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Jusepe de Ribera
Saint Bartholomew

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  • Saint Bartholomew, Old Master, Oil Print, Ribera, Figurative Art, Spanish Art
    By Jusepe de Ribera
    Located in Greven, DE
    Old Master An Oil Print after a Painting by Jusepe de Ribera in the Museo del Prado, Spain. This is an early print after the original.
    Category

    20th Century Baroque Figurative Prints

    Materials

    Oil, Canvas

  • "CHINGON" Hand Embellished Print (FRAMED) 40" x 30" inch Ed. 1/1 by Isaac Pelayo
    By Isaac Pelayo
    Located in Culver City, CA
    "CHINGON" Print (FRAMED) 40" x 30" inch Edition 1/1 by Isaac Pelayo Hand embellished print Oil stick, aerosol, and sharpie on archival sugar press paper Size framed: 44" x 34"...
    Category

    21st Century and Contemporary Baroque Figurative Prints

    Materials

    Oil, Spray Paint, Archival Paper

  • Beauté du XVIIIe siècle 1, Contemporary Classical Artwork, Portait Art
    By Agent X
    Located in Deddington, GB
    Beauté du XVIIIe siècle 1 by Agent X [2022] Please note that insitu images are purely an indication of how a piece may look "Beauté du XVIIIe siècle 1" depicts a Baroque style, flor...
    Category

    21st Century and Contemporary Baroque Portrait Prints

    Materials

    Canvas, Digital

  • On the Beach Baroque Style Figurative
    By Ben Messick
    Located in Soquel, CA
    Study of a female nude in the Baroque style, by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick 40" in plate and pencil lower left, by the estate. Unframed. Image size, 4.75"L x 10.5"H; overall mat size is, 16"L x 20"H. Some foxing to over-mat. The following is submitted by Jim Lafferty whose sources include the autobiography of the artist: William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise." By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases...
    Category

    1940s Baroque Figurative Prints

    Materials

    Paper, Ink

  • Nevada
    By Shan Merry
    Located in San Francisco, CA
    This artwork titled "Nevada" is an original lithograph by noted French artist Shan Merry, born 1935. It is hand signed and numbered 97/450 in pencil by the artist. The image size is 15.5 x 14 inches, framed is 32.25 x 29 inches. It is beautifully framed in a custom gold frame, with fabric matting and gold color bevel. it is in excellent condition. Shan-Merry began her artistic studies in 1957 at the Ecole Nationale Superieure des Arts et Metier, in France. By 1972 she was working as a professional fine artist and began exhibiting regularly in prominent art galleries. By the 1990’s her works were included in prestigious international collections and exhibitions in Belgium, Germany, Japan and the United States. She was also a designer for Hermes...
    Category

    Late 20th Century Baroque Figurative Prints

    Materials

    Lithograph

  • Hunting Scene - Original Etching by Antonio Tempesta - Early 17th Century
    By Antonio Tempesta
    Located in Roma, IT
    Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...
    Category

    Early 17th Century Baroque Figurative Prints

    Materials

    Etching

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