Prints

    Materials

    Lithograph, Photographic Paper

    Morning
    $550 Sale Price
    38% Off
  • Survivor
    By Caroline Durieux
    Located in New Orleans, LA
    Caroline Durieux's "Survivor" is a pencil-signed lithograph created in 1947 in an edition of 20. It is illustrated in Carl Zigrosser's book on the artist published in 1949. Durieux on Survivor "An extra-terrestrial spotlight falls on this battered subhuman figure; he does not look directly into the light but away from it, raising his hand to it like a beggar. The worn pads on his hands and knees shows that he has walked on them, like an animal, for a long time. There is nothing to suggest that he can stand. The beam of light looks cold, machine like, impersonal. Scornful satire marks the limit of comedy for '. . . there is nothing funny about scorn which comes round again almost to the attitude of divine comedy.' Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
    Category

    1940s American Modern Figurative Prints

    Materials

    Lithograph

    Survivor
    $600 Sale Price
    33% Off
  • Z is for Zoe
    By Harvey Daniels
    Located in New Orleans, LA
    This is an#1 of an edition of 7 Harvey Daniels (British, 1936-2013) Born in London, Daniels attended the Willesden School of Art, the Slade School of Fine Art, London University an...
    Category

    1960s Pop Art Figurative Prints

    Materials

    Lithograph

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